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Everything posted by AgentModX

  1. by Claudine Wolk I adore books about writing. The whole process is fascinating to me. How thrilling is it to write a book and then see it published and sold? As a reader, I am fascinated with the writing process as well. I wonder how the author came up with their idea and how they developed the skill to keep readers intrigued. Two of my favorite books by authors about the writing process is Stephen King’s On Writing and Anne Lamott’s Bird by Bird. When I heard that author Anna Quindlen was coming to Doylestown to my town speak and had a book out about writing, Write for Your Life, I purchased a ticket immediately. I arrived at the Life Science’s building on my local university’s campus just as the sun was setting on an April evening. Clusters of girlfriends and a few couples hurriedly approached the entrance doors, so I knew I was in the right place. Once the audience was seated, Ms. Quindlen was promptly introduced and led to two single seats at center stage. All About Writing and Why It Is a Lost Art For the next few minutes, Quindlen encouraged the audience to write. “Where would we be without the diary of Ann Frank,” she mused? “How will the people who come after us know us if we no longer write and leave them something?” “Email and texts are great,” she said, “but the Letters of Albelard and Heloise they are not.” “Writing is so important, she intoned, “because it’s a lost art.” Quindlen talked about her teachers. Said she would not be a writer without them. She spoke about how lucky she feels to be able to earn a living by writing and that she has a son who is a writer but he has another occupation to make ends meet. She talked about her relationship with her editor. Her editor is excellent and she listens to her editor. Her editor makes her books better. Even when Quindlen writes a passage she loves, if it does not move the story forward, it is taken out! She talked about the movies that have been made from her books, meeting Meryl Streep and how surreal it was to be on a set that looked exactly like she had imagined it as she wrote about it. She shared that she feels that the movie versions of her books were true to her books and that she was pleased that the movies share the same title. She also commiserated that as a NY Times, Pulitzer Prize winning columnist, her columns were sometimes criticized for not being true while at the same time her fiction novels are often suspected as being true. The audience chuckled at that revelation. Aspiring Writer Audience Members Ask Questions of Quindlen A question-and-answer session was introduced by the host and the audience warmed up after the first brave soul raised her hand. An aspiring writer asked how to make her writing less “weird? “Weird is good,” Quindlen said. “Weird sells.” Questions of Quindlen’s writing process followed. She was asked: How do you write - in outline form? Where do you write - a separate room and separate house? Do you need complete peace and quiet? One audience member pleaded for advice. “I have written a whole bunch of stuff and I don’t know how to put it into story format?” Quindlen suggested to get it all down first and trust that a story flow will emerge. Another audience member asked how she could make a living from writing. “Don’t count on it,” chuckled Quindlen. Another asked about her memoir research and shared, “Each of my family members gave me a different version of the same story, which one should I pick?” “The beauty of being the writer is that you get to pick the version of the story that works for you,” Quindlen soothed. “All versions are true.” One audience member seemed in actual pain as she asked her question. She lamented that she felt she could not write unless she was away from her kids and husband alone in a cabin for hours at a time. Only then did she feel that she would be able to write. Quindlen was gentle with her and explained that she didn’t have the issue of young kids these days but the demands of motherhood were an issue for her years ago. Quindlen’s solution was to write when her kids went to school from 9:00 am when she dropped them off to 1:00 when she picked them up. To this day, she told us, those are her writing hours. What You Need To Become a Writer Finally, and for the second time that evening, Quindlen uttered a word that I believe is the key to becoming a writer. Confidence Maria Von Rapp famously sang about confidence in The Sound of Music, “I have confidence in sunshine, I have confidence in rain, I have confidence that spring will come again, because which you see I have confidence in me!” You must have confidence to be a writer. You must have confidence that what you write is good enough to be written down, read by someone else, and out there in the world. Anna Quindlen admitted to the audience that she musters confidence every time she sits down to write. As she revealed this last admission, I felt the shoulders of the aspiring writers in the audience start to relax. As we gathered our things at the end of the presentation, my fellow audience members confessed that they were inspired to start writing. I was too. * * *Claudine Wolk is an author, podcast host, and radio host. Follow her substack newsletter Get Your Book Seen and Sold or visit ClaudineWolk.com. Claudine lives with her husband, Joe, in Bucks County, PA and is working on her next book. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  2. At a "Stranger Things" experience in NYC. Years ago, I attended a children’s writing conference where an agent begged the audience to please not write about the time we grew up in. While I could see what she meant by the advice, I also got a good response later that year when I sent the opening pages of a middle grade novel to an editor I’d met at the same conference. In the words of the editor, my story about a girl who traveled back in time to the 1980s to meet the childhood version of her favorite teacher “had an intriguing premise,” but I hadn’t quite nailed the voice of the protagonist yet. I’ve begun noticing a trend of bringing back pop culture from 10, 20, even 30 years ago, especially in books, movies, and TV shows. Last summer I read a suspense/thriller novel by an author named Riley Sager called “Survive the Night.” Part of the reason I decided to purchase the novel was because it took place in 1991 and featured a protagonist looking for a ride share home from college. There were no cell phones, George H.W. Bush was president, and Nirvana ruled the airwaves. As a reader who spent my high school and college years in the 1990s, the setting and time period appealed to me. I remember going to the movie theater in the summer of 1993 to see the original “Jurassic Park” and being horrified watching Michael Crichton’s science-fiction novel come to life on the screen. Four movies later, “Jurassic World Dominion (featuring many of the same actors that graced the original) had the second-biggest opening weekend of the year just behind “Doctor Strange in the Multiverse of Madness.” My husband was beyond excited to finally get to see “Top Gun: Maverick,” as he can recite every line from the original, and we both agreed the filmmakers really cashed in on the nostalgia of the film by using so much of the music we loved from the first soundtrack and well, I won’t spoil anything else if you’re still planning on seeing it. After the last few years we’ve had, I can understand the joy of seeing things from my childhood and teen years come back around again. I got hooked on the Netflix series “Stranger Things” more for the nostalgic angle than the science-fiction plot lines. I love seeing the clothing the characters will be wearing and which pop culture items will be lurking in the background of each scene (kudos to Kate Bush and the revitalization of her 1985 song, “Running Up That Hill) from the current season. Nostalgia is the reason why classic car collectors spend years looking for a specific car they have fond memories tied to. It’s why the “Forrest Gump” and its original motion picture soundtrack became so popular in 1994. Indulging in nostalgia connects our emotions to memories. It brings us together collectively. It helps sharpen our minds. It gives our lives new meaning. I think I might be ready to polish off that time traveling young girl from a 1980s summer camp story. Maybe with a little work, it could be the escapism some kids are looking for. Have you written anything from a time period you grew up in? What was the response like? What are some of your favorite time periods for books and movies to be set in? Renee Roberson is an award-winning writer and editor who also produces the true crime podcast, Missing in the Carolinas.(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  3. The past few months have led me down the road of revisions again. It's not too uncommon for me to continue revising, even after I've begun to submit. Somehow, it eases the sting of rejection to know I'm in an ongoing state of improvement. In fact, I've recently re-revised two short stories of mine and they have been sent out to the world with renewed hope of acceptance. At the moment, I'm looking at another short story of mine this hot afternoon in June and recognize that vague feeling that it's "missing something." I read it freshly, only to realize that around page three, I was beginning to skim it. It's one of the few short stories I've written that feels purely fiction without any realm of weirdness in it. I was inspired to write it when I was let go of my day job a few years ago. Then I combined that moment with another time I had wished I could have given someone a pair of shoes who had none on their feet. I've often imagined it being published and me, finally, being able to describe the origins of its inspiration. Instead, it's been rejected many times (although once was a more positive rejection). I've grown tired of looking at my own stories before but even in those moments, at the bare minimum, I'm intrigued by something in it despite my familiarity. This time was different. I recalled someone's feedback to me once that the real story didn't start until after my character left the office once she lost her job. At the time, I dismissed it. Instead, I tightened up the story in other parts, certain the core of the story began when my character walked into work, realizing they were laying people off. Now, I wonder if that feedback had been right all along. As much as I hate to admit it, this may be one of those stories that get the back burner treatment. It's the first time I've recognized that about this story, actually. In fact, I didn't even recognize it until I started writing this blog post. Ever since attempting to polish this piece, I have begun to realize there may be aspects of this story that I need to take out, like the first half. Or I need to leave it behind completely. I won't regret writing it, though. I think it was more therapeutic to write it than I realized at first. It likely was part of me processing losing a job I had been at six years. It also maybe even eased guilt that I didn't help a man who didn't have footwear (even though at the time I really didn't have anything to give, but still...) What will happen now to it? I'm not sure. I'm not saying there's nothing there, but I need to find what is missing to move forward. Or maybe accept that it served a purpose beyond publication. Nicole Pyles is a writer living in Portland, Oregon. When she's not hunting down the right word, she's talking to God, reviewing books on her writing blog, watching movies, hanging out with family, and daydreaming. Her work has been featured in Ripley's Believe it or Not, WOW! Women on Writing, The Voices Project, Sky Island Journal, and Best Colleges. Read her musings at WorldofMyImagination.com. