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Tom McCarthy

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    Lifelong lover of mystery and language.

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  1. ASSIGNMENT ONE Story Statement: Find the missing cross and the murderer without getting killed by narco-ranchers and return the cross to its rightful home in the wild borderlands ASSIGNMENT TWO Antagonist: Wade Baudette knows that God chose him for great things. Born into poverty to shiftless, heathen parents, he left home the day after graduating high school and travelled Central and South America, scraping by on odd jobs, learning the language and connecting with the people. He learned that he was endowed with three undeniable qualities that propelled him to be an instrument of the Divine: faith, eloquence and ambition. Over the subsequent decades, he built his Miracle Ministry into an international brand and multimillion-dollar juggernaut, filling stadiums and proclaiming the “Prosperous Miracle of Belief.” He’s a true believer who never took a false or dishonest step. Then came the pandemic. Unable to fill stadiums, travel, or sustain his Dallas mansion and megachurch, he and wife Sharon decamped to her family ranch in West Texas. Even in the depths of poverty as a boy, he never knew the kind of desperation that consumed him as he watched his empire collapse. There’s nothing he won’t do to fulfill his destiny and re-establish his rightful position atop the spiritual hierarchy, even if it means the sacrifice of lesser lives. ASSIGNMENT THREE Breakout Title: Border Cross Alternatives: Crossbreed Daughter of None American Girl Not Molly ASSIGNMENT FOUR Comparables: Winter Counts by David Heska Wanbli Weiden [2020, DEBUT fiction] Comparable to Border Cross in the following ways: · Setting: small town, rural, fairly isolated community but vast in terms of geographical area · Protagonist: recently returned to birthplace, about which he has mixed feelings; minority identity; seeks justice · Spiritual element/theme/undercurrent · Cross-cultural and Indigenous themes · Drug issues and drug cartel · In the end, protagonist embraces and is embraced by community and finds personal redemption · Gritty and raw, but with a heart Old Bones [2019] and the Nora Kelly series (Scorpion’s Tail [2021], Diablo Mesa [2022] and Dead Mountain[2023]) by Preston and Child · Set in American southwest · Historical artifact with cultural significance is at the heart of the mystery · Wilderness and nature play key role in atmosphere, mystery, themes, character and resolution · Within that context, (wo)man vs. man remains the primary conflict · Strong women characters with inner conflict · Long-hidden history erupting into present ASSIGNMENT FIVE Hook Line: A deputy sheriff must overcome a desperate killer and confront the truth about her own birth in order to expose the narco-ranching operation, recover a priceless artifact and return the artifact to its home in the remote US-Mexican borderlands. ASSIGNMENT SIX Inner Conflict Conditions: Terra grew up as Teresa Flynn. She has known from a young age that she was adopted. She has always had a small cross that her parents told her was with her at the time of adoption. They knew nothing about her biological parents. Raised in an Irish-Catholic family, she was lovingly taught to disregard her light brown skin, black hair and dark eyes, that she was no different from her fair-skinned, red-haired parents and (not-adopted) sister. Growing up, these earnest reassurances were undermined by manifest realities—she was short and restless, her sister statuesque and scholarly—and by her own feelings. Through her teenage years, the emotional and psychological gap between her and her family became harder for her to ignore. The appreciation she felt for their attempt to elide the differences was supplanted by questions and resentment. When she joined the military after high school, she decided to research her adoption and discovered that her given name was Terra and that her birthplace was someplace called Hades, Texas. Google Maps showed a small town east of El Paso and about an hour from the Mexican border. Under “Mother’s Name” and “Father’s Name,” the papers indicated “Unknown.” She decides in that moment to call herself Terra, but her newfound knowledge brings mixed feelings and more questions: she wanted to learn more but was afraid of what she might find. She desperately wants to know more about her origin and identity, and possibly forge a connection to people—Does she have blood relatives?