Art and Life in Novel Writing
Writer takeaways on craft and development learned from the best books on technique utilized in the commercial novel writing program (the forum above) including "The Art of Fiction" by John Gardner, "Writing the Breakout Novel" by Donald Maass, "Write Away" by Elizabeth George, and "The Writing Life" by Annie Dillard. NOTE: the links below are selections from our AAC highlights forum, Kara's Cabinet of Themes and Curiosities.
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Books on Fiction Writing Utilized in the Algonkian Novel Writing Program "The Art of Fiction" by John Gardner (a great primer for this commercial program) "Writing the Breakout Novel" by Donald Maass (another good primer) "Write Away" by Elizabeth George (a no nonsense primer, and humorous) "The Writing Life" by Annie Dillard (a look at the struggle) ________________________________________________________________________________ As you've noted on the novel writing program website, the above books are listed as must reads for this program. Therefore, the purpose of this forum is to nudge you into taking what you've learned from these …
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The Art of Fiction, by John Gardner 1. One of the major lessons I learned from Gardner’s work was that all questions I raise within a text, I must answer. Otherwise, it leaves the reader feeling dissatisfied. Upon reflection, I discovered that all of my favorite works follow this guideline.They wrap up every individual character’s storyline and identify any unknowns/solve any mysteries by the end of the story. For example, in Les Miz Hugo wraps up the storyline for not only Valjean, but for Cossette, Marius, Javert, Eponene, Gavroche, and even the Master and his wife. They don’t all have happy ends, but they all have definitive conclusions to their stories. …
Last reply by Mikaela Kemsley, -
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The Art of Fiction While rewriting my manuscript (from basically a clean slate), I've been more mindful of making my current draft publishable. The learning curve in doing so has been necessary and useful, yet my progress on this draft (as opposed to my original) has unfortunately been much slower. John Gardner's advice not to sacrifice your writing's "delight" was helpful, as that's one of my motivating factors when writing (and one that is sometimes lost when I feel overwhelmed about strategically perfecting something as opposed to simply writing it). Gardner reiterated that good writing should shift in and out of various POV's, as opposed to limiting the na…
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BOOK REPORTS The Art of Fiction by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? Yes. It reinforced for me some vital components that must permeate the book throughout. For example, the story development must continuously cast forwards, drawing the reader from paragraph to paragraph, from scene to scene. Any let up and the reader can stop caring where the story will go next, at which point the writer has failed, and the reader stops reading. This was particularly important for me to get in my head in the early scenes when I move from place to place, character to character. I had initially focused on b…
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Ben Chewey Reaction to Algonkian Novel Writing Program Readings The Art of Fiction by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? The Art of Fiction helped me as a writer by introducing me to the concept of aesthetic interest. Since the start of my writing career I was aware of the importance of a story having a cast and setting that stands out. John Gardner made it clear why it's important for every aspect of one's story to be organic, or at least as organic as possible from something that does not actually exist. 2. What two or three major lessons did you learn from the book …
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Book Reports The Art of Fiction, John Gardner The Art of Fiction introduced me to the concept of a "fictional dream." Whatever the story medium, the author strives to create a "vivid and continuous dream." All elements of craft must support that dream. Other lessons from the book include grounding yourself in the great literature of the past, maintaining artistic integrity and truth, and lending a novel "profluence." That is, causality, one scene launching the next, but also building synergistically, so that at the climax and resolution, the reader envisions the confluence of images. The story resonates. Lastly, I love the vignette about psychic…
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"The Art of Fiction" by John Gardner (a great primer for this commercial program) "Writing the Breakout Novel" by Donald Maass (another good primer) "Write Away" by Elizabeth George (a no nonsense primer, and humorous) "The Writing Life" by Annie Dillard (a look at the struggle) The Art of Fiction by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? What spoke to me the most regarding this book was the focus on the authenticity of a story. As well as the focus on "feeling" giving rhythm to sentences. It caused me to go back and look at my sentence variation. Was I using fragment…
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"The Art of Fiction" by John Gardener 1. How did the book help you as a writer? What overall aspects of it taught you something? I found this book to be quite valuable. Although Gardener mentions a number of concepts I already agreed with, it was helpful to have them spelled out in a clear and rational way. Gardener spends much of the book focusing on the concept that a fictional story is a kind of dream in which the reader is temporarily transported out of their world. The goal of a fiction writer is to keep his reader completely submerged in this fictional world or else risk losing the reader's interest. With only a few words a writer can easily sell his…
Last reply by StephenScherer, -
