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Scott Fleuter

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  1. Opening scene (flashback) introduces protagonist and initial traumatic event:

    The kid picked up a 2x4 and took a swing at my head. Like spikes on a medieval mace, three huge nails protruded from the end of the board. I leapt back as the crude weapon barely missed my nose.

    This was supposed to be a fistfight. At least, that’s what my six-year-old brain thought.

    A solid ring of grade-school boys surrounded me and my attacker. They shouted like a crowd of spectators at a Roman coliseum, eager for first blood. I took a quick glance to the side and saw a couple of the bigger kids holding back my brother, Mark, who was attempting to rush to my aid. Mark was three years my senior, but overmatched.

    I was on my own.

    The battle took place in a large field choked with ragged weeds and assorted junk discarded by people unwilling to pay the dump fees. It was less than a football field’s length from the unfenced backyards of the modest middle-class suburb that was home to everyone in attendance. All it would take was one parent to look out their window to see the seething ring of boys and know that something was amiss.

    But that didn’t happen.

    I backpedaled a couple of yards, and the kid rushed forward, holding the spiked 2x4 over his head like a sword. The wild look in his eyes scared me almost as much as the board whistling straight down toward my skull. I jumped to my right, lost my footing, and sprawled onto the ground. The board smacked the dirt but left me unscathed.

    I’d landed on top of a long, green piece of bamboo. I scooped up the pole and sprang to my feet while the kid struggled to free his makeshift weapon from where the big nails had impaled the earth.

    During this split second, my mind tried to make sense of the situation. 

    I was the youngest member of what the boys in my neighborhood called the Pine Street Army, named after the street where we lived. My opponent was the youngest member of the Willow Street Army, which was made up of kids from a street a couple of blocks away. Our two armies had been feuding all summer and we were at a stalemate. Unbeknownst to me, the older kids had decided to let the two of us fight it out. The winner’s army could then claim victory for the season before school started up next week.

    Pine’s base of operations was a small hill in a field behind our houses. It was originally a huge pile of dirt left from some building project long since abandoned. Now it was covered by tall, green weeds and riddled with a series of foxholes. Right across the street, the Willow gang commanded a massive pit—most likely the original source of our own dirt pile—warded by a corrugated metal wall scavenged from the surrounding field.

    The Pine Street-Willow Street war had been raging for months. It had started out innocent enough, at least for young boys who were prone to do stupid things. We’d discovered that pulling up bunches of the long grass that covered our hill resulted in an impressive clump of dirt attached to the end. Then we’d spin it overhead like a sling and send the projectiles flying over the street to either impact Willow’s metal wall with a satisfying bang or, better yet, score a hit on one of our enemies. Of course, they did the same thing, and sometimes the air was full of little brown meteors trailing green flame.

    But much like nations at war, our violence had escalated from swinging fists and throwing dirt-clods, to a battle for survival.

     I watched as my opponent freed his weapon and rushed straight at me. I swung the bamboo pole like a skinny baseball bat and struck the 2x4. Fueled by adrenaline, my blow sent the board flying from his grip.

    Driven by a rage so deep that it blocked out any notion of humanity, I threw down the pole and leaped at my adversary. I drove him to the ground, straddled his chest, and grabbed his face with both my hands. I pulled down as hard as I could, my fingernails leaving bloody trails down his cheeks. I pummeled his face with my fists. Red droplets flew through the air. A few of the older kids from each side rushed in and finally pulled me off.

    So, I guess we won.

     

    Therapy Session (present time):

    I hated telling that story. And I hated sitting in a psychologist’s office being analyzed by some shrink who’d never suffered through the horrors of opioid addiction. 

    Ursula Schmidt, PhD, sat back and narrowed her jade-green eyes. “Pretty heavy experience for a six-year-old,” she said.

    “It was,” I said. “I didn’t even really remember it until a few years ago.” My hands began to sweat, and I wiped them on my jeans. I had a powerful urge to jump up and bolt out the door.

    “And that was your first memory of violence?” asked Dr. Schmidt. She was a trim, handsome woman with a slight German accent. No wedding ring, but I could see a faint tan line on that finger.

    “First one that jumped into my mind. My parents never beat me or anything, if that’s what you mean.” I felt the sweat gathering in my armpits and beading on my forehead.

    We faced each other, ensconced in overstuffed chairs. No obligatory couch, and no barrier filling the two-foot gap between us. Ursula handed me a box of Kleenex.