—and a place. But will her efforts only drive a greater wedge between her and her adopted family? And what if she learns something that only makes her feel like more of a misfit than she already is? Should she, instead, put her energy into repairing ties with her parents and sister and trying to forge more of a connection with them? She decides to take job that will put her face-to-face with all these questions—and more. Scenario: She knows she is “from” this town but doesn’t feel like it, feels nothing like a sense of “hometown” or roots. Since she moved to town, people ask her where she’s from and she doesn’t know what to say. What did she expect? Before, she had always said Boston. Since researching her adoption papers, the question of origin has become hopelessly complicated. After Alma (the woman who cared for her for her first several months) provides more details (trigger)—that she was found as a newborn in the arms of her dead mother somewhere in the borderlands along the Rio Grande, that a migrant came upon her and rescued her, along with the small silver cross that hung from a chain around her mother’s neck—Terra’s first impulse (reaction) is to get away from this town, this job. As far away from the border as possible. She feels both more intrigued by her own origin story, drawn to explore the borderlands, and yet horrified, saddened, afraid to learn more. Moreover, Alma tells her that the Atrial Cross stolen from the church must, like Terra herself, return to its origins. And that Terra herself must undertake that journey. Terra knows little about her origin and birth. Her adopted family has told her next to nothing and despite her skin color and features, they tell her she’s as Irish Catholic as they are. As she grew to adulthood, she could no longer deny the feeling of disconnect from them and their whitewashed sense of her identity. Hoping to learn more about who she is, after her discharge from the Army she has taken a job in the West Texas town where her adoption papers say she was first found. She wants to learn everything she can about her background and parents, though something tells her it’s complicated and that she may not like what she finds. Trigger: Within a few months of beginning her new job, Terra accompanies the sheriff on an emergency call to the border. Border Patrol is asking for assistance with a group of migrants on the run, some of whom are reportedly injured. When Terra arrives on scene, her heart is pumping. Despite never having been here and knowing full well that her job is law enforcement not search and rescue, nevertheless something visceral stirs in her gut. She feels some kind of connection to these strangers fleeing for their lives. Without consciously deciding to do so, she finds herself disregarding the sheriff’s order and undertaking an arduous and treacherous effort to reach two migrants rimrocked in a canyon. Risking her own life, Terra eventually reaches a young mother clinging to the side of a rock face gazing down at the lifeless body of her little girl a hundred feet below. Terra calmly and skillfully harnesses herself to the mother and leads her to safety. Throughout the emotional ordeal of laying the child’s broken body in the woman’s arms one last time, then staying with the woman as she was taken to the county hospital, Terra remained more composed and self-controlled than most of her male colleagues. Later that evening, upon arriving home, Terra closed her apartment door, removed her gun, lay on her bed, curled up in a ball and sobbed as she could never recall having done before. She wants to be here, to search out her origin story, to ask the hard questions, but does she want the answers? She wants to do the work, but does she want to see the pain? Secondary Conflict An unremarkable cross hanging at a side altar of the Holy Angels Catholic Church has recently been attributed with the power to work miracles. Desperate believers are flocking from afar to seek miracle cures, and the town is in the national spotlight. While Deputy Sheriff Terra Flynn finds such claims to be nutty, she can’t deny the cross’s importance: when the cross suddenly goes missing, the parish priest reveals to Sheriff Cal Wetter and Terra that the it is actually a rare and valuable Aztec artifact with a complex origin far beyond Holy Angels or even Christianity. Belying her initial impression, the cross fascinates Terra with its unusual, hybrid identity. Early in the investigation, she begins to suspect that her boss, Sheriff Wetter, may have stolen it. He has been sheriff for many years and is leading the investigation, and she’s relatively new to the job and the town, putting her in a delicate and tenuous position. What should she do about her suspicions? How can she pursue them without alerting the sheriff or one of his allies? What if she’s wrong? The extraordinarily rare cross captivates nearly everyone, and Terra knows that it must be recovered, no matter the cost. ASSIGNMENT SEVEN Hades, Texas. Population 7,238. Cutler County seat. A couple hours east of El Paso and an hour from the Mexican border. Summers are hot and muggy, winters are cold and windy. The horizon feels a long way off, and skies are usually cloudy or partly cloudy. Ranching is big around Hades, but it draws a smattering of tourists. Some key sub-settings depicted in the novel: · Known as an artsy town with galleries selling unusual gems, paintings and one-of-a-kind handcrafted products. Proud of its quaint downtown, with a handful of cafes, restaurants and coffee shops and a historic library overlooking the peaceful and inviting village green. An hour from canyons, rock faces, mountains and the Rio Grande, it provides the perfect base for hikers, rock climbers, off-road cyclists and outdoor enthusiasts looking for wilderness adventure away from the crowd. · From the beginning—which depicts migrants on the run from cartel thugs while being pursued by a US sheriff’s deputy—to the end—where that