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  4. Kathryn’s Bio: Kathryn A. Brackett is a native of South Carolina and holds a MFA in Fiction from the University of Pittsburgh. Throughout her writing career she’s developed her craft at prestigious programs like Sewanee Writers’ Conference while earning numerous accolades in literary competitions, some judged by notable writers like Sara Gruen. Brackett’s writing has also appeared in print and online literary journals, to name a few, Emrys Journal, Waccamaw, Mythium: The Journal of Contemporary Literature, and most recently, a horror/love story about Friday the 13th in Tales from the Moonlit Path. Her work has been anthologized in Short Story America, and in the early stages of her career, C. Michael Curtis, senior editor of The Atlantic, chose one of her pieces for inclusion in Expecting Goodness & Other Stories, which was runner-up in the Independent Publisher IPPY Awards in 2009 for the top collection of short fiction in North America. Her story was later adapted to screen in the Expecting Goodness Short Film Festival and won for Best Film. Brackett continues to write when she’s not teaching English. She is currently working on a novel. You can find her at www.kathrynbrackett.com. If you haven't read Kathryn's story, "Letting Go," do that and then come back to learn about Kathryn's writing. -----interview with Sue Bradford Edwards----- WOW: What was the inspiration for “Letting Go”? Kathryn: Back in the fall of 2021 a mysterious visitor began coming to my backdoor. The doorbell rang the first time at an hour of the night when I wasn’t expecting company. When I didn’t see anyone out the window, I assumed it was my neighbor and instantly felt unnerved when I discovered it wasn’t after a quick phone call. When it happened a week later, also at night with no one standing at the door in the quick time I reached it, I started imagining various scenarios: the doorbell was dying, or someone was playing tricks on me; either way, I didn’t like it. The next event occurred on a rain-soaked afternoon. It took less than 10 seconds for me to get to the door, and just as I peeped out the curtain, I saw a thin, straggly-looking white man with wet hair bolting off the steps while talking to someone I couldn’t see. He scurried through the backyard and disappeared behind the high-walled fence that borders my property. The barrier belongs to the city, meant to cover vast overgrown brush that humans are not supposed to trudge through, especially during a downpour. But there he was, shirtless and scaling a steep, slippery hill in clogs with blue jeans rolled up to his calves, screaming obscenities in a self-consumed conversation that I fearfully took in from my silent perch on top of an old tree stump as I peeked over the fence. I called the police immediately, and they eventually identified him, keeping an eye on his whereabouts for weeks, though they were unsure why he’d chosen my backdoor since I live in a crowded neighborhood. Later on my neighbor boarded up the small opening in his yard where the man had undoubtedly squeezed through to get to mine. As an added precaution, my boyfriend installed security cameras outside my house, often speaking to me through the devices while I sat on the porch. Sometimes the startling crackle broke through silence and made me scream, evoking laughter in our conversations; other times his tender hello simply reminded me of his nearby presence. One day while sitting at my computer struggling to think of a story for an upcoming WOW competition, that drenched stranger came to mind, along with James’ spirit latched to my psyche. Every fiction writer understands that characters are “real” in our minds. Each creation brings a voice with it, each voice, a life, so I sensed James’ frustration and adoration for his wife immediately. He wouldn’t tell me his name at first, or his real struggle, but I knew he watched her through a security camera at the backdoor where men slipped in and out at all hours of the night. I slowly became entwined in his grief, desiring a sense of safety for him I knew could only be achieved once she took down the camera. She had to let go of him first before he could embrace his true reality. I struggled with the gut-wrenching ending for two months, but I always felt from the very beginning that it would be sad. No matter how gloomy, scary, or muddled my characters’ lives are, I owe it to them to listen to their stories, so writing James’ narrative was not only therapeutic during a foreboding situation in my life, but it was also my way of watching over him. That process brought me the most peace. WOW: Flash fiction is so tight. How did you decide which details deserved space in your story and which details had to go? Kathryn: I never thought I’d be able to write flash fiction because I’m a prose writer who has no trouble exceeding a 5000 or 6000 word count in a short story, but lately I’ve wanted to embrace a new writing challenge, to step outside my comfort zone and see what I can produce. “Letting Go” barely made the 750 word limit, and believe me, it was hard to trim down! I admire writers who can relate stories in a short amount of time, especially poets whose succinct nature of storytelling has the power to draw people to their knees in profound gratitude. When I considered the bare bones of “Letting Go,” I knew there needed to be a solid motivation for the protagonist, some desire to thrust James forward in spite of his challenges. Initially he was so tacked to his anger over these miscellaneous men at his house that the tone of the story was quite crass. At times I felt like I was trapped in a room with a very surly man who refused to disengage from the only emotion he was hell-bent on displaying. I knew the story had more dimension than that though, so I kept prying details out of him while cutting away facts that didn’t feed the narrative its essential elements. Eventually I discovered the story was about love, not rage, and slowly I began to sink into his loss over a wife that had moved on with another man while he was still stuck in grief as elusive as his death. Loss is a theme that I explore in most of my work, as well as finding ways to move through pain that paralyzes hope, but James’ situation was tricky because I had to weave in subtle hints of his demise throughout the narrative without sacrificing his epiphany at learning he was dead. Providing descriptions like “a purse large enough to hold a tombstone” and “surviving on heartache instead of a pulse” were integral moments I hoped would read smoothly on the page yet snowball into a powerful punch as readers rounded the corner to the final two paragraphs. Writers like Stephen King, Flannery O’Connor, and Shirley Jackson have constructed stories that have blown my mind. I’ve dissected their work over the years, focusing on the skillful way they implant the smallest details to illuminate the element of surprise. Scenes burst off the page exactly when they should. God knows I’m still learning how to do this well, but it was very exciting and fulfilling to find that creative balance in “Letting Go.” WOW: As a teacher, what do you think is the most important lesson for new writers to learn about writing flash? Kathryn: Writing flash fiction requires making purposeful choices with imagery, dialogue, setting, whatever it may be, because each sentence needs to help the character achieve his or her goal. You must be willing to let go of languid thoughts that provide little action and find more concise, powerful ways to express ideas. Sometimes that means combining description in a way that feels very blunt yet concrete, or using a strong verb to elevate a moment. Even one line of dialogue can carry enough momentum to progress a scene into the next, if it’s the right choice of words. I always tell my students to never be afraid to write and rewrite a thousand times if something isn’t working. Earlier in my writing career, I used to be so afraid of gutting entire paragraphs, but now I know it’s necessary for growth. “Letting Go” went through multiple drafts over the course of several months, and I had to step away from it a few times since James wasn’t always easy to get along with; remember we were locked in a proverbial room together, sometimes I just wanted to slap him. But it’s important to walk away from a story for a bit when you and the characters aren’t in tune. Having that physical and mental space will help you appreciate the blooming field of creativity that often comes while you’re focused on something else. Sometimes all a story needs is more soil, more time to breathe. When you give it exactly what it needs, it will nourish you too. WOW: What advice do you have for readers who are considering entering the WOW! flash fiction competition or another writing competition? Kathryn: I used to have this grandiose idea that every piece of writing in a bookstore was instantly published upon its first draft. My naivety quickly dwindled when I started getting writing rejections at a very young age. I no longer keep count of the no’s when I enter contests or submit to literary journals; I expect them, even appreciate them at times, since it forces me to reexamine my work in a closer way before resubmitting it somewhere else. At one point in my life, I used to put rejection letters on my refrigerator, but now I occasionally pin them to my corkboard in my office, reading them on the worst of writing days, which pushes me to keep doing what I’ve been called to do. Writing is so subjective, but it’s comforting to know what one person dislikes may very well fill up someone else’s grey sky with happiness that leads to a solid acceptance of your work. I’m reminded of something that Will Smith once said. Though I know he isn’t highly regarded right now, his walk of faith to persevere in his career is renowned. He spoke of this one time, and I’m paraphrasing, obviously, about how failing is necessary for any goal you’re working towards. If you don’t fail, you don’t grow, and if you don’t grow, you don’t succeed. Fail, and fail often. His resolute declaration stays in the back of my mind, especially when self-doubt tries to imprison me, as it does for every writer. You’ll tell yourself all kinds of reasons why you should stop writing, and the naysayers in your life will try to convince you to take a different path. After your umpteenth rejection, you might be compelled to take their advice, but you must honor that anointed feeling within you, the one reminding you to press onward to the finish line. There are no accidents when it comes to storytelling. Narrative voices that wake you up in the middle of the night, or force you to pull over to the side of the road to jot down a thought or two or twenty, are always speaking for a reason. The ones that glue you to your computer chair for two days without food or