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Found 15 results

  1. Algonkian Novel Writing and MS Revision Courses Pre-MFA, Post-MFA, or No MFA - Get Your Novel on a Realistic Path to Publication In Cooperation and Partnership With Algonkian Writer Conferences and the New York Pitch Works Studied or Referenced in the Novel Writing Program NOTE: writers are not responsible for reading all the following works. These works are referenced and portions of them studied in the context of the program. THE KITE RUNNER by Khaled Hosseini TO KILL A MOCKINGBIRD b
  2. Literary and Genre Novel Writing At Your Own Pace Below you will find our program syllabus. In our quest to get you as close to the brass ring as possible, we've developed this series of multi-genre commercial writing courses that enable you to write or rewrite your novel a step at a time, and at your own pace, while also reality-checking all core and peripheral elements of your work-in-progress. Initial focus is placed on developing story premise and proper market position, major antagonist and protagonist features, primary plot conflict(s), and overall setting decisions. The ne
  3. MODULE SAMPLE FROM THE PROGRAM The sample below is one part of a single module in the second half of the novel writing program. The purpose of this is to simply give you a sample of the module, not define all that came before. FOUR LEVELS OF THIRD PERSON NARRATIVE POINT OF VIEW Let's get right to the point on this issue. Yes, we know that CATCHER IN THE RYE and HUCKLEBERRY FINN would never have been famous novels without the engaging first person voice of their protagonists. And yes, first person seems to be in vogue with paranormal YA and some fantasy here and there, however, thi
  4. Algonkian Novel Writing and MS Revision Courses Pre-MFA, Post-MFA, or No MFA - Get Your Novel on a Realistic Path to Publication In Cooperation and Partnership With Algonkian Writer Conferences and the New York Pitch Applying the Six Act Two-Goal Structure to Writing the Novel Algonkian developed the Six Act Two-Goal novel structure for writers of book-length fiction and nonfiction. The plot-point and reversal method will be utilized by all writers in the novel writing program to effectively brainstorm and outline a compe
  5. Algonkian Novel Writing and MS Revision Courses Pre-MFA, Post-MFA, or No MFA - Get Your Novel on a Realistic Path to Publication In Cooperation and Partnership With Algonkian Writer Conferences and the New York Pitch Why is This Novel Writing Program Unique? A number of significant things, as follows: Our "model-and-context" and "cross-module method" approach to studying and applying proper technique on all vital levels while your novel is being effectively developed and edited at the same time. Our detai
  6. Develop, Write, or Rewrite Your Breakout Novel Step-by-Step Courses Followed by Editorial Consults and Agent Query Process Originally brainstormed by the faculty of Algonkian Writer Conferences, this program was later tested by NYC publishing professionals for practical and time-sensitive utilization by genre writers (SF/F, YA, Mystery, Thriller, Historical, etc.) as well as upmarket literary writers. Now you'll find it designed not only for those currently in the process of writing the novel, or beginning one, but for those rewriting it as well. The ultimate goal is to get you as
  7. Book Reports The Art of Fiction, John Gardner The Art of Fiction introduced me to the concept of a "fictional dream." Whatever the story medium, the author strives to create a "vivid and continuous dream." All elements of craft must support that dream. Other lessons from the book include grounding yourself in the great literature of the past, maintaining artistic integrity and truth, and lending a novel "profluence." That is, causality, one scene launching the next, but also building synergistically, so that at the climax and resolution, the reader envisions the conf
  8. BOOK REPORTS "The Art of Fiction" by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? It reinforced for me some vital components that must permeate the book throughout. For example, the story development must continuously cast forwards, drawing the reader from paragraph to paragraph, from scene to scene. Any let up and the reader can stop caring where the story will go next, at which point the writer has failed, and the reader stops reading. This was particularly important for me to get in my head in the early scenes
  9. Algonkian Novel Writing and MS Revision Courses Pre-MFA, Post-MFA, or No MFA - Get Your Novel on a Realistic Path to Publication In Cooperation and Partnership With Algonkian Writer Conferences and the New York Pitch Why is This Novel Writing Program Unique? A number of significant things, as follows: Our "model-and-context" and "cross-module method" approach to studying and applying proper technique on all vital levels while your novel is being effectively developed and edited at the same time. Our detai
  10. Literary and Genre Novel Writing At Your Own Pace Below you will find our program syllabus. In our quest to get you as close to the brass ring as possible, we've developed this series of multi-genre commercial writing courses that enable you to write or rewrite your novel a step at a time, and at your own pace, while also reality-checking all core and peripheral elements of your work-in-progress. Initial focus is placed on developing story premise and proper market position, major antagonist and protagonist features, primary plot conflict(s), and overall setting decisions. The nex
  11. Exposition and End Game This select forum thread is dedicated exclusively to Algonkian alums who wish to post sell sheets of their completed SFF novels, or novels-in-progress, for the purpose of showcasing them to literary agents and TV/Film reps. We will inform these professionals of new high-concept projects and invite them to stop by regularly during 2021. If they wish to request something immediately, or at a future date, they will either contact you directly, make a post, or else contact us. It is also possible they might wish to video conference with you. The scenarios are vari
  12. Develop, Write, or Rewrite Your Breakout Novel Step-by-Step Courses Followed by Editorial Consults and Agent Query Process This novel writing program was brainstormed by the faculty of Algonkian Writer Conferences and later tested by NYC publishing professionals for practical and time-sensitive utilization by genre writers (SF/F, YA, Mystery, Thriller, Historical, etc.) as well as upmarket literary writers. It is designed specifically for those who desire independent publication, and who are currently in the process of writing or rewriting the novel. The goal is to get you as close
  13. Ben Chewey Reaction to Algonkian Novel Writing Program Readings The Art of Fiction by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? The Art of Fiction helped me as a writer by introducing me to the concept of aesthetic interest. Since the start of my writing career I was aware of the importance of a story having a cast and setting that stands out. John Gardner made it clear why it's important for every aspect of one's story to be organic, or at least as organic as possible from something that does not actually e
  14. "The Art of Fiction" by John Gardner (a great primer for this commercial program) "Writing the Breakout Novel" by Donald Maass (another good primer) "Write Away" by Elizabeth George (a no nonsense primer, and humorous) "The Writing Life" by Annie Dillard (a look at the struggle) The Art of Fiction by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? What spoke to me the most regarding this book was the focus on the authenticity of a story. As well as the focus on "feeling" giving rhythm to sentences.
  15. WRITING THE BREAKOUT NOVEL, by Donald Maass. I've had this book (and its companion book WRITING THE BREAKOUT NOVEL WORKBOOK) on my bookshelf since it was first published, as well as Maass's other craft books. I find them extremely helpful, but primarily in the way of editing pages once they're written; less so in the realm of helping me plan and execute a first draft. I've attended the Breakout Novel Intensive (BONI) workshop Maass gives twice. (BONI is based on this book and his more recent ones, particularly WRITING 21st CENTURY FICTION.) The exercises provide insight and help in making
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