same deputy, our protagonist, is herself being pursued by the villain, himself a collaborator with the cartel—the novel takes readers into rugged wilderness in its varying landscapes and topography. Between Hades and the border, vast open stretches of Chihuahuan Desert sit side-by-side with rolling hills that give way suddenly to dramatic cliffs and rock faces which, in turn, spill open and cascade down into the waters of the Rio Grande itself. Near the novel’s first plot point, the body of Cutler County Sheriff Cal Wetter is found along the banks of the Rio Grande. · Big Bend National Park and Big Bend Ranch State Park: two enormous areas of rugged natural beauty and deadly terrain rarely if ever trodden by human feet. Deep canyons, sheer drops, dramatic rock outcroppings, remote and little-known slot canyons. · Zino Ranch: 50,000 acres that span the distance between Hades and the Rio Grande. A vast spread of majestic isolation where it’s not unusual to stumble upon a carcass—even a human one—which could go undiscovered for days, weeks, or indefinitely. Home to Patsy Zino, whose husband of 55 years died of COVID two years ago. During his illness, it also became home to their daughter, Sharon and her husband Wade Baudette, who live in a separate house on the ranch. The ranch consists of several houses and guest houses along with countless other buildings and facilities, including barns, stables and, since COVID forced him out of his expensive Dallas location, a small bakery that produces Wade Baudette’s communion wafers for his Miracle Ministry. Zino Ranch is ostensibly a normal Texas ranch, on whose southern border are security cameras that help the US government catch drug smugglers. What the government doesn’t know is that the ranch foreman runs a narco-ranching operation. Herds of cattle are legally brought across the border onto Zino land, after which select heifers are herded and prodded into stalls where they are injected with a vaccination against Blackleg—all of which is normal and legal. During the vaccination, however, bags of fentanyl are swiftly and deftly extracted from the heifer’s vagina. The fentanyl is then moved to the bakery facility, where it is baked into communion wafers and distributed throughout the Southwest in unassuming station wagons marked with the Bread of Heaven logo. · In the two years since Wade and Sharon have lived on the ranch full-time, the Big House has become a reflection of Sharon’s extravagant taste. While the views from its generous windows and wrap-around porch are expansive and breathtaking, the visitor’s eye is drawn at least as irresistibly to the interior furnishings thoughtfully procured from around the globe. · For the past several months, claims have been made that a small cross in Holy Angels Catholic Church has been the source of miracles. These claims have gone viral, bringing a steady stream of hopeful and desperate pilgrims from near and far to the small town of Hades—and with them a throng of media. Outside the church, a long line of these miracle-seekers snakes around the church and down the block, a mix of migrants and Anglos, rich and poor, young and old, many manifestly hobbled, sick, weak or disabled. Once inside, they kneel before the cross and submit written prayers and petitions. Some pray in breathless silence, others wail and cry out, all with desperation in their eyes. Hades is ill-equipped for the spectacle, and conflict ensues: among the miracle-seekers, jostling and vying for position; for Holy Angels pastor, Fr. Tim Day; and especially for Sheriff Cal Wetter and his deputies, who have their hands full. · When the cross goes missing, Wade Baudette has an idea for shifting attention from Holy Angels to his own Miracle Ministry. He will host weekend a Grand and Godly Revival weekend. It is a spectacle attracting several thousand participants who gather beneath enormous marquee tents to be inspired by Baudette’s unique brand of preaching. Loudspeakers, huge video screens, cameras that livestream the event, port-a-johns, food trucks, and emergency medical people/vehicle, which comes in handy when people start swooning and passing out. · In several scenes, the reader is taken behind the small house that the Dzul family has called home for over 100 years. Its current resident, Alma Dzul, is a 69-year-old artist, craftswoman, woodworker, stone-carver and blacksmith. She is a member of Holy Angels parish but also a practitioner of Indigenous and Aztec (spi)ritual dance. She privately performs this dance at night within a carefully cultivated and curated bower on the edge of her property that borders but is indistinguishable from an endless landscape of desert and mountain. In and around the well-stocked workshop that she first constructed as a young girl and has lovingly re-fashioned and extended ever since, she exercises her craft, using an array of chisels, knives, hand saws and hand planes, hammers and mallets, files, carving gouges, rasps and countless other tools and implements. Hanging from the walls and ceiling are colorful drawings of Aztec gods and figures, along with objects hewn from stone and carved in wood, earthy as well as brightly-colored objects and works of art depicting the sun, moon and figures from Aztec religious practice.