sleep are so bound to your soul that ignoring them would surely be a disserve to you both. You mustn’t give up on them, or yourself. WOW: As someone who is working on a novel in addition to writing flash, what skills do you think can be carried from one type of writing to another? Kathryn: I can recall countless stories over the years that have changed my life. I remember the ones that have brought me to tears or terrified me in keeping the lamp on all night. It’s a gift, I think, how someone’s imagination can make you rethink the entire world around you. I know I’m not alone in this sentiment because students are still actively reading Edgar Allan Poe and Emily Brontë. They want to feel goosebumps when that tell-tale heart is beating nearby. They want to get swept up in Heathcliff’s romantic madness over a woman he doesn’t know how to stop loving, and quite frankly, we hope never does. Those endearing and enduring themes can be explored in short or long narratives, so long as there’s something magical to experience in them. It’s all about telling a good story. As a writer, you must open your heart to the narrative that works for you. You must listen to your characters’ struggle even when you’re afraid of the outcome. Be patient with them, and with yourself, since it’s easy to get discouraged on a journey that could take years to complete, even if you’re writing flash fiction. I have to laugh at this, and it may sound strange to anyone who isn’t a writer, but my characters often tell me when they’re ready to let go of my hand, not the other way around. I can’t explain it; it’s just a feeling in my core, like the person is saying, “Thank you for staying by my side, but I’m okay to walk on my own now.” It doesn’t matter if that connection takes place over a few paragraphs or hundreds of pages, because my job as a writer is to see them through, and if their story offers even the slightest bit of hope, or change to someone else’s life, then I’m happy to stand back and watch that character I love walk away. It’s the greatest of gifts, a blessing I wouldn’t trade for anything. WOW: And we are so grateful that you've decided to share your gifts with the WOW community! (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  5. Back in May, I shared how I used an outline and beats and book-mapping in my latest manuscript. All of those methods were in the beginning to the middle to the end-of-writing/revising and though it may seem like a LOT, the writing process with this novel has been the smoothest yet. BUT I promised you a last quirky tip that I opted to use this time once I was at the stick-a-fork-in-it, this-book-is-done stage. So here it is: COLOR-CODING! Oh my word, I love color-coding. Not just with manuscripts; I’ve used color-coding for all sorts of organizing! But I don’t have time to go down that rainbow rabbit hole. Today we’re here to see how color-coding your manuscript can be helpful and why you might want to try it for your next project. First, the process. I heard about this technique from author and publisher, Darcy Pattison. She recommended shrinking the manuscript and using different colors to highlight parts of the work-in-progress. That way, with the pages laid out in front of you, one can see with a quick glance the strengths and weaknesses (or whatever particulars one is looking to fix). I didn’t shrink my manuscript; I spent about $25 to get it printed, mostly because I didn’t want to squint for hours. Next, I ordered amazing gel highlighters in about 20 different colors. These are typically referred to as “Bible Highlighters” as they work well in highlighting and allowing easy print readability (and they don’t bleed through). And then, I worked out what I needed to look for and the color key. For the first 25 to 50 pages of the cozy mystery, I wanted to hone in on characters. This is an ensemble group and I wanted to see—through the use of color (gray, dark yellow, neon yellow, purple)—that there was a good balance. I also wanted to make sure I saw pink and green. Er, theme and setting. I tried to be more intentional (though not too heavy-handed) with my theme (pink). I needed the theme to dip in and out, like a big toe in the pool. And setting (green) is a bit of an Achilles' heel with me. I prefer getting right to story and dialogue with the result that the richness of setting, which can also help with tone and story, gets left behind. So I had a simple goal there: I needed to make sure I saw green in each chapter, and a plush green in the set-up of the story. There are two distinct mystery arcs in this novel but since I’ve used a day-by-day titles for chapters, the arcs weave in and out. Each arc had its own color (the gel highlighters ran out!) but again, I wanted to “see” the story, in this case, for pacing and tension. As I highlighted the printed manuscript, I was not editing. (Okay, I circled three or four words that weren’t working.) The colors, as Pattison had suggested all those years ago, helped me to “see” the novel in parts and in its entirety and I was very satisfied with the end result. You might want to use the color-coding at an earlier stage (first draft, for example) before doing massive edits (I used the book map for major editing). I’ll happily admit that I used color-coding at the very end because I kinda wanted to celebrate and see the novel in all its artsy glory. That, and the fact that I wanted a bit of fun while I waited for my beta readers and editor to weigh in. There may be more writing work ahead for this cozy mystery but I’ll always have my color-coding. ~Cathy C. Hall(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  6. Recently I returned from a road trip to my home state. I don’t know if it was the eight straight days without working or the time spent among my story telling cousins, but I came home with ideas galore. This led me to an interesting problem. I’m working on three, big projects (a mystery, a middle grade science fiction novel, and an early grade nonfiction series). They won’t be done any time soon. Two of my new ideas are especially persistent and emerged almost fully formed. I had to decide what to work on first. I asked myself these questions: 1. How does each idea fit into my long-term goals? Thanks to Renee, "Weighing the Pros and Cons of a Gig," we all know to evaluate an idea or a job according to how it fits with our goals. My two pushiest ideas won’t further my three big projects, but they could help me find an agent. Of course, each of my three big projects would also do this. For me, this question was a draw. 2. What project is most likely to sell? The joys of being a freelance writer include trying to determine which idea is right for the market right now. Middle grade novels are in demand as is series nonfiction. In fact, a publisher has a call out which my series idea fits to a T. My two new ideas are both picture books which are especially difficult to sell if you aren’t an illustrator. That’s a point for working on the series idea and the middle grade novel. 3. Which project am I most enthusiastic about? This is a trick question for me and for a lot of other writers, because the answer is almost always, “The new project!” After all, the new project is shiny and new and perfect. If I was close to finishing one of the others my answer might be different, but the point goes to the two new ideas. 4. What answer will help me accomplish something? Hmm. This sounds like the kind of question my mother would have asked me. Staying on track and getting something done means that the point for this question should go to whichever of the three big projects is nearest completion, the nonfiction series idea. 5. Do you need an easy win? While no writing project is really an easy win, sometimes you need to go with the project you can finish in the least amount of time. That is why a lot of writers work on something long and something short, rotating between the two. Me? I’ve been working on both the series and the new ideas. How you prioritize each of these questions will depend on where you are in your writing journey and what you are working on. The answer that is right for you today, may not be the right answer a month from now. Still, asking yourself questions like these can help you make up your mind before you sit down to write. --SueBE Sue Bradford Edwards' is the author of over 30 books for young readers. To find out more about her writing, visit her site and blog, One Writer's Journey. The next session of her new course, Pitching, Querying and Submitting Your Work will begin on July 10, 2022). Coping with rejection is one of the topics she will cover in this course. Sue is also the instructor for Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins July 10, 2022) and Writing Nonfiction for Children and Young Adults (next session begins July 10, 2022). (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  7. by Adele Holmes In 2019, while pitching my first novel which involved discrimination during the Jim Crow era, I was asked if I’d had a sensitivity read. In all honesty I’d never heard of the term, but its implication was fairly easy to pick up, so I brightly replied, “Yes.” I’m white. Two of my beta-readers were Black. They both heartily approved of my manuscript. That’s the same as a sensitivity read, right? As it turns out, the answer is a definitive, “No.” Luckily the agent did not offer a contract, and I went home to delve more deeply into the subject of sensitivity readers. A web search for articles from within the writing community revealed a deep divide—imagine that, in America, a deep divide over otherness. Not only was there disagreement on when and where, or even if, a sensitivity read was necessary, but there gaped a huge hole where the definition should have stood. Those inclined to recommend such a manuscript review argued that no one outside a certain criteria (race differences, cultural differences, gender-identity differences, any you-name-it differences) could appropriately speak to the situation without oversight from someone inside the criteria. Those against sensitivity reads bemoaned censorship of the author’s right to write about whatever they chose, without muzzling for the sake of political correctness. I found little indifference on the subject, no shrugging of the shoulders with a quiet, “Meh.” In the years since, likely due to the spotlight of the #OwnVoices movement, most writers have a working concept of what a sensitivity read is. The dictionaries, wikipedia included, have not yet applied a strict definition. Many publishers now require a sensitivity read for any manuscript that has the possibility for cultural inappropriateness. And still the debate rages with very little middle ground. Back in 2019, a hard look at the facts of my situation led me to realize that my beta-readers were my friends, and as such, they might be biased in my favor. I chose to contract a professional sensitivity reader, and I’m glad I did. She found little to correct, a fact that bolstered my confidence in the cultural appropriateness of my novel. What she did correct was incredibly instructive to me. While I had no instances of the “white savior” role popping up, there were a few examples of white privilege that I had overlooked to call out. I make no pretense of calming the waters; this tempest will likely never subside. But the honest sensitivity review I received made my book better—and made me a better person. I’d do it again in a heartbeat. * * * Adele Holmes graduated from UAMS medical school in 1993, and from residency at Arkansas Children’s Hospital in 1996. She practiced general pediatrics in central Arkansas for over twenty years. While she loved every moment of it, a serious travel bug, a need to put the voice of her soul onto paper, and a call to give back to the community led her to an early retirement in 2017. Her debut novel Winter’s Reckoning, a southern gothic set in the Southern Appalachians of 1917, will be published by She Writes Press on August 9, 2022. She continues to write, travel, and serve in her community. Visit her website at www.adeleholmes.