    “No, I didn’t mean that at all,” she said. “It just seems that if you had an ongoing conflict with those Willow Street kids, there would be other incidents of violence.”

    “Tons,” I said. “In fact, I remember one time when a kid punched me in the face and my nose started pouring blood. I just kept on swinging, and I guess it freaked him out, because he ran away.”

    I wiped my forehead with the tissue and crumpled it tightly in my fist. What if she thought I was a violent psychopath? My heart began to thump against my ribs.

    Using one of the orienting skills I’d learned in rehab, I took a few deep breaths and concentrated on scanning her office. The exposed brick walls were adorned with artwork of red-rock canyons, desert sunsets, and other splendors that dominated the southwest.

    “How old were you when you got the bloody nose?” she asked, scribbling a few more notes to her pad.

    “It was before that board-with-the-nails thing,” I answered. “Probably when I was in kindergarten.” My eyes were drawn to a bouquet of bright yellow daffodils sprouting from a tall crystal vase. The flowers were set on an old wooden desk that’d likely been there since the place was built.

    Ursula set the pad down on a small table next to her chair and ran one hand through her short blond hair. She was dressed one notch below conservative in a black skirt and a royal blue sleeveless blouse.

    “Where were your mom and dad during all this?” she asked. “Were there any repercussions from the parents of the kid that attacked you with the board?”

    “None at all,” I said. “My parents never heard about it as far as I know. I had great parents. Well, my dad was emotionally unavailable for the most part. He was one of those Normandy WWII vets who didn’t say much. But they both worked full-time. My brother and I pretty much ran wild.”

    I realized that I still had a death grip on the tissue wadded up in my fist. I relaxed my grip and stuffed the damp Kleenex into my front pants pocket. I sat back and let my body sink into the overstuffed chair.

    “Besides,” I continued, “my dad got a new job later that year in San Francisco. So, we moved to California.”

    “I’d like to talk about that during our next session, and more of your family history,” said Ursula. “Since this is our first time together, I want to check in and see if you have any questions or concerns?”

    I took a slow, deep breath and let it out. “I guess even after all these years of therapy and treatment, I still don’t know why this all happened to me. It’s not like I was abused as a child or had parents who were addicts.”

    Ursula looked at me for a moment. “Maybe the ‘why’ isn’t as important as the ‘how’. In a sense, the ‘how’ is the ‘why’.”

    I could feel my face getting hot. What did she mean by that? I took a few more, steady breaths and dropped my shoulders.

    “I know it sounds like whining, but I just can’t seem to get over the ‘why me’ thing.”

    Ursula ignored my self-deprecation. “Why not you?” she asked. “As far as the ‘how’, it could be a combination of many things. Genetics, your environment, life experiences, the decisions you make—it all comes into play.”

    “But I don’t even really know what came first,” I said. “It’s like the chicken or the egg dilemma. Did the drugs cause my depression or was I already depressed?”

    “We’re going to sort all that out. But the first thing you can work on is dropping the ‘why’ or it will drive you crazy.”

    “Too late,” I said.

    Ursula laughed. It was a pleasant laugh. At least she had a sense of humor. My new therapist was a strange fit for a small town tucked in the mountains of New Mexico. A place where PhDs numbered in the single digits and faded blue jeans and Stetsons dominated the local fashion scene.

    I noticed that my heart rate had slowed down to normal. The orienting techniques were working. Not long ago, I couldn’t even get in the door of a doctor’s office without triggering a major anxiety attack.

    I’d come a long way.

    “Childhood is a great place to start on the ‘how’ question,” she said. “In your case, one of your core beliefs became that you were not safe, and it was up to you to fight and defend yourself. You felt no one else was going to help and that you were completely on your own.”

    Pretty astute for a first session, I thought.

    “That was definitely my experience, and not just as a kid. When I feel threatened, I go straight to fight mode.”

    “That’s good insight,” said Ursula. “I would think that you also felt some abandonment at no one coming to your rescue. That’s another core belief we can discuss later.”

    Once again, she’d hit the mark. Maybe I did need this.

    “Reprogramming your brain takes a lot of time and work,” she said. “And, in your case, you’ve become what some might call an adrenaline junkie. You’ve been exposed to not only violence but the excitement and rush that goes along with it.”

    “Do you think that’s why I became a cop?”