  2. Scene 1 Terra hoisted the heavy red gasoline canister to her lips and took a swig. “The only thing that ran out of gas is your bullshit story,” she said, her sparkling black eyes trained on him. The young man cuffed to the barbed-wire cattle fence dripped with sweat, despite the fact that clouds had been blocking the sun for the past few hours. He looked ridiculous out here, Terra thought, with his pristine white hoodie and his high wave of stiff slicked-back hair. The hardy foliage and rugged black bark of the massive ebony tree behind him added to the absurdity. Its olive leaves danced in the wind that seemed to be picking up as the afternoon kicked in. The young man’s attempt to flee on foot had been taxing and short-lived. He was nursing a fast-rising lump on his forehead from striking the fence post after an overly ambitious attempt to evade capture. In her six months as a deputy sheriff for Cutler County, Texas, Terra had already learned that you never knew what or who you’d find while on routine patrol—including gasoline cans repurposed as giant water jugs. “How many are you expecting? Where’s the stash house you were planning to take them to? Who’s your contact?” The man spit, but his mouth was too dry, so most of it dropped near his shoes. He couldn’t be more than twenty, not that much younger than Terra herself. “Don’t know what you’re talking about. Like I said, I drove down to hike Closed Canyon trail and see the river. It’s flowing pretty good.” “You always drive a twelve-passenger van to go hiking?” She looked at his feet. “And wear Vans? Interesting choice of water bottles, too.” She tossed the canister. “Especially considering you’re nowhere near Closed Canyon.” “Well, you sure as hell don’t look like a Flynn,” he sneered, trying to look tough as he nodded toward the name tag pinned to her khaki uniform shirt. “Or like a fuckin’ Texas sheriff or whatever. More like some tight little indigenous Meh-hee-cana babe.” He raised his eyebrows and let out a laugh. “But no way are you from around here.” That stung, for reasons she couldn’t understand. You know nothing about me or where I’m from, you brain-dead punk, she wanted to say. Hell, she hardly knew herself. “You’d be surprised,” she said. The police radio from her F-150 crackled. “Terra…Terra, you read me?” She walked to the truck and grabbed the mic. “I read you, Sheriff.” “Border Patrol needs our help. A group of illegals east of your location. Gunshots heard. BP says that the illegals were caught in the turf war between Zetas and Jaliscos. Last seen headed your way—or trying to. I’ll text you coordinates. Get over there fast, but do it slowly, if you know what I mean. Ronnie and I are still in Hades, dealing with the shit-show from that goddamn church. We’ll head your way ASAP.” “Roger that, Sheriff. I’ve got their ride cuffed. He’s not going anywhere. I’ll head east, hugging the river as long as I can.” “And Terra. Bring your rifle.” * * * She drove fast for ten minutes along a rutty gravel track, her ponytail bobbing up and down to the rhythm of small rocks pinging against the wheel wells and undercarriage. She slowed down to negotiate a sharp turn-off into roadless open ranch land that required her to reduce her speed—only a little—in order to weave the pickup around juniper, blackbrush and creosote while keeping an eye on her GPS app. To her right the Rio Grande wound its way in and out of view, blocked by sand dunes and by larger mesquite trees and the dense, puffy golden bloom of huisache. The light precipitation earlier helped keep down the amount of dust kicked up by her wheels, minimizing the chance of her being spotted by anyone scoping out law enforcement on either side of the river. As the terrain became rockier, she slowed down until the rock rose abruptly in front of her. She slammed on the brakes and got out. After grabbing her mini binoculars and Camelback, she slung her rifle over her shoulder. Wasting no time, she scaled the rocky slope, some 70 feet high, making quick work of its steep rise and jagged outcroppings. Just short of the top, she crouched behind a boulder and scanned the landscape. The wispy clouds had dispersed as a breeze picked up, leaving behind a nearly unbroken expanse of turquoise. Up here, especially at this time of year, one could begin to appreciate the Rio Grande’s serpentine elegance and robust greenish brown current. Just over 300 feet at its widest point, here it spanned closer to half of that, making it intermittently and unpredictably deeper and more perilous. Across the river, set into a rocky cliff that afforded panoramic views of the winding river below, she could just make out a primitive hut, erected of small and medium-sized stones. A cartel lookout post. Found along