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  8. I was skimming one of the writing books from my shelf, Pen on Fire by Barbara DeMarco-Barrett, and came across some timed writing ideas. It always feels good to have a few more writing prompts to choose from when you need one! Here are three interesting ideas from the book that you may want to try. 1. Poetry line “Take a poem from a book of poetry [or anywhere], and pick one line. Write that line down. Now, build a scene around it. Freewrite for fifteen minutes, using that line as a prompt.” (You could also use the line as a prompt for a journal entry, an essay or your own poem.) 2. Crisis “Do you have a list in your notebook headed ‘Crisis’? If not, make that list now,” DeMarco-Barrett writes. “Crises you survived. That winter you learned your brother had stolen all of your mother’s money. Hearing the diagnosis—autism—for your firstborn. When you learned the reason the credit cards were maxed out was because your husband had been…” Pick one and write about it in as much detail as you can. Begin in the middle of things. Don’t resort to summary; don’t tell us what happened—show us.” Another option she offers is to do this with fictional characters. 3. Location Variety “Try altering your routine to see what happens. Every day for a week spend 15 minutes writing in a different location. Write at a desk, on the couch, on the bathroom floor, at the park, at a restaurant, or on a bus. Write sitting on a chair, standing up, lying down. Write and bright light, low light, blue light. Experiment. See what works for you. In the meantime, you will have collected pages. And that is a very good thing.” Let's get writing! --Marcia Peterson (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  9. Chiu Yin’s Bio: Chiu Yin has held senior management positions at Pearson Education and The Economist Group. She is the author of an award-winning trilogy of illustrated books on the architecture, founders and landscape of Tuxedo Park, a historical community in the Hudson Valley, New York. The flash fiction Shanghai Tango is extracted from her debut novel about the struggle for love and survival of the fifteen-year-old, illegitimate daughter of a powerful general and a former prostitute. The story takes place in war-torn Shanghai in 1948, on the eve of the Communists’ final victory in the bloody civil war against the Kuomintang, forcing the latter to retreat to the island of Taiwan and setting the stage for the geopolitical tensions today. The narrative draws upon extensive historical research as well as stories Chiu Yin’s grandmother told her about China during the war years. If you haven't done so already, check out Chiu Yin's award-winning story "Shanghai Tango" and then return here for a chat with the author. WOW: Congratulations on placing third in the Winter 2022 Flash Fiction Contest! What excited you most about writing this story? Chiu Yin: The challenge of visualizing a brutal, life-changing moment. WOW: What did you learn about yourself or your writing while crafting this piece? Chiu Yin: I have a wonderful family who will praise and support me regardless of what I do. I discovered that I need to be my own harshest judge. Being perpetually dissatisfied with my work is a powerful motivator. WOW: Your bio says that this story is an excerpt from your debut novel, which draws on extensive historical research and stories from your grandmother. That sounds fascinating! Could you tell us more about your writing process and you how incorporate research and narrative? Chiu Yin: Before I began writing the novel, I read a ton of books on Japan’s war against China and the civil war between the Communists and Kuomintang afterwards. This gave me the historical context. I had visited Shanghai on a number of occasions in the 1990s. But what made that distant time of 1948 come alive in my mind were my grandmother’s vivid stories of atrocities, suffering and bravery she witnessed firsthand during the war years, and the videos and photos available online of Shanghai in the 30s and 40s. I was thus able to transport myself to that city in that time and I put my characters in that milieu and tried my best to describe in words what they – and we – saw, heard, touched and smelled as the drama of their lives unfolded. WOW: It’s always fascinating to hear how writers approach their projects, so thank you for sharing that insight into your research and writing processes. What are you reading right now, and why did you choose to read it? Chiu Yin: I read mostly non-fiction. There is so much to learn about the past and the world around us. But when I read fiction, I choose writers who are masters with the craft of words: Amy Hempel, who luckily for me is my sister-in-law and inspiration, Julian Barnes, Evelyn Waugh… I also look for page-turning tales (Lee Child who is a superb thriller writer, for instance) and I love historical fiction. WOW: If you could give your younger self one piece of writing advice, what would it be and why? Chiu Yin: I had many false starts in writing the story… so, my advice to my younger self would be to plot the arc of the story and the psychological/emotional profiles of the key characters before attempting the first word. WOW: Thank you for sharing that advice, and thank you for you other thoughtful responses! Happy writing! Interviewed by Anne Greenawalt, founder and editor-in-chief of Sport Stories Press, which publishes sports books by, for, and about sportswomen and amateur athletes and offers developmental editing and ghostwriting services to partially fund the press. Connect with Anne on Twitter @dr_greenawalt. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  10. In a freak of scheduling, you're getting two servings of Sioux in a row. I figured I would continue my post from Saturday about creating a channel-platform-thingy with a couple of production friends. We'll be targeting women over 30. (We're still in the talking stage. We've only just begun. If you're ancient like me, those words might make you think of the Carpenters. Check out the end, where I've taken liberties with the first four lines of the song, and enjoy the link to the smooth croonings of Karen and Richard Carpenter.) If you missed the past post--just two days ago--here it is, so you can catch up avoid hearing Sioux blather on. Again. image by gerait via Pixabay I've learned a few things since Saturday. Some tidbits I learned from what others told me. Some I learned from what others have done in the past--and I've never forgotten them. And some info I got from research. Someone with tech skills filled us in: we're contemplating launching our own channel via an OTT platform. For those who don't know--like me, prior to Saturday--OTT stands for "over the top." The channels offered via a platform are above and beyond (over the top) when it comes to companies that usually offer content. Listeners/viewers can subscribe to these channels just like people can pay for HBO and Showtime. (If I'm getting this wrong, don't hesitate to comment. I work with middle-schoolers. I get told I'm off base all. The. Time.) This is a small fire that's been fanned in the hearts of a few of us. We know the general direction we want it to go in. Forks in the road will appear, we know. But we're definitely not interested in handing our steering wheel over to someone who has a strong personality so they can start using a new roadmap and take over... which I've seen before. In the past, I've seen one person step in--after a project has evolved past its embryonic state--and immediately start talking about our program. Our project. Our class. They expected the creators to simply fall into place and include them in what (just a moment earlier) was someone else's our. However, the dreamers kept true to their mission, listened to the schemer's ideas, and gently reminded them that they could help, yes. They could participate, of course. They could certainly contribute... but it was not their baby. Hold onto what you know is true. And keep a firm grip on it. By the time it's grown large enough that it fills more than your hands, when it's evolved to the point where you're embracing it--your arms stretching as far as they can--it'll be able to stand on its own. Then you'll happy you didn't tear off pieces, fragmenting your dream. I've been doing some research, and learned another acronym besides OTT. This one is CTA--call to action. We will need to tell the audience to check out the ____ video. To subscribe to our channel. To come back next Tuesday when a podcast about ___ drops. Otherwise, our viewers and listeners will switch over to a different channel, leaving us behind in the dust. The CTA is a gentle nudge. A watermark is important. Our logo--a small version--should be in a corner of whatever we do. Each time someone watches a video on our channel, they'll see our logo. That helps with brand awareness. Apparently there are clever ways to suck a viewer deeper into content. Inserting a link at the end of one video--a link leading to another video--means they won't be a one-and-done viewer. Similar results will come from creating a "playlist." Just like a musical playlist means the listener will (hopefully) stick around for multiple songs, having a string of videos auto play, one into another, means they'll watch several videos... and perhaps get hooked. (Each time I sit down to watch something on Netflix, I plan on watching just one episode. But when the message comes on that the next episode will come on in a matter of seconds... I end up watching an entire season while lying on the couch. Netflix is so clever.) We've only just begun to work White space and techno-stuff Pulling out hair and we're on our way... In case you're under 60 and have no idea who the Carpenters were--Karen had an incredible voice, her brother Richard was a master at arranging... and Karen died way too young from anorexia. Sioux Roslawski is a middle-school teacher, a freelance writer, the author of Greenwood Gone: Henry's Story, and a dog rescuer. You may check out more of her writing via her blog. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  11. What if? What if I had said yes to that opportunity? What if I had been willing to take that risk? Those questions plague most of us. Right now, I'm at a fork. Like the song by the Clash, should I stay or should I go? Should I stay, mired in my routine... or should I go off in a new direction with a couple of friends? image by Noel_Bauza, via Pixabay Currently, I have a fragmented life. My writing has left me stuck on the side of the road, in a ditch. My teaching has shifted to working with graduate students, like it does every summer. My college teaching is easy, and reenergizes me, so it's in no way problematic. There's things in my personal life that need smoothing over. Here's where the stay or go part comes in... A couple of friends have an idea of taking a simple, once-a-year storytelling event, and expanding upon it. They're talking about something (a platform? a website? something that can be subscribed to, for sure) that would be a leap for all three of us. However, my mind is already whirling. On this platform/website, we could have podcasts. Vodcasts. Themed sets of storytelling sessions. Mini workshops. The possibilities are endless. I have a dear friend who lost her daughter, son-in-law and baby granddaughter in horrific way, due to postpartum psychosis. I could chat with her in a vodcast, and shed some light on the that form of mental illness. I'm adopted. My half-sister is adopted. I know people who are birth parents. I have a friend who adopted two handsome young boys. A vodcast/podcast (or two... or three) could focus on different adoption perspectives. Also, I'd love the chance to share some of the great writing ideas other people have gifted to me. My brain is getting dizzy... but sometimes, dizzy is good. Yes, it would require extra work. And yes, it would require all three of us to dive into waters of unknown depth. There's so many things we'd have to learn. We'd stumble. But what if this endeavor evolves into something magical? What if? What if I say no... and years later, I wonder. And regret. I have a writing friend, Renee Roberson. She is obsessed with true crime stories. She frothed at the mouth and pinched herself, thinking it was too good to be true when she got to go to MurderCon, a writing conference that focused on crime. (Her favorite workshop session was "Buried Bodies." That sounds like the perfect class to attend right before bedtime ;) Renee has a lulling, hypnotic voice, writing talent oozing out of her ears, and she had a dream. What if she started her own podcast? Would she have an audience? She had no experience doing podcasts. Would she fall flat on her face? Thankfully, Renee took the leap. Her podcast, Missing in the Carolinas, is incredible. Her love of true crime, combined with her writing talent and her wonderful voice, converged in a phenomenal way. I am not thinking that if Renee can do it, so can I, because my knowledge of technology is 157% less than hers. (Yes, I know a little about math, and that is not an incorrect percentage.) However, I look at the leap she made, the courage she had... and perhaps I can jump into something new--as long as I can hold hands with a couple of other newbies. How about you? Did you have the chance to dream big? If so, how did it end up? About-to-make-the-move Sioux wants to know. Sioux Roslawski is middle school teacher, a National Writing Project teacher-consultant, a freelance writer, and the uber proud author of Greenwood Gone: Henry's Story. In her spare time, she rescues dogs for Love a Golden. You can see more of Sioux by checking out her blog. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  12. by Janet Shawgo An inviting table presentation can make or break your sales, trust me on this. If it isn’t eye catching or appealing readers will pass you by. I find it important to keep things neat and tidy, even if you have a lot going on, your books need to remain center stage. If you have banners place them up on tables so that they will draw immediate attention. Display any awards you have received, I have mine on a canvas making it easy to transport and safe from damage. Costumes can be a great conversation item whether you wear or display them. I have two that I wear at signings, book club meetings and festivals. You will be surprised at the reactions you receive and it can increase your sales. Most authors have freebies, pens, candy, and bookmarkers. I have my business cards attached to a small gift bag containing either herbal tea, small nail file or handwipes. These are less than ten cents each, because I buy in bulk. You should make choices depending on your budget. In my city I attend a festival every year and to increase traffic to the table have included a giveaway. For any book you buy a ticket goes into a box for the prize. In 2021 I gave away a Harry Potter backpack and throw. I discovered a great deal for my budget and it was well received. This two day festival was an investment of $200.00. I cleared over $1200.00 and sold out of my books in three different genres. I discovered returning to the same festivals faithful readers seek me out for new releases. I made numerous contacts with book clubs and was interviewed for a local magazine because of the costume I wore. Though these ideas are helpful you need to engage every person even if it’s just to say hello. Unless you are Stephen King, James Patterson or Robert Dugoni, your books will not sell themselves. I have met readers who said they had too many books at home to read and couldn’t buy another, but after a short conversation they bought two. It is possible for you to sell ice in the Artic. * * * Janet began writing in 2009 while still working as a travel nurse. She retired in 2019 to her home in Galveston Texas. She has published five full novels, three novellas, and has been published in three anthologies for poetry, flash fiction and short stories. Janet has multiple awards for her works and was a runner-up in the WOW winter contest for her story The Holiday Slayer. www.jkshawgo.com / Instagram author_janetshawgo / Twitter @jkshawgo_author ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  13. Photo by Alexander Mills on Pexels.com A few weeks ago, I got an intriguing message from LinkedIn. A recruiter was looking to fill an editor role for a large personal finance company in my area. Although I have my hands full with my day job at a regional magazine, I took a moment and scanned the responsibilities. It looked pretty straightforward and aligned with my skill set, although a bit more “corporate” than I’m used to. But I’ll admit the contract pay ($46 per hour) attracted me. I hopped on a quick call with the recruiter that morning to talk specifics. Then I discovered a few things that made me pause. The company was looking for 40 hours a week, starting almost immediately, and two days a week would require driving to their corporate headquarters. That’s a 45-minute drive from me on a beltline I absolutely hate driving on because of the traffic and number of daily accidents. Still, I agreed to do a second screening interview the next week. Then I hung up the phone and wondered what I was doing. Haven’t I been saying all along that my day job requires so much writing so that I can’t focus on buildng my podcast and finishing revisions on a thriller novel I wrote last fall during NaNoWriMo? When I got a formal application in the e-mail from the recruiting agency I had to make a choice. I talked to my husband about it. He said he knew that while the money was attractive, it wouldn’t be something I enjoyed doing, especially with the hairy commute. Plus, the recruiter had told me that the contract ended at the end of August, and by then the company might be ready to make the position permanent. And they wanted me to start this month, when I have a week’s vacation planned at the end of the month (I had to plan that carefully, too, in between my magazine deadlines). I e-mailed the recruiter that I had changed my mind and didn’t want to move onto the next interview. This did spark an additional discussion with my husband, who asked why I have not asked my current boss for an increase in pay since I started there three years ago. “Yes, you are contract,” he said. “But the cost of living has gone up, including gas prices and food. You deserve to see an increase in pay.” I realized he had a point. Sometimes it can be tempting as a freelancer to go after every high-paying gig you see, but then you realize why you chose this profession and make a list of the reasons you like working contract jobs. I think the lesson learned here is to try and choose the work that has a good trade-off, and know what your worth is. Renee Roberson is an award-winning writer and editor who also hosts the true crime podcast, Missing in the Carolinas. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  14. Abbie Barker is a creative writing instructor living with her husband and two kids in New Hampshire. Her flash fiction is featured or forthcoming in several publications including, Berkeley Fiction Review, Cutbank, Cincinnati Review, Superstition Review, Pithead Chapel, Atlas and Alice, and Best Microfiction 2022. She earned a degree in fiction from the Mountainview MFA and an MA in literature from Fordham University. She loves the ocean, large dogs, and coffee shops. Read more of her work at abbiebarker.com or connect with her on Twitter. ----------Interview by Renee Roberson Read Abbie's winning story here and then return for an interview with the author. WOW: Hi Abbie, congratulations on your 2nd place win in this contest! Your piece contains a unique structure with three different segments. How did you first get the idea for the the story and what inspired you to format it this way? Abbie: Thank you! Like many of my stories, “Store Aisles I Passed Through Before Leaving Town” was first drafted in a workshop. This one transpired from a Sarah Freligh prompt. Her micro classes are wonderful, and I recommend them for anyone wanting to sharpen their skills writing tiny, distilled stories. I won’t share the full prompt, but in general, we were asked to write about a character or narrator’s specific memory while focusing on concrete, sensory details. When drafting this story, my initial intention was to focus the entire story in the cosmetics aisle. However, one thing that excites me about any workshop is how a prompt provides a starting point, or a way in, but as the writer, we have to find our own way out. It didn’t take me long to realize that the larger story happened outside or beyond that first interaction with the mother. At the time, I was also in the middle of a bathroom renovation and had spent several hours in Lowe’s staring at tile, so that second scene was pulled directly from life, and then tweaked to fit the story and narrator. When possible, I try to pull from my own settings and experiences and those details find their way into my work in a variety of ways. This helps me keep my fiction more concrete and specific. Once I had written two segments, I knew I wanted to write a third to round out the story. So, I chose a third store aisle that I hoped could provide another glimpse into the lives of these three characters while creating movement. In segmented flash, I love playing around with white space and what’s been left unsaid, and it was a lot of fun tying these segments together through the store aisle setting. I feel fortunate that I discovered the structure in the first draft. Subsequent drafts focused on tightening the language and finding the right title. I first titled the story, “Store Aisles I Remember,” which was functional, but I really liked the idea of choosing a title that could do a little more “work” and perhaps hint at the aftermath. This is one of my favorite titles that I’ve written, and I’m glad I waited to send this piece out