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Patti

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  1. I had such a fantastic and rewarding time at the conference. The pre-conference reading material and assignments were extremely helpful. Then during the conference itself I learned how important it is to write a pitch correctly, because otherwise no one will be intrigued enough to look at my actual pages. The way the pitch development sessions were structured was really wonderful, we all got to learn from the feedback each person received, and bond. Since writing is such a solitary endeavor, the community we built was super important to me.

  2. First 2 chapters introduce setting, main protagonist and main antagonist, set tone and foreshadow the primary conflict. Create sympathy for the protagonist as he tries to “save the cat.”

     

    CHAPTER ONE

     

    Behind the cover of a tree, Olaf watched the humans soar through the night on their broomstick.

    The baby’s laughter had attracted him—distracted him from foraging for food. It sounded like the chirping of baby birds, even sweeter than blueberries.

    The adult female carried the baby, and a hunk of metal which glinted in the moonlight. She was tall, taller than Olaf when he stood on his hind legs. She had a lot of unruly orange fur on top of her head. The male steered. He had a big, round belly. Like Olaf. He, too, must be storing food for the long winter.

    As Olaf was a bear and had no need to sweep floors, he had never seen a broomstick before. But his best friend Essex was a curious red fox. She, too, was not fond of cleaning, but liked to spy on the nearby humans in the dwellings surrounding the park. She had told him of witches flying on broomsticks—at least, on the TV.

    This one slowed, descended, and landed in the meadow. Right near the great black tupelo. Which shook its branches sadly, as if it knew what those humans were up to. 

    Olaf shoved a pawful of blueberries in his mouth, and kept watching. Why were these boneheaded humans here? What boneheaded thing were they about to do? It wasn’t safe for humans to be in the park after dark. Even were they not fighting amongst each other, the human species was in general unreasonable. Prone to violence. A human could be lurking here right now. Just waiting for other, careless humans to happen along with their precious baby.

    Good thing they’d happened by where Olaf happened to be tonight, so should something happen, he could protect their baby. And them, he added, somewhat grudgingly. He had good reason not to like—not to trust—humans. But the baby—like all species’ babies—was weak and vulnerable. 

    The adult male at least had the sense to keep looking about. Probably watching out for bears . . . bears like Olaf. Or other humans. Who, if they were in the park after dark, were likely up to something shady.

    Essex had taught him that human expression. Olaf didn’t understand what doing morally questionable things had to do with shade from a tree, which was cool and refreshing on a hot day. But then, Olaf really didn’t understand humans.

    They dismounted. The male slung the stick over his back by its strap and took the baby off the female. They shuffled down the woodchip footpath into the woods.

    Olaf left the blueberry bush, and followed.

     

    CHAPTER TWO

     

    Harvey and Mabel hated each other. They had used to be in love. Funny, how that worked!

    At this precise moment, Harvey specifically hated his wife for her plan, and himself for going along with it. Filming the baby in distress, here in the darkness of Central Park. The baby they’d stolen, the daughter of Chief Detector Damon Thomas, the head of New York’s Magic Detection Unit. 

    “We won’t actually hurt the baby,” Mabel had said. “We’ll just frighten him we’ll hurt it.”

    Harvey wasn’t sure the ends justified the means. He’d grumbled, but given in. Mabel was a much more powerful witch than he, and had repeatedly threatened, over the years, to turn him into a frog. He didn’t think she was actually that powerful. But you never knew what was possible, and Harvey wasn’t about to push his luck.

    He peered into the dark between the trees, shrubs and rock outcrops. Few ventured into the wilderness of the Ramble anymore. The park hadn’t quite reached its 70s nadir, but after peaking after fifty years had woefully declined only a decade later. This area was called Muggers’ Woods for a reason. Anyone in the park after dark was likely up to no good. 

    Like, uh, him and Mabel.