the border, these were well-provisioned shelters manned round-the-clock by spotters whose job was to guard cartel territory, monitor the movements of coyotes and migrants and keep tabs on U.S. Border Patrol and law enforcement. She could see a single opening, a small window without glass, strategically situated to afford the occupant a broad vista. Slightly protruding from the opening she could make out the shiny barrel of a gun. She watched that barrel over the next several seconds through her binoculars. It pivoted gradually, almost meditatively, from west to east along a horizontal line, as if tracking a target below. It reminded Terra of a stalker undressing a woman with his eyes as he contemplates the perfect moment to pounce on the object of its leering. She looked where it seemed to be pointed, at first with the binocs, then with her naked eye. Below her a dozen people spurted recklessly in no particular direction, their faces taut with panic. Vague sounds of distress reached her across the breeze. Shit, Terra thought. Exactly the kind of chaos she hated about the border. She preferred straightforward law enforcement in accordance with a criminal code. Investigating crimes, apprehending suspects, making arrests, enforcing court orders. Clear-cut stuff that you could get your mind around. Scenes like the one below she found sad but frustrating. Even annoying. Who was in charge? Whose jurisdiction is it? Who are the good guys and bad guys? Which parties are on which side of which country’s laws? Too many gray areas and no clear answers. A shot rang out. A group of three, lugging bags and water jugs, hugged the base of the rock face, frantically scattering like ants. A few others darted back and forth among the sparse riverbank brush. Some could barely run, reluctant to abandon their meager belongings or provisions. A few, having already crossed the river at a shallower point, disappeared from her line of sight. One among the fleeing appeared to be laboring to move at all. With the binocs Terra could see a patch of shiny bright red on his left side. The man stumbled along the southern riverbank. She looked toward the hut. Another shot. This time she saw the muzzle flash before she heard the crack. It echoed back and forth between the steep rock faces on either side of the river. The wounded man, hit again, this time in the shoulder, tumbled down the gently sloping riverbank. He fell into the river with a splash. His body disappeared before bobbing to the surface, face-down. In half a minute he was lost from view. Terra looked up in time to see a man walking quickly away from the hut on foot, rifle in hand. Headed away from the river, he disappeared. He must have hit his target, a coyote for a rival cartel, and was headed for another hut. He probably wouldn’t be back for awhile. Probably. The question was what could, and should, she do now? No fucking idea, she thought. She came into this job to enforce federal, state and county law. Right and wrong were anything but fuzzy concepts to her. As military police this distinction, this clarity, was never in question. She saw no reason why the transition to deputy sheriff shouldn’t be seamless. The law was a set of regulations, set down in writing, beyond dispute. She liked that. A lot. What she didn’t like was this. Illegals, migrants, chaos, lawlessness, flouting of laws. She grew up believing a border meant something. Boundaries matter. Where was the border? What even constitutes the border? Is this it? The Rio Grande? Yes and no. Not so simple. Thinking there may be more wounded or injured, Terra flew down the rocky slope like a mountain goat. She pushed through thick brush that gave way to sand, in which she could make out indistinct footprints and bits of torn clothing. As she kicked aside an empty red gasoline canister, she tried to imagine the desperation someone might feel at this point along a northward journey, having lugged such a heavy canister of water all this way and then depleted it. They were a long way from the next chance for water, let alone whatever destination they had in mind. She emerged from the low dune, past a a small but obvious cairn, a common sight in the borderlands, marking a northward trail. As she slid down to the river, taking in the scene at ground level, it seemed oddly familiar, though she’d never been here. From somewhere within the river’s whooshing meander came a dreamlike memory as indistinct as the sandy footprints. Or was it foreboding? She turned left, keeping a vigilant eye on the hut. No sign of the rifle or shooter. A faint cry of distress wafted over the low rush of water. Were there more wounded? injured? Was it a trap set by the cartel? She scanned the opposite bank. The people she’d seen