until I landed on one that excited me. WOW: That sounds like an amazing class. Speaking of classes, you also work as a writing instructor. What are some of your favorite college-level English courses to teach and why? Abbie: I have been teaching college English courses part-time since 2009 and have taught several different composition courses, as well as a few literature courses, and now I teach creative writing online. My favorite course to teach is a beginning fiction workshop. My students spend the term working on a 6-8 page short story (twice as long as the stories I’ve published!) and I’m tasked with guiding them through the process of writing a complete and contained work of fiction over the course of eight weeks. While I love helping students sharpen their skills, what makes it so fun is how passionate and excited my students are to be there. Most of my students are creative writing majors and the rest are students that choose the course as an elective because they enjoy writing and want to pursue that interest at a deeper level. When I taught composition, I always had to work hard to convince students that they could become stronger writers with patience and practice and beyond that, I had to encourage them to put effort into that practice. Now, when I teach fiction, my students generally show up excited to write, and my biggest challenge is helping them maintain that excitement through the process of drafting a complete story (because we all know the process is sometimes frustrating and even discouraging). WOW: You have an impressive list of publications. What advice would you give writers hoping to break into literary journals? Abbie: Thank you! I’m sometimes so focused on “what’s next” that I forget to step back and acknowledge what I’ve been able to accomplish so far, so I appreciate you saying this. I wish I had something new and profound to say on the topic of lit mag publishing, but for me it simply comes down to patience and persistence. It’s easy to become focused on the final product and lose patience in the writing process. I have to remind myself to slow down and give every story the time it needs. I am a slow writer, so this is why I enjoy flash because even the slowest writer can complete a story of 1,000 words or less in a reasonable amount of time. Sometimes I miss submission deadlines because a piece is not ready, but I remind myself that these journals will open again for submissions in a few months or a certain contest deadline will come around again next year, and hopefully I’ll be better prepared by then. I’m in my early forties, so I’m not a particularly young writer, and I’m always balancing my own sense of urgency to get my work out there with the necessary patience required to wait for the right opportunities. I have also spent a lot of time researching literary magazines. I read ranked lists and the annual “best of” anthologies, including Best Small Fictions, Best Microfiction, and the Wigleaf Top 50. Spending time reading a wide variety of literary magazines has helped me find the right home for the work I have been fortunate enough to publish. There are a range of opportunities out there, and I think it’s important to focus on publications that excite you. Beyond that, it’s also important to not give up when the magazines you admire turn you down. The selection process is both competitive and subjective! One of my stories collected over 30 rejections before placing in a contest that I am thrilled to have placed in. Publication success will come, but it requires this careful balance of patience and persistence, or in other words, learning when to stubbornly submit, and when to take a step back and stubbornly revise. WOW: What is your writing process like? How do you know when a piece is complete and ready to find a home? Abbie: This is a challenging question to answer because I feel like my process is always evolving and I don’t fully understand it. Sometimes first drafts come together quickly for me, and other times I have to fight my way through them. When everything (including my kids’ schools) went remote in 2020, online workshops were crucial to my writing process – I wasn’t completing story drafts without them. I needed the deadlines and regular feedback. Earlier, while I was earning my MFA in fiction, I wrote much longer stories, and I hadn't received any formal training in flash, so I craved instruction specifically on the form. A workshop I took with SmokeLong Quarterly in 2020 was crucial to my understanding of the form and led to some publication success in my first year of submitting. This year, I’ve been enrolling in fewer workshops, so I’m not drafting nearly as many stories, but I’m spending a little more time with each draft and finding my own pace and rhythm. I really enjoy editing at the sentence level and also cutting out extra words or even entire paragraphs, but I’m still learning how to take bigger risks in the revision stage. In my response above, I mentioned the importance of patience, and I’m still figuring out how to be patient with my own work and how to gauge when a story is ready for publication. Sometimes I have to send a story out to one journal before I know whether or not it’s ready. Hitting “submit” tends to crystalize my feelings. There have been a few times where I stopped submitting a piece after only one rejection because I recognized the need for more time. I am also involved in a wonderful group of flash writers who are always willing to offer support and feedback when I’m stuck. Knowing when a story is ready for publication mostly comes down to a gut feeling, and to be honest, I still sometimes get it wrong. I’ve gradually grown more confident in knowing when to submit, but this confidence has come with experience and receiving generous feedback along the way, beginning in graduate school. WOW: It's good that you know without workshops and submission deadlines you would have difficulty finishing drafts. It sounds like accountability is crucial in your writing process. “Blue People” was nominated for The Pushcart Prize. How hard was it to develop and revise what must have been a highly personal piece of writing? Abbie: It was such a huge honor when Cease, Cows nominated “Blue People” for the Pushcart Prize. This was my third story accepted for publication, but the first piece of flash fiction that truly excited me in the process of writing it. Like many of my stories, the idea began with the first line and from there, the voice of the narrator snapped into place, and I was able to draft the story rather feverishly without the aid of a deadline or workshop. I appreciate that you recognize the personal nature of the story. It is fictional, and while most plot elements are made up, the core of the story does come from a personal place; writing it became an indirect way for me to reflect on my relationship with my sister and how those dynamics might change once our mother is no longer here. (I will say, the Blue Man Group detail is true). When composing "Blue People," I was meeting with a couple writer friends in person, and they provided me with some tremendous feedback on the first draft. I’m so glad I had sensitive readers; they both had intimate knowledge of schizoaffective disorder, which gave me the confidence I needed to send the story out after revisions. I ended up removing a scene from that first draft and making it into a separate flash, which was later published in Monkeybicyle. I have since written a couple other pieces that explore this sister relationship in different ways, and I have certainly considered expanding these stories into a larger project, but have not made that leap yet. WOW: Thanks again for all this great information, Abbie. I know our readers will find this helpful. We wish you continued success in your writing journey!(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  15. Whether it's pitching an editor or thinking of a new blog post idea, I'm always trying to craft the right angle for an article. In fact, I need all the help I can get lately. Recently, I had the chance to try out Brainstorm Buddy. How it works is this app will walk you through your idea to see if your idea is ready for the masses. The self-test asks you questions about your headline, your audience, relevancy, length of the piece, usefulness, and its surprising qualities. All of these questions come down to you being honest with yourself. It would be easy to run through the test and answer positively for each question, but how helpful is that? So, running through the quiz on one idea of mine, ended up with this answer: The great thing is after the score it offers tips on how to make my idea better. Some suggestions include: Find ways you can pitch your idea elsewhereDissect ideas that have been done to death and find out how you can fill in what's missingHow to narrow down your ideasAnd more! I loved those tips and that helped me a lot. Most importantly, and like I've already said, it comes down to being honest with yourself. What's also great about this app is the workshop available to repurpose your content ideas. The creator of Brainstorm Buddy gives you tips on how to make your one idea into 25. For example, repurposing a lengthy article by taking one of the points mentioned in your piece and turning it into a short blog post. As I pursue more freelancing this year, apps like this help me tremendously. Since it's always a challenge to ensure an idea is ready for pitching or for my audience, extra help like this makes a huge difference. Best of all, it isn't that much money per month! It's only $3.99 per month to get the help you might need for your writing. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  16. Congratulations to Natalie Y. Wester and The Last Place I Ever Thought I'd Be and all the winners of our 2022 Quarter 2 Creative Non-Fiction Essay Contest! Natalie's Bio: Natalie is a former second-grade teacher and National State Teacher of the Year who retired from teaching as a second career at 59. A radical reinventor, permission-giver, and storyteller, she encourages midlife women to give themselves permission to change the life they’re living so they can live a life they love. By 60 she became a solo around-the-world traveler and recovering social media avoider. At 61, she launched The Hot Goddess blog for midlife women, and started a “blackboard to bourbon” journey by becoming a whiskey distillery intern. Now 62, she’ll become an expat when she moves solo to Portugal this fall. Natalie has been featured on Solo Traveler Insiders, Reinvention Rebels, Calm the Chaos, Her Bold Voice, and 365 Women platforms. As a freelance writer decades ago, her work was published in the Chicago Sun-Times, The Plain Dealer, Cleveland Magazine, and other regional publications. Previous writing awards from the International Association of Business Communicators and Society of Technical Communication were on behalf of PR clients in her first career. This is her first literary writing contest entry. If you haven't done so already, check out Natalie's talent in writing with the moving story The Last Place I Ever Thought I'd Be and then return here for a chat with this amazing author. WOW!: Congratulations again on placing in the Q2 Creative Nonfiction Contest! I thoroughly enjoyed reading The Last Place I Ever Thought I'd Be and learning more about your