    A horrible noise! Harvey jumped—ready to defend himself—and the baby—

    Eh, it was only an owl. Mabel hadn’t even noticed. He cursed the owl, and silently cursed himself for even being out here. He hated being in the park at night. The eeriness, the creepy sense something from the Other Side would suddenly emerge, to punish him for all the terrible things he had done . . . and was about to do now.

    The owl hooted again, angrily, as if it had understood him. Which was ridiculous. He was losing his mind.

    Even Mabel glanced worriedly about. She claimed everything had sentience: the trees, the animals, even the rocks. It was best not to arouse ill will, so she and Harvey needed to act ‘nonchalant.’

    “We’re just out for a nighttime stroll with our baby . . .” she loudly proclaimed. “Who we love a lot . . .”

    “Whom.”

    “Oh, do shut up, Harvey.” Mabel looked around furtively, and softened her tone. “Heh heh, just a little fond banter with my husband, whom I love . . .”

    He glanced sidelong at her. All seven feet of her. It wasn’t that she was bad-looking. He wasn’t sure she was particularly good-looking, either, but she certainly was striking. Flaming, frizzy hair. A wide mouth he’d once enjoyed kissing. A nose, long and crooked, seemingly undecided whether to snub you or poke itself into your business. But over time, with so much hatred spewing from that mouth . . . Imagining it now, it’d be like kissing a frog.

    Gross!

    What if Mabel actually could turn him into a frog? 

    What if the spell backfired, and turned her into a frog instead? 

    Eh, who was he kidding. Spells backfiring was a Harvey thing. The only thing he was any good at was flying. Which was why he’d had to lug her here . . . all seven feet of her.

    They stepped off the dirt path, over the wire fencing and into the dense undergrowth. He looked back down at the baby, which was gazing at the trees with awe and wonder, and waving. 

    He stared at the trees . . . through them, almost. The Delacorte Theater stood not far from here. He’d enjoyed many of the Bard’s plays, in the years the theater was still hosting free ‘Shakespeare in the Park.’ Macbeth was his favorite. The drama. The violence. That weak, pathetic thane, totally led around by the nose by his—hey, wait a minute . . . 

    Mabel yanked the baby out of his hands and shoved the video camera at him. She knelt before a clearing, by a trio of trees—a birch, a maple, a holly. 

    He waited while she propped the baby up against the trunk of the maple. It gurgled and waved its tiny hands, smiling up at him. He glanced away, too ashamed to look it in the eye. Wild eyes seemed to stare back at him through the trees. Shivering, he jerked his gaze away. 

    Mabel stepped back and pulled her wand from her pocket. The wind howled. Harvey set the camera to recording. 

    “By the might of the moon and stars—” She swirled the wand above her head. A blue ember of light glowed at the tip. “Chief Detector Thomas, you will release all incarcerated witches—”

    “Actually,” said Harvey, “Gertrude Gawfersheen hexed that poor innocent traffic cop. She had double-parked, and not for the first time. Now every time he cuts his beard, it grows twice as fast. Last week he tripped over it and broke his—”

    “Oh, do shut up, Harvey.” Mabel glowered and lowered her wand. The blue light faded.

    Harvey stopped the recording and started over, grumbling. It wasn’t like Mabel actually cared about their magical brethren rotting behind bars. But the Conflict Resolution Department—especially the Magic Detection Unit—was scapegoating them all, and something did have to be done about it.

    Mabel raised her wand. “By the might of the moon and stars—” Blue flames coiled, waiting to strike. “Chief Detector Thomas, you will release all unfairly incarcerated witches, end harassment of magic-competents, and dismantle the Magic Detection Unit. Or . . . your only child . . .”

    “Dum-dum-duuuuuuum . . .” hummed Harvey. 

    Mabel shot him a dirty look before refocusing on the baby. “Will pay the price!”

    The ball of blue light erupted. It rushed at the baby—enveloping it with cold—

    It didn’t scream.

    It didn’t cringe. 

    It laughed.

    A pleasing sound, thought Harvey. Like the chirping of his boyhood pet bird, Burt. 