earlier were nowhere in sight. To her east the riverbank narrowed on both sides and gave way to a steep canyon that cut a perpendicular path to the north and south, bisected by the river. She checked her GPS and her topo map. Her portable radio crackled to life. “Terra, where are you?” “I think it’s called Black Canyon.” “I know the place. What’s your plan?” “Best guess, a cartel guy took out a rival coyote. He’s laying low. There may be more wounded or injured across the river. What do you advise?” “Focus on the shooter. Stay in a sheltered position and keep an eye out for him ‘til we get there. Maybe twenty minutes. If he fires in your direction, defend yourself. Otherwise, sit tight.” “And the illegals? Like I said, there may be injuries. Or worse.” The line was silent for several seconds. “Hell, I feel for the bastards, too, Terra. But they got themselves into this shit-show. Ain’t our responsibility anyway. Besides, you’re no good to ‘em if you’re shot.” She heard another echoing cry. It came from the area near Black Canyon. “Roger that, Sheriff.” Everything was a shit-show with him. Hell, was his daily shit a shit-show? She promptly dismissed that image. He’d misunderstood her. Sure, she felt for these hapless migrants. Who wouldn’t? But her job didn’t include making herself an easy target for some sniper. She’d dealt with plenty of them in Kandahar and the nearby Sulaiman Mountains. The only taste she had for bodily harm these days involved rock climbing and the gym. She heard another cry, more distinct this time. From high above her. She looked, shielding her eyes from the sun. A hundred feet up the opening of Black Canyon, overlooking the river, a woman teetered on a barely perceptible ledge. Stray strands of long, dark hair fluttered across her face in the light wind. Beneath those ruffling strands her eyes, even from this distance, were shimmering black pools of terror and uncertainty. A small child swaddled to her chest, she had her back pressed against the rock. The woman had frozen. Terra stopped breathing. In the moment before instinct propelled her to help the woman and child, a feeling washed over her. Like the one a few minutes earlier, but much stronger. A stirring of recognition akin to déjà vu but laden with dread. Was it the woman? Her small child? The terrain? Terra started breathing again. And felt her feet carrying her. With urgency. Two other migrants had tried to help but had gotten no further than ten feet up. One was a boy of about twelve, dripping wet. The phone number scrawled on his arm, marking him as an unaccompanied minor, would be that of an older relative in Oaxaca or Guatemala City or Chicago. Someone to call if he made it through. Or if he didn’t. The ink had started to run, the result of hiding and hunching in the water for some time, Terra surmised. Before she even heard him pleading with her—“Man was shooting. She try to escape. You can help? Please?”—Terra had already unloaded and dropped her rifle, tossed the binoculars and begun assessing the quickest route up the nearly vertical face. Though it offered plenty of small outcroppings and jagged handholds, Terra knew that limestone readily crumbled. Nonetheless, ten minutes’ efficient scrambling brought her nearly halfway to the woman. Though in her element, Terra relied as much on adrenaline as experience or skill. Every few minutes she would call out to the woman: I’m on my way…It’s going to be all right...Está bien. Soon she stood about twenty feet below and at an angle to the woman and had her in sight. She seemed to be adjusting the child in the wraparound cloth carrier. Terra could see bits of rock cascading down as the woman adjusted her precarious position. “No te muevas. Try not to move,” she told her in an upbeat tone that masked her growing concern. The child seemed in distress, and its mother naturally wanted to soothe it. The thin ledge offered little margin for error, however, meaning that the slightest slip could be disastrous. “Almost there,” Terra said after another five minutes of climbing. Then she heard crunching gravel followed by a woman’s scream. She looked up and over in time to see the child tumbling down beyond the reach of the mother’s outstretched arms. “NO!” she cried out. Terra watched in dread as the child fell past her, oblivious and unimpeded, its tiny arms extended as it slowly rotated in the air. Then came the surreal thump of the body smacking the firm, sandy ground below. It rolled twice, then came to a stop. Hearing no sound from the motionless, the mother began to wail. Her right foot had slipped off the edge She had instinctively grabbed the nearest protruding rock, which somehow held, allowing her to remain on the ledge in a squatting position. “Terra! What