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THE ART OF FICTION by John Gardner 1. This book is startlingly basic in both its description of what fiction is and what the writer needs to do. It makes me want to write, to use the power within me to reach out to others, expressing what really matters to me, and hopefully to them also. 2. The primary lessons I learned: structure is paramount - be aware of each word chosen, each sentence structured, each paragraph and scene, as elemental building blocks of character and plot, therefore of the story. Above all else, plausibility: make the fiction so real that the reader lives and breathes within it. My novel, THE BRAID, being a serious (living, breathing) matter …
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The Art of Fiction 1. How did it help me as a writer? Throw away details that are not necessary. Even as a writer who dislikes excessively long books, it's easy at times when writing our own stuff to have fun "playing" with details in the story that might bore others. 2. Two or three major lessons I learned from it? Writing is like any other art form, break the old, traditional rules if you can do it in a way that makes the art more beautiful. And the idea of not overexplaining what a character is thinking. THAT is something that's very easy to do when writing in the third person, and it's a good reminder to show, not tell, even in third person POV. 3. Anyt…
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Book Review - Part 2 - Module 8 The Writing Life by Annie Dillard This book plus some of the assignments within The Art of the Novel gave me permission to be more descriptive in my novel. I fear that it also led me to start too many chapters with exposition. My excuse is wanting to assure that readers know when they pick up the book each time the place and the point of view. The chapters of Dillard's book that I hope to keep in mind are the last two, Chapters 6 and 7, with her analogies of writing and Ferrar Burn's struggle to bring in the log from the sea and then Dave Rahm, the stunt pilot. The first tale is about the writer's struggle against and with th…
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The Writing Life 1. Dillard's perspective of the writing life provides insight into the reality of writing for a living, rather than the romantic notions that my brain tends to fixate upon. I love how she gives permission for it to take years to write a book. I often berate myself for being so slow, but Dillard gives me permission to take my time. I also needed the reminder to create a schedule. It is all too easy to not get around to writing without one. 2. On the practical end she had some motivating comments about revision. Two that particularly struck me were, "I hope you will toss it all and not look back," and "You can waste a year worrying about it, or y…
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Art of Fiction 1. How did the book help you as a writer? What overall aspects of it taught you something? I don’t honestly know if this helped with my writing, though I did like a few of the concepts that he addressed (see #2). I had a hard time reading this, since it was so dense, and I don’t feel that I retained much of it. The “Write Awayâ€� book dealt with many of the same concepts, but in a much more accessible style. 2. What two or three major lessons did you learn from the book that you can apply to your writing and/or your novel? I did like his point about writers benefitting from learning and applying technique, rather than “rulesâ€�. I liked the …
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The Art of Fiction by John Gardner 1. John Gardner is very smart and talented, but also extremely condescending and pompous. As such, I often found myself sort of chuckling reading this book, as he called certain types of would-be writings insulting names, but when I look past the tone, I know there's good advice here. Gardner's emphasis on the importance of reading and engaging in deep, meaningful exploration and study of writing craft is well taken, but I do feel this book is for undergrads and as such was basic for me. I've been teaching English for 16 years. For me, the book had good reminders but no new information. 2. Gardner's advice about clarity and the…
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The Writing Life - Annie Dillard 1. How did the book help you as a writer? What overall aspects of it taught you something? This is the journal entry I wrote directly after finishing the book: In reading this book I find myself wishing I had read it in my early teens, so as to have clearer expectations for the life of a writer, though by now, I largely have learned the same lessons on my own. Enough time in any craft allows a person to bump into tricks of the trade in the dark, and in this way of bumping into them in the dark, the artist happens upon the secrets. In this way this book felt...validating, like a sigh of relief, "Thank God, it's that way for me too.…
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Book Report 1. How did the book help you as a writer? What overall aspects of it taught you something? 2. What two or three major lessons did you learn from the book that you can apply to your writing and/or your novel? 3. Was there anything in the books that obviously conflicted with lessons and readings in our novel writing program. If so, what were they? The Art of Fiction, by John Gardner 1. It taught me that the rules of writing a novel have roughly been the same ever since the beginning. It also taught me that all rules to writing are breakable and many of the early authors broke these rules to some degree or another. Therefore,…
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The Art of Fiction 1. This book was helpful in giving insights regarding what to write. It gave perspective regarding the liberties a writer should embrace and the risks he should be aware of. The section regarding basic skills convinced me to develop the habit of writing and then proof reading what I wrote to develop the innate skill to write good sentences. Writing sloppily from the outset creates a huge task to pore over tens of thousands of words correcting multitudes of bad structure. 2. a. Part 1 is good in helping to formulate personal styles and approaches to a story and how to test those styles whether they are functional for a reader to follow. b. …