    The ball of cold light rushed at Mabel. She screamed. (Also a pleasing sound, thought Harvey.) 

    Mabel flicked her wrist and deflected the spell. It dissolved into the dirt, freezing a tiny puddle of evening rain. She stared at the baby. “His offspring—it’s . . . it’s a magic-competent!”

    Harvey snorted. “Didn’t see that coming.”

    “But how . . . how can it know how to deflect a spell? At this age?”

    “Ha! I mean, strange.” Harvey hid a grin, and busied himself with pretending to delete the video footage. (He was planning to listen to that scream over and over again.)

    Mabel scowled and aimed her wand—repeating the incantation to the heavens as Harvey began recording . . . repeating the threats . . . the demands—

    Shoots of blue flame spat out into the night. Onto the ground, freezing the earth as they travelled toward the baby. . . enveloping tiny toes . . .

    The baby giggled, as if the cold had merely tickled. The flames swerved and surged toward Mabel. 

    On guard this time, she deftly deflected them, up and around, striking the baby from the flanks of the tree—

    The baby gurgled with pleasure. The blue shoots fizzled and dissolved into the ground.

    “Make it stop, Harvey, distract it in some way!”

    “Sure. Start over.” He began a new recording, and made funny faces at the baby as Mabel launched another spell.

    The baby laughed, as if Harvey were the funniest thing it had ever seen. (As it was pretty new to this Earth, he probably was.) The cold rays melted.

    “Huh. That sure worked.”

    “You made it laugh on purpose!”

    “You said to distract it!”

    “You know what I meant!”

    “What does it mean, to know a thing? As Socrates said—”

    “Oh, do shut up, Harvey!”

     

    Olaf heard the humans arguing, but didn’t understand what about. Although he always hid from humans—so far his existence in the park had gone unnoticed—he was concerned for the baby. Clad in only a diaper, it was surely cold. 

    As the humans’ arm-waving and foot-stomping and even a spiteful kick or two caused them to shuffle farther away, not sounding like the chirping of baby birds at all, Olaf followed, getting closer than he’d ever dared. He growled to get their attention.

     

    Harvey froze. That did not sound like an owl. He chanced a glance back, and stumbled in fright. He grabbed onto the sleeve of Mabel’s robe to stop himself from falling onto the hard ground. She tried to shrug him off but he held on, righting himself.

    “What the—let go, Harvey!” 

    Obviously she hadn’t seen the huge black—

    “Bear!” he managed to get out, right before tripping over a rock and falling onto his face, his broomstick plunking him on the back of the head. What a boneheaded move coming here had turned out to be!

    He lifted his chin off a patch of some sort of . . . animal dung?!? Gross! . . . Just in time to see Mabel brandish her wand, and fire a blast of ice. 

  3. Olaf and Essex, Middle Grade contemporary fantasy

    Story Statement:  

    Protect the kidnapped baby and find the real parents.

    Antagonist sketches:

    Misunderstood, shunted aside and ridiculed by her pathetically magic-devoid family, Mabel Blackthornudder doggedly practices her craft. By her early thirties, she becomes the most powerful witch in New York City. (Don’t be fooled into thinking those annoying Hagglebottom sisters are!) 

    Seething with resentment, she views all who oppose her with disdain and hatred. She marries a lesser witch, Harvey, who for a time proves adequate in his dual roles as henchman and lover. However, he increasingly shows weakness and poor resolve in accomplishing the actions required to move New York City (and soon, the world) from its current oppressive police-state climate, to one where witches can walk the streets free from injustice and violence.

    Speaking of walking freely, for now Mabel must wear a hat pulled low over her face, as well as hunch down while in public, as her seven-foot frame, long, crooked nose, and mop of unruly orange hair attract unwanted attention. But under cover of night, no one should see her fly to her sister’s house, drop down her chimney, and steal her baby. Brenda’s husband, the Chief Magic Detector, will surely cave to Mabel’s demands. 