the hell you doing?” came the sheriff’s voice from below and upriver. “Will explain later,” Terra called out. She pointed downward. “A child fell! Find her!” “Got her!” called out Deputy Ronnie Criss a moment later. He had run up from the other direction. She knew she’d catch hell from Welter. She knew she violated regulations. Normally, she would have been the first one to question the judgment of anyone else doing what she was doing. What was her excuse? Did she have one? All she knew is that this wasn’t normal. Nothing about the borderlands was normal. It was its own crazy space, with its own set of rules that were not rules. The opposite of everything she knew about law enforcement and everything she wanted to believe about humanity. None of that mattered at the moment, against the backdrop of the mother’s weeping. Terra forced herself to block it all out, push down the lump in her throat, as she’d learned to do. “Look at me!” Terra called. Look at me!” Louder this time. The woman remained awkwardly squatting on the ledge, her back to the rock. She glanced over and down to where Terra was ascending the final distance between them. “I’m going to get you down,” she said in a calm monotone. “I promise. And your baby will be fine. Está bien. Prometo. But I need you to take a deep breath. Toma una respiración profunda.” A few minutes later, she squatted beside the woman and put an arm around her. She could understand the woman’s terror. From where they stood, more than a hundred feet up a steep rock face, the exposure was real. Anyone but an experienced climber would be hard pressed to function, let alone stay calm and move fluidly to safety. She could also imagine how the woman must have ended up here, fleeing for her life, thinking she was moving to safety and before she knew it finding herself and her child stuck and paralyzed. But where the distressed and now grief-stricken woman saw no escape, no way back, Terra did. “I’m Terra,” she said. “¿Cómo te llamas?” She managed to say, “Isabella….Isa.” “Okay, Isa, you’re going to be fine. I promise. You and I are going to walk to the bottom.” “Mi niña,” she sputtered. “Yes, we’ll find your baby. Juntos. Together.” Over the next thirty minutes of coaxing, assisting and on occasion supporting the woman’s entire body-weight, Terra guided them to the bottom. Isa rushed to take the child from Deputy Criss. He said he had made several attempts to get her to swallow some sips of water from his canteen but wasn’t sure she had taken any. The little girl was breathing, but unconscious. Sheriff Welter, who had his rifle in hand, said that he had seen no human activity, including at the cartel lookout hut. He had called Cutler County Hospital and that they were standing by. He looked at Terra. “The MedEvac copter is on another call, so you and the mother follow me and Ronnie. We’re parked by your truck. If we push it, we should be able to get there in half an hour.” As they were rushing down the river and back over the dune to the vehicles, Welter pulled Terra aside. “God damn it, Terra, why’d you do that? Endangering yourself, leaving yourself vulnerable.” He shook his head. “You gotta get your head right.” She nodded. She knew he was right. But she wasn’t sure she had been wrong. Three hours later, Isa’s daughter lay safely in the ICU, her mother sitting beside her bed with one hand on the little girl’s and the other holding her rosary. As she and Ronnie walked to their vehicles, he exclaimed, “Damn, Terra! That was some badass heroic shit today! Hands all scraped and bloodied and you didn’t even notice! I was pretty much choked up from the moment I saw that little girl. You got some kind o’ steel in your, well, you know.” He grinned. “Just sayin’, you may be small but you’re ballsy. And strong as hell!” His excitement was lost on Terra. Her mind had gone nearly numb. She may have mustered a polite grin. She couldn’t say. When Terra got home that night, she hugged her black lab, Gitter, then filled his dish. As he devoured his food, she lay on the kitchen floor beside him, spreadeagled and staring at the ceiling. After a minute, something began to well up in her. It started in her gut and made its way to her throat. Before she knew it, she heard herself sobbing. Wracking sobs. After trying to choke back the sobs, she eventually gave in to them, curling up in a ball. Ten minutes later, after the crying stopped, she was spent. Somewhere within Gitter’s crunching and the sting of her bloody hands and the image of the free-falling baby, Terra became aware that the vague sense of foreboding she’d felt earlier that afternoon remained a shapeless presence within her. A distant thunder rumbling steadily closer.
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