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Book Reports Connie Whitmer WRITING THE BREAKOUT NOVEL Donald Maass I found Donald Maass’s book empowering, and invaluable as a writing craft reference, in general, and for my project in particular. “If I write an amazing story, well – they will come!â€� His advice improved every paragraph, page and chapter, knowing what to cut, and what to leave in. And affirmed the passion I feel for the importance of my story, and my need to tell it. And, most exciting, he reaffirmed exactly what I am trying to do. “To write a Break out Novel is to run free of the pack – To go beyond what has been done before - delve deeper, more original, unexplored realm…
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Robert Pfaff, Shrunken Heads, Book Reports Book Reports: The Art of Fiction (Gardener) 1. I have loved John Gardener since I read Grendel in high school. He validated my instincts. For example, I like to break the rules but have always believed that you have to master the rules before you can break them well. Learning a musical instrument or a foreign language teaches you the same idea. You must understand and appreciate structure before you can manipulate it. 11. 1) He debunks certain myths like “Write what you know.â€� It’s a good departure point for a first book, and my first book is a memoir. But I prefer to write about topics that inspire me to learn…
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BOOK REPORTS THE ART OF FICTION by John Gardner How did the book help you as a writer? What overall aspects of it taught you something? I have to say when I started to read it, for a moment I was not liking John Gardner's tone. For me, a little too pompous. But, I agree with what him in that a writer needs to work on his craft to get even better, even if you are born with the talent. The book helped me have a better understanding on the overall craft of writing and the dedication one must put to really become one of the bests. I also learned by his examples proper way of tackling different ways of expressing oneself as a writer. …
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BOOK REPORTS: 1. How did the book help you as a writer? What overall aspects of it taught you something? 2. What two or three major lessons did you learn from the book that you can apply to your writing and/or your novel? 3. Was there anything in the books that obviously conflicted with lessons and readings in our novel writing program. If so, what were they? THE ART OF FICTION - JOHN GARDNER This book challenged me on two levels: an abstract/theoretical level and a more concrete “craftâ€� level. As difficult as it is to apply theory sometimes, it is good to pull yourself away from your work and try to look at it from afar. The “common errorsâ€� section …
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The art of fiction This book does a great job of inspiring the creative spark with its built in lessons, and its a perfect starting place for new writers for this reason. John Gardner's respect for writing as an art form is appreciated, because he stresses the importance of writing not being clearly defined by "do's" and "do not's", or complex mathematical equations. I like the reminder that every subtle detail must be relevant in the story, and that unimportant facts need to become so or simply discarded. This is an easy mistake to make, and the book helps to teach how destructive it can be. It is certainly something I keep a keen eye out for in my revisions. The…
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"The Art of Fiction" by John Gardner (a great primer for this commercial program)
 1. How did the book help you as a writer? What overall aspects of it taught you something? “ The first and last important rule for the creative writer, then I stat though there may be rules (formulas) for ordinary, easily publishable fiction - imitation fiction - there are no rules for real fiction, any more than there are rules for serious visual art or musical composition. Pg. 158. That line made me question a lot of things. With that said Gardner does later imply that you have to be a master to learn how to break those rules correctly. It was good reminder that Im still gree…
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Writing the Breakout Novel: 1. Writing the Breakout Novel was my favorite craft book of this series. This book taught me a lot about what makes specific novels fall into the “breakoutâ€� category, such as how to create a good conflict, how to make theme memorable and relatable, and how to create larger-than-life characters. Overall, Maass gave very specific examples to allow me to not only learn but also see what makes breakout fiction and how to re-create those techniques in my own writing. It also helped me as a writer because it planted all these seeds about what I should be thinking about while I’m working, which was very helpful. 2. I think the biggest less…
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The Art of Fiction – John Gardner 1. A valuable grammar Bible in Part II - Notes on the Fictional Process - that includes basic skills to avoid common errors. Gardner also encourages writers to create their own style. Both directions require practice! 2. Major lessons: A. CHAPTER 5 VOICE: Vary sentence lengths and rhythms to excite the reader. *A sentence with three syntactic slots: The man/walked/down the road. (pg. 106) Don’t cram all three with details. Load down slot 1: The old man, stooped, bent almost double under his load of tin pans, yet smiling with a sort of maniacal good cheer and chattering to himself in what seemed to be…
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Stephen King's War on Plot
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Sci-Fi, Scots, & More
Unbuttoning the CEO Unbuttoning the CEO by Mia Sosa is 99c! This contemporary romance has a bit of a taboo relationship element. However, I’m skeptical about the hero and his redemption arc. Reckless driving is no joke. This is also part of the Forever Yours digital imprint, so it’s a little on the shorter side at less than 300 pages. WHO SAYS YOU CAN’T MIX BUSINESS WITH PLEASURE? As the CEO of a large tech company and a semi-reformed bad boy, Ethan Hill is used to calling the shots. But -