    “I do,” she said. “You feel most alive when you place yourself in dangerous situations. You thrive on chaos and reckless behavior. Your brain is wired for addiction and depression.”

    Speaking of brains, mine felt exhausted. She seemed to pick up on it.

    “And I think that’s plenty to cover for our first session.”

     

    Reader’s Takeaway:

     Until it happened to me, I never would’ve believed someone could spin into a panic attack without warning. As a police officer—before I became addicted to opioids—it seemed perfectly natural to face someone armed with a gun. Now, my body can’t tell the difference between a real or imagined threat. I can spiral into fight or flight mode with something as small as waiting in a doctor’s office or getting stuck in traffic.

    One of the stress reduction techniques I learned in rehab was to orient myself to my surroundings. A sort of grounding technique. This is how it works:

    Instead of staring at the floor until tunnel vision sets in, I visually scan the room and observe any and all details. It can be done alone or in a group setting. It can even be done in line at the grocery store when you’re stuck behind that customer with all the coupons.

    Panic attacks are terrifying and, for me, cause complete paralysis. During my first one, I was sure it was a heart attack. When stressful situations arise, as they always will in life, I now look around and observe the people and items in my surroundings. Slow, steady, breathing is critical. My attacks seem to happen indoors (a good incentive to get out in nature), so I make myself check out details like artwork, what people are wearing, and even the light switch on the wall. There’s something about moving my eyes and turning my body that helps short-circuit the attack. It seems like the movement sends a message to the brain that all is well.

    If that doesn’t work, I grab a few ice cubes and squeeze. Once the cold becomes unbearable, I throw them on the ground hard enough to make the ice shatter (preferably outside, on a hard surface). The goal is to draw attention to the present (my freezing hand) instead of focusing on the impending panic attack.

    Sounds weird, but it works.

    Unfortunately, the main challenge that accompanies addiction is that mental health issues, such as depression and anxiety, may never go away. That’s why, when the level of stress is high enough to trigger an attack, it’s so important to practice techniques—even simple ones—like the ones mentioned in this chapter.

    A panic attack can be avoided if it is caught early enough. My advice is to practice the orienting technique even when life is good. Make it a daily ritual.

    Then the next time a panic or anxiety attack seems imminent, start scanning.

  2. Assignment 1: Story Statement

    I had to get off opioids or kill myself. But until I resolved the trauma behind my addiction, survival was an illusion.

     

    Assignment 2: The Antagonist

    The main antagonist in my story is opioid addiction. Additional villains include a shattered self-worth, relentless shame, and betrayal. On the societal level, big pharma takes the prize as the greediest antagonist. The arrogance and ignorance of some doctors adds them to the list as well.

    Several human antagonists pepper my story, starting with the boy in the first chapter who tries to brain me with a spiked 2x4.

    As a police officer I get into a life and death battle with a giant of a man wanted for murder; try to stop a guy from killing two girl hostages only to watch him blow his head off; and rush into a burning house to rescue a woman who didn’t want to be rescued.

    At my first rehab, I’m in a desperate struggle with a girl who is trying to slice her wrists open with a shattered beer mug. Then there’s the deranged patient at the psych ward who pins me in a chair and tries to bite off my face.

    Toward the end of my story, nature plays the role of antagonist when a monstrous fire destroys an entire town, including my house and everything in it.

     

    Assignment 3: Titles

    Junkie: A Memoir of Trauma, Opioid Addiction, and Recovery

    Damaged, Not Broken: A Memoir of Trauma, Addiction, Recovery, and Hope

    Junkie: A Police Chief’s Spiral into Opioid Addiction and the Cruel Road to Recovery

     

    Assignment 4: Comparables

    I’ve chosen the following memoirs because they speak to the same reader I hope to reach with my story. That audience includes addicts, recovering addicts, and the family and friends of addicts. It also includes all those people brave enough to work in the field of addiction and mental health treatment. And any reader who has experienced significant trauma in their life is also on the list.

    If We Break: A Memoir of Marriage, Addiction, and Healing     by Kathleen Buhle; Crown Publishing, 2022

    The Weight of Air: A Story of the Lies About Addiction and the Truth About Recovery     by David Poses; Sandra Jones Publishing House, 2021

     

    Assignment 5: Logline

    I kick the opioids, but lose my career as a police chief and every shred of self-worth. On the verge of suicide, I check into a psych ward where an attack by a deranged patient changes my life.