    Is kidnapping crossing a line? Not when someone has it coming.

    *

    Mabel’s antagonist, Chief Magic Detector Damon Thomas, fears—and therefore, hates—anything he cannot understand and control. Coming from a long line of law enforcement officials on his father’s side—and a mob of thugs on his mother’s—he grew up with the understanding that deviant behavior needs to be rooted out and destroyed. Or at least locked up, the key destroyed.

    When he discovers his own wife’s sister is a member of that resurgent scourge to civilized society, witches, it adds another black mark to his estranged wife’s growing tally. He determines to keep a closer eye on his newborn (once he gets her back from the kidnapper, of course), as well as—just in case—his teenaged daughter from his ill-fated union with his first wife. (Modern women just do not appreciate strong men.)

    As secure as he is within himself, nevertheless he mourns his lost head of hair. He looks to prominent bald actors like Dwayne “The Rock” Johnson for daily inspiration, and wishes his thin, wiry frame could pack on more muscle. He plays bass in an amateur rock band, though their stuff is too highbrow for the masses, and thus will never be truly appreciated. 

    Title Options:

    Olaf and Essex

    Much Ado About a Baby

    Deep in the Darkness of Central Park

    Comps:

    The One and Only Ivan

    Pax, Journey Home

    The Unteachables

    Hook line/logline, with core wound:

    A bear whose mother was killed by humans when he was a cub gets the chance to make her spirit proud, by protecting a magical human baby from an evil witch—and from the baby’s own father, the NYPD’s Chief Magic Detector.

    Conflict/Turmoil:

    Olaf has no doubt in his bear heart he’s doing the right thing, protecting the defenseless baby after its careless parents leave it behind. Even more so after he and his fox friend Essex discover those humans aren’t the parents, but evil witches who kidnapped the baby for nefarious purposes.

    When the real mother’s identity is revealed, Olaf’s heart hurts to let the baby go, but he does the right thing. That is, he spies on the real mother to make sure the baby will be safe and loved. When the real mother neglects to feed her own baby, Olaf feels no guilt about stealing it back.

    Essex and the good witches don’t believe him, and plan to return the baby in the morning. It tears him apart to leave his best friend, but Olaf can’t let the baby go back to an abusive home environment. His mother would want him to protect the baby, no matter what.

    He mourns his lost friendship. And doubts it. Were he and Essex ever really friends? Or did she just pity him, and tolerate his company?

    Essex proves herself a true friend. She comes around to his side, and joins him and the baby at their hideout. The seasons pass in relative peace. But Olaf has never forgotten Wendy, the kind zookeeper who took care of him after his mother was shot. He starts wandering the streets of New York in his human disguise, searching for her.

    When he finds her, she’s arguing with her girlfriend in the animal shelter they run, and holding their little boy. Consumed with shame, Olaf runs away. If she knew he stole the baby from the real mother . . . Maybe Essex and the good witches were right. Maybe he’d misinterpreted the real mother’s behavior because he wanted to keep the baby. Maybe Wendy would be disappointed in him. Maybe so would his mother.

    He’ll have to do the right thing. He’ll have to return the child.

    Setting:

    In the 2030s, social unrest, a string of stock market crashes and a great recession have sent New York City into a tailspin. Even donations to the struggling Central Park Conservancy have dwindled. The park now resembles its decrepit state in the 1970s and '80s.

    Our recently reformed police force—the Conflict Resolution Department—gamely does what it can to quell the protests, marches, and vandalism recurring throughout the city. Central Park—especially its densely wooded areas, the Ramble and North Woods—has become a haven for muggers, witches, and other miscreants.

    Foxes have boldly moved into the city, mimicking their London counterparts. There have even been reported sightings of a bear running around loose in Central Park. Most likely this is but an urban legend, as all security cameras can discern is a rather large homeless woman wearing mismatched clothing occasionally getting down on all fours. Perhaps to rest? New York, more than ever, is not for the faint of heart.

     

     

     

     

     

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