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a:The Odyssey Writing Workshop
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The Heiress by Molly Greeley
TW: child abuse, drug abuse, addiction and recovery Fans of Jane Austen’s novel Pride and Prejudice might recall meeting Anne de Bourgh for a hot minute and also hearing her referred to incessantly by her domineering mother, Lady Catherine. The Heiress tells Anne’s story from her point of view, beginning in early childhood and extending through the entirety of her life. This book was not what I expected, but I loved it once I adjusted to its tone. While The Heiress contains a romance, it is less about romance and much more about the search of the protagonist for autonomy and purpose in her li -
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a:WOW! Interview with Contest Runner Up Courtney Harler for "Divorce Ranch"
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Fantasy, Historical Romance, & More
All In RECOMMENDED: All In by Simona Ahrnstedt is $1.99! Redheadedgirl gave the book an A: I felt like this was full of Shakespearean drama, and scheming families, and hot sex, and gorgeous clothes, but also some important things to say about how the world is functioning. There’s a lot going on, though, and the ending a tad rushed. In the cutthroat world of Sweden’s financial elite, no one knows that better than corporate raider David Hammar. Ruthless. Notorious. Unstoppable. He’s out to -
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She's a Literary Agent
Overall, this is a great, comprehensive video for new writers just starting out. Heck, it's also good for writers who just finished their first manuscript and have no clue what to do next. Something I very much appreciate about this video is the tempering of expectations, and the emphasis on curating writing advice by its source. Too often I see new writers falling down rabbit holes of terrible advice from friends, family, or writing groups who don't quite know what they're talking about. For new writers, one of the best ways to learn is to know WHO and WHERE to learn from. I once joined -
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a:Congrats on Finishing Your Quarantine Novel
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a:Interview with Meagan Spooner, Instructor with Odyssey Writing Workshop
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Outlawed by Anna North
A- Outlawed by Anna North January 5, 2021 · Bloomsbury Publishing TW/CW for the book and this review: discussions of infertility, death in childbirth. Have you ever thought to yourself, “I wish I could read a Western that has a queer girl gang”? Well, guess what? I have great news. While I don’t typically read Westerns, I was drawn in by the blurb for Outlawed: The day of her wedding, 17 year old Ada’s life looks good; she loves her -
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She's a Literary Agent
Her take on the learning curve to becoming a marketable author was realistic. The special "helium voice" effects were annoying, but her delivery overall was professional. Check the box with her on: - DO YOUR HOMEWORK on plot, characters, etc. - READ BOOKS on how to write a novel (okay, but the right ones). - OUTLINING a better idea than PANTSING. Uncheck the box on: - READ BLOGS AND ONLINE VIDEOS to learn how to write. They will inevitably be filled with quasi-productive, very poor, or contradictory advice unless chosen very selectively. How is a neophyte novel wr -
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She's a Literary Agent
Meg Latorre's "11 ways to improve your writing" are worth learning about if you're a new writer. While I find that she covers a lot of the same points that have already been addressed in other videos, there were a couple things that stood out that I think new writers should definitely take note of. Critique groups vs. beta readers - Meg takes the time to explain the difference between these and why you would find them useful during the editing phase of your manuscript. More than once she kindly encouraged writers to be open to making changes to their story upon receiving constructive crit -
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Staff Picks: Raisins, Rhythm, and Reality
Allan Gurganus. Photo: © Roger Haile. Courtesy of W. W. Norton. In his Art of Fiction interview, Allan Gurganus preaches the power of the sentence. But for me, the real satisfaction to be had from the newly released Uncollected Stories of Allan Gurganus comes from the layers: a shrewd grad student’s thrifting trip becomes the story of a portrait, which is actually the story of a tragic moment in a small town’s history; a local news report becomes a firsthand account of the incident told by a police officer to his tape recorder. (In fact, local news reporters are more than once a way of gettin -
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Episode 447, Your Transcript is Ready!
http://smartbitchestrashybooks.com/WP/wp-content/themes/smartbitches/images/podcast/header_05c.jpg The transcript for Podcast 447. Hanging Out with Sarah J. Maas has been posted! This podcast transcript was handcrafted with meticulous skill by Garlic Knitter. Many thanks. ❤ Click here to subscribe to The Podcast → View the full article -
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Hot Contemporaries, Princess Brides, & More
Hot and Badgered Hot and Badgered by Shelly Laurenston is $1.99! This is the first book in the Honey Badger Chronicles. Sarah read this one and gave it a B grade: Among my favorite things about Laurenston’s writing is how very affirming and inspiring and a whole lot of fun it is, because angry, fearless women make room for themselves, they get shit done, and they’re the heroines. More honey badgers, please. It’s not every day that a beautiful naked woman falls out of the sky and lands fac -
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Author Spotlight – Gabriela Houston (THE SECOND BELL)
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