     

    Assignment 6: Conflicts 

    Inner Conflict:

    No one grows up wanting to be a mentally ill drug addict. But that’s exactly what happens to me. I plummet from a police chief at the top of his game, to a hopeless addict chewing opioid meds to chase the high and stave off withdrawals.

    In my memoir, I struggle with accepting that I’m an opioid addict suffering from severe depression, anxiety, and PTSD. I have a hard time letting go of who I used to be and battle adapting to my limitations.

    After I lose my job and health, anything I perceive as abandonment or betrayal triggers me into an unreasonable fit of anger. This is inevitably followed by a full-blown panic attack. Next is the relentless shame for acting like an asshole.

    It’s not until I survive a brutal attack at a psych ward that I realize I still want to live. And it isn’t as much about the assault as it is about how I fight back, subdue my assailant, and turn him over to the staff. Then I’m finally able to get healthy and even start helping others on their road to recovery.

     

    Secondary Conflict:

    A secondary conflict in my memoir concerns our society’s callous treatment of people struggling with addiction and mental health challenges. In America, these folks are generally screwed. Many insurance companies pay absolutely nothing toward drug addiction rehabilitation or mental health counseling. Or if they do, it’s a trip to a detox center where dealing with rats and cockroaches is the norm. Buyer beware. My wife and I had to sell our home to pay for my first rehab. We went into significant debt on my second trip. And I had a lot more resources than many folks in this nation.

    In my experience, the lack of effective treatment options stems from the stigma that still surrounds being an addict or having mental health disorders. I was told “never trust an addict” on more than one occasion. This must change. As a police chief and opioid addict, I lived on both sides of the drug crisis fence. It is crystal clear to me that arresting and incarcerating people with addiction and/or mental health problems is counterproductive and inhumane.

     

    Assignment 7: Setting

    The opening image is a brief flashback of me cloistered in an apartment bathroom staring into a half-empty bottle of opioid medication. The seductive white capsules are supposed to last a month. I’d taken half in less than one week. I stick the bottle of meds into a plastic bag, wrap the bag in an entire roll of tape, and shove it away into the corner of my closet. The pills are gone in two days.

    Then the setting changes to present-time at my psychologist’s office in the quaint mountain town of Silver City, New Mexico. Her office is located on the second floor of an old brick building that was a brothel back in the days when Billy the Kid was living in town. The ancient brick walls are adorned with pictures of southwest desert and canyon scenes, and there are always fresh-cut flowers on her wooden desk.

    My counselor and I sit in identical overstuffed chairs with no barriers between us for most of our sessions. But we manage to get out of the office a few times over the following year to stroll along the creek, or wander through the town’s charming and tattered historic district.

    During these counseling sessions, we flashback to a number of settings that span my life from age six to sixty.

    The first flashback is in a weed and trash choked field bordering a modest suburban neighborhood. I’m a six-year-old fighting for my life against a kid swinging a nail-studded board at my head while being cheered on by a ring of older kids. Another childhood story details a sixth-grade drunken orgy at a secluded lake that involves beer, whiskey, and sex between two of my friends.

    As a police officer, I respond to a call of a giant man beating up one of our local hookers in the parking lot of a hotel that rents rooms by the hour. Other scenes feature a burning house containing a naked woman on her bed, smoking a cigarette; a jail cell where the inmate (who beat his mom to death with a hammer) has hidden a knife and handcuff key to make his escape; and a coffee shop where a young man is pointing a gun at two girl hostages.

    After losing my job, the flashback settings include me on my bathroom floor screaming, writhing, and sweating for hours on end while opioid withdrawals wrack my body and mind; a county-run detox center in Hawaii that has been taken over by dry rot, rats, centipedes, and cockroaches so big you can hear then scamper; and my first rehab center that is also in Hawaii and looks like a tropical Polynesian village but is so poorly run that drugs, alcohol, and violence run rampant.

    Back on the mainland, I check myself into a psych ward that could’ve doubled as the set for One Flew Over the Cuckoo’s Nest where I’m viciously attacked by another patient.

    The final flashbacks are set at a high-end rehab facility in the Sonoran Desert of southern Arizona. The place is like a cross between a college campus and a five-star resort. The food menu is dominated by steak, lobster, an omelet bar, and chocolate caramel cheesecake that will always remain in my dreams.

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