story! Thank you for taking time to chat with me today! What was the takeaway you were hoping readers would receive from reading your submission? Natalie: To believe in the power of tomorrow. That sounds trite, I know, and nearly impossible to do when submerged in darkness. I was given a second chance by a friend who saved my life by calling 911, and that life eventually transformed into something I never imagined. The journey isn't over. Tomorrows hold change and discovery we simply cannot fathom today. There’s nothing more powerful than that. WOW!: Not trite at all - your story is very moving and impressive - speaking of impressive, you have an impressive bio - what made you start your blog? What advice do you have for others when it comes to second careers and reinventing oneself at any age? Natalie: When I came home from my 70-day solo around-the-world trip I then went to South America for my 60th birthday. COVID lockdowns began soon after I returned from that trip. As I was isolated at home alone, I started trying my hand at travel writing in a journal. Those writings morphed into more of a memoir format, so I registered for a free online memoir-writing course through Wesleyan. I also registered for various social media classes and a digital marketing certification program. I had to create a website for one of the digital classes, so I created The Hot Goddess, and uploaded some of my memoir class assignments under a "blog" tab. The site was not public. I finally challenged myself to muster the courage to launch the site for my 61st birthday. I discovered I don't enjoy digital marketing (just can't do daily social media as a recovering social media avoider), but I loved writing blog posts and engaging with the blogging community as a way to keep me writing every day. As far as reinventing and reimagining your life, the first step for me was giving myself permission to live a life that made me happy. And then giving myself permission to take my own time figuring out what that life is. Giving ourselves permission to put ourselves first is huge for women. It's just not something we naturally do because we're always putting others' needs before our own. WOW! You're spot on with taking time for ourselves - let's talk time for self care! What advice would you give to others (specifically female authors) when it comes to self care and dealing with dark times in their lives? Natalie: I wrote on The Hot Goddess blog about moods and self-care, and the harmful stories we tell ourselves. I've learned the emotions we feel are based on and controlled by the messages we tell ourselves. A quotation from Dan Harris's book, 10% Happier, has stayed with me: "The voice in my head is an asshole." Identifying and addressing that voice in third-person writing in a journal has transformed the way I deal with dark times, by quieting the critical chatter and changing the narrative I tell myself. Accepting ourselves as we are, and giving ourselves permission to meet our own needs, are the first steps to embracing self-care as a routine. Solitude, time in nature near water, journaling, and writing are part of my self-care routine. I used to feel guilty for doing what I need to do to take care of and soothe myself. I don't anymore. WOW!: Such excellent advice - thank you! Do you have advice for your younger self when it comes to making decisions, believing in yourself, and/or writing? What would your current self say to the younger you? (to see a pic of a younger Natalie - you can find that here) Natalie: Much of my journal writing is letters to my younger self. I've written about this here and here on my blog. "I wish I could go back in time and tell my 20-year-old self that a lot of what she will chalk up to her “intuition” will actually be her insecurity talking, and it will lead her down a path of recurring self-sabotage and self-fulfilling prophecies. Intuition comes from a place of confidence, power, and strength. Insecurity comes from a place of fear and doubt. I wish I could tell my 20-year-old self (life) gets so much better. I wish I could tell her this is coming." My younger self, you need to know: Being different is good. Silent suffering is not. Happiness is deserved. You are good enough. WOW!: Such great advice - thank you for sharing some history for us! And speaking of history what is your history with writing contests? - tell us what prompted you to submit to this particular contest? Natalie: What would you like to tell other authors concerning contests and submitting their work? This is my first writing contest. In a previous career in public relations I won business writing awards on behalf of clients, but I've never entered my personal writing in a contest before. Just as I challenged myself to launch my blog for my 61st birthday, I set a goal of entering a writing contest for my 62nd birthday. I researched contests, and discovered WOW! and its awards as a highly regarded contest and resource for writers. I certainly didn't expect my entry to be in the top 10. I just wanted to take a first step. That's what so much of writing – of living – is. Just taking a first step. WOW!: Thank you so much for taking time to chat with me today - you are such an inspiration! I look forward to hearing from you again in the future! Interviewed by Crystal Otto who just keeps on keeping on! Check out the latest Contests:http://www.wow-womenonwriting.com/contest.php(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  17. By Bobby Christmas Q: I was wondering how you feel about e-books. Most people have pretty strong feelings for and against. I’d be interested to know how you feel and why. A: I have two takes on the subject, depending on the point of view. From the point of view of a buyer, I download many e-books onto my Kindle so I can take them with me on trips or read them in lower-light situations. I’m not in those situations often, though, so my e-books often languish unread for a long time. As an author and self-publisher, though, I’m all for e-books, but with a warning. In my opinion, and it’s backed by statistics I’ll give later, I’m all for producing every book in both printed and e-book forms, so my books are available as both e-books and printed books. On the one hand I sell far more copies of my printed books than I do my e-books, but on the other hand, when people buy my e-books, I make more money per sale. With e-books I have less work, as well. Buyers’ money goes into my account and my website automatically delivers the e-book file. What a breeze! It’s also a breeze when people buy my books through Amazon or my publisher, because those places fulfill the order for me, but I get a truly small percentage of the price. On the other hand, I make more if people order the books directly from me, but I’m the one who has to pack and ship them, and each order takes time to fulfill. E-books have many advantages to both publishers and buyers. They cost less to produce than printed books, so they cost less for buyers, even though they sometimes have a greater profit margin for the seller. They’re certainly easier to deliver than printed books, and buyers can obtain them almost instantly. On the downside, e-books still don’t sell as well as printed books. Sovan Mandal’s April 30, 2021, article on Good E Reader noted that according to research by Statista’s Advertising & Media Outlook, almost twice as many printed books sold in 2020 compared to e-books. About 45 percent of the people who bought a book in 2020 bought a printed one, while 23 percent of those who bought a book chose to buy an e-book. Experts are saying that e-books may have a steady market, but e-books only complement the publishing sector; they don’t replace printed books entirely. At least, not yet. In the United States, the second-largest e-book market, 22.7 percent of buyers bought an e-book in 2020 compared to 44.5 percent who bought a printed book. Although a good supplement to printed books, e-books should not supplant printed books. They still don’t appeal to buyers as strongly as printed books do. Some people are hesitant or forget to go to a website and download the books. Some are afraid. Some don’t want to use a credit card online. Some don’t like reading long works electronically. Many people still like the feel of holding a printed book, as opposed to holding an electronic device. Although e-book sales have been growing over the years, some people still don’t see the upside to them, which can include clickable links, electronic bookmarks, instant fulfillment, and a lower price. While printing can be costly, e-books avoid the cost of printing, plus you can sell the same file thousands of times and never “run out.” E-books have advantages to both buyers and sellers, but I recommend offering your book in both printed and e-book forms, rather than one or the other. * Bobbie Christmas is a book editor, author of Write In Style: How to Use Your Computer to Improve Your Writing, and owner of Zebra Communications. She will answer your questions too. Send them to Bobbie@zebraeditor.com or BZebra@aol.com. Read Bobbie’s blog at https://www.zebraeditor.com/blog/. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  18. by Fatima Farooq I couldn’t believe it when my best friend asked me: "How would you manage kids and content writing together?" My fussed look took her by surprise as she thought she had asked a legitimate question. To me, however, it was not something that needed much focus. What the hell did I know?!! The moment I started writing articles as part of my new job, I knew what my best friend was talking about. It is a tedious task. Not only does writing demand time, but it also warrants uninterrupted concentration to let one’s creative juices flow. Any female writer with kids and their endless tirades would know that both require a mystical equilibrium that is far from being readily achievable. But don’t let this come in the way of choosing the career of your dreams. If you’re thinking: Is writing and maintaining family life a balance that is impossible to achieve? Well, the answer is a clear NO. As I discovered, there IS something that you can do to create a favorable atmosphere where you can successfully extract valuable time from your daily chores while giving 100% attention to your family commitments. Curious to know what these are? Dive right in: - Place importance on your work The first important step is to sit down with your kids and tell them just how vital your career is for your personal growth. You can put in factors like you having a lively overall persona, better financial aspects, along with any other features that may pertain to your personal life. Kids today are more clever than we might give credit to! They understand what we say to them when we treat them like adults. - Assign a place of work Remember that your living room might be occupied all the time by busy kids or pets. It always helps to have a secluded place of work so your kids would know that you shouldn’t be disturbed while sitting there. Even if you don’t have room to spare, don’t worry. Picking your bedroom’s corner or placing a desk and chair in the backyard may work too. - Pick a specific work time As choosing a separate work spot is important, so is assigning a fixed time of the day for writing. It will help you to juggle other family chores around this time. Your kids would also know that mom is unavailable at certain times of the day and they are more likely to work their schedules accordingly. See! Balancing home life/parenting while maintaining an active writing career isn’t that hard after all. All you need is to be a little organized, a tad bit prioritized, and a dash of luck and Voila! All good to go! Good luck! * * * I am a Senior Content Writer at Pritningblue since 2019. The company is based in Los Angeles, USA. My work typically revolves around marketing and SEO but I occasionally write non-fiction to flex my creative muscles. I got my BA (Hons) in English studies from Anglia Ruskin University, UK in 2014. When not working I love to read, cook, travel, and take care of my pet cat Harry so he doesn't scratch every piece of furniture in the house. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Would you like to participate in Friday "Speak Out!"? Email your short posts (under 500 words) about women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration. We look forward to hearing from you! ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  19. Grandma's House. The old version. Grandma's House. The new version. Recently my extended family met in my father’s West Texas hometown. We visited my grandparent’s house – a small adobe structure on the corner of Ft. Davis and 2nd Street. “Small” and “adobe” could describe several dozen homes in the neighborhood. Without the location, I wouldn’t have found it because the new owner did a major remodel. I thought the redo was adorable. I’m not thrilled with the color, but that can be changed down the road, like putting a new cover on a book. But other family members were horrified at the destruction of the home. Destruction? That seemed a bit extreme. After all, the house was sitting right there. I shouldn’t have been surprised that not everyone was enthusiastic about the changes. After all, writing and building are a lot alike. Hang on and you’ll see what I mean. Whether you are erecting a building or writing something new, you start with a basic plan. What are you building? It could be as elaborate as a museum, or it could be a small home. Your writing project could be as elaborate as an epic series, or it could be a picture book. These parameters don’t tell us much. Perhaps as the builder you got a basic material request. “Make it from adobe.” For your writing project you could be working from a prompt. “Write something about winter.” From there, you take off. Your adobe home may consist of four rooms, not including the bathroom. Or it could be a massive cliff dwelling with multiple stories and many apartments. What features would you include? Given the basic nature of the prompt it would depend on a lot of things including space, budget and time. Every builder would come up with something different. With the writing project, many things would factor in. Is it for a contest or a specific publisher? Either would have a set of guidelines. Do you write nonfiction or fantasy fiction? Nonfiction will take the project in one direction, while fantasy fiction will take it in another. Who is the audience? You could be writing for toddlers, BIPOC teens, or female Boomers who garden. Take all of this into account, and something about winter could be the picture book A Snowy Day by Ezra Jack Keats or George R. R. Martin’s Game of Thrones epic fantasy series. Whatever has been built must one day be updated. Some changes are simple -- new paint, doors and windows. But there are also bigger changes -- relandscaping, changing the roofline, moving a door, or changing the profile of the building. When you write, you must rewrite. Some changes will be your idea, but there are also changes requested by an editor or agent. Some of these changes are going to be huge. They may require eliminating a character or subplot or changing a setting. These massive changes will change the look and feel of your manuscript. You may look at the suggestions and think “Sweet! That’s going to make it so much better.” Or you might look at the suggestions in shock and wonder why the agent wants to ruin your story. A lot of it is a matter of personal taste. Not all suggestions are going to work with your vision. But some will. And still others won’t quite work, but they’ll put you in mind of something that will. This is true whether you are remodeling an adobe home or reworking a writing project. --SueBE Sue Bradford Edwards' is the author of over 30 books for young readers. To find out more about her writing, visit her site and blog, One Writer's Journey. The next session of her new course, Pitching, Querying and Submitting Your Work will begin on July 10, 2022). Coping with rejection is one of the topics she will cover in this course. Sue is also the instructor for Research: Prepping to Write Nonfiction for Children and Young Adults (next session begins July 10, 2022) and Writing Nonfiction for Children and Young Adults (next session begins July 10, 2022). (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  20. Photo by PixabayLast week, I got a few texts from friends, asking me if I was trying to message them on Facebook. Ugh, I thought, do these hacker folks have nothing better to do? Normally I ignore this sort of thing but I do change my password thereby keeping hackers from messing with my pictures of flowers or pithy quotes. (Though in my humble opinion, a hacker is already on the wrong side of morality and my quotes, often of a spiritual and/or philosophical nature, might be just what the nosy criminal needs.) Anyway, after changing my password—which requires me to either remember or find my password, neither being an easy task—I had another thought. When was the last time I checked passwords, especially on sites and such that I rarely visit anymore? It’s a chore that’s been on my To Do List forever, not just for cyber security reasons but also because I like to keep up with where Cathy C. Hall’s words might be. So I spent some time checking old websites where my essays or blog posts might have been; all but one of them was no longer functional, or at least out there in the same context. I couldn’t login anymore. Any byline was missing. I’d disappeared! It was as if I’d never written for those sites. And then I had another thought… What to do about all those essays and/or columns I’d written, some for pay and some for free? I mean, back in early days of my career, I wrote a lot of short pieces. Some of them were my best life stories and now they’re…well, it’s as if they never existed. As if they never existed. Hmmm…So what if I put them back out there? Maybe do a little sparkly editing and send them out again into the world? I know writers recycle pieces all the time—I’ve done it myself—but I’ve always noted that it would be a reprint, or that a version of it had appeared elsewhere. But what I’m wondering is this: does a writer need to specify that words have been published before when the website is defunct? When there’s no way to find the writing unless the author of said words could dig up a copy in their own files? To be clear, I’m not talking about essays or stories published in anthologies, hard copies or ebooks. I’m curious about all those online sites that are here today and gone tomorrow, never to be seen again. Can a writer, in good conscience, submit a piece that’s run on a bygone, belly-up website and not mention a word about where it may have appeared before? Right or wrong, writers? (Asking for a friend.) Cathy C. Hall (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  21. Bio: Sumitra writes in Naarm/Melbourne on unceded Wurundjeri land. She travelled there through many other spaces, real, metaphorical and transitional; and likes to write about those experiences pretending that it is all fiction. She works in mental health when she inhabits the real world and realizes there are bills to pay. Find her on twitter: @pleomorphic2. interview by Marcia Peterson WOW: Congratulations on your first place win in our Winter 2022 Flash Fiction competition! What prompted you to enter the contest? Sumitra: I am a member of Writers HQ (www.writershq.co.uk – do join, it is a friendly and welcoming writing group) where we create lots of flash pieces, and I was looking for a place to submit a piece I had recently written. A friend on the site recommended WOW. I had a look at the website which seemed positive and inclusive, so I thought I’d submit! WOW: Can you tell us what encouraged the idea behind your story, “The Garden of The Masseuse Noi Is Fed on The Sorrows and Resentments of Her Clients?” It’s a beautifully written and affecting story. Sumitra: Thank you! The story grew from an experience of receiving a massage. I had a brief conversation with my lovely masseuse, and my imagination took over. I felt very affected by her migrant story, and wondered what it might be like if you had little choice over where you lived and what you did for a job, particularly if you were a woman In saying that I just want to check my own privilege – I am from a similar part of the world, and am also a migrant to a Western country, but the similarity stops there – I have been fortunate in my life. I felt it was an important story to tell, and it flowed easily from the pen. WOW: What key elements do you think make a great piece of flash fiction? Sumitra: I don’t know if I am qualified to answer this question! I feel like I am still learning. I know that when I read pieces of flash that move me, they convey something unspoken about the human experience. There is a connection to my own experience, but then something that pulls me further along that curve, to a deeper understanding. I’m sure people know of the main pieces of advice – careful word, especially verb, choice, confining the subject of the story to something quite specific, and starting and ending well. I find I have to leave pieces for a while then come back to it, and then I am able to edit more effectively. I also find having others read and critique absolutely invaluable, so I really want to thank Sarah, Jane and Caoileann for the beta on this piece. WOW: Great tips! We’d love to know more about your writing routines. Could you tell us when and where you usually write? Do you have favorite tools or habits that get you going? Sumitra: Well, it always works best for me if I write daily – that helps to reduce revving time, and gets me into the meat of it quicker. That isn’t always possible, but it is more likely to happen if I take time to plan my week and slot in writing time in my diary (another thing I learned from Writers HQ!). Generally I write in my journal the minute I wake up – just for 10 minutes or so, then I allocate some other time in the day to write and to edit. Sometimes that is ten minutes, sometimes two hours. Writers can be quite hard on themselves, and I think it is important to acknowledge that we do the best we can given that we live in a world that demands other things of us (like feeding children - might be important occasionally). WOW: Yes, children do need occasional feeding and care, haha. Thanks so much for chatting with us today, Sumitra. Before you go, do you have a favorite writing tip or piece of advice you can share? Sumitra: I read Bird by Bird by Ann Lamott, a great book of advice on writing. In it she says that she doesn’t believe in writer’s block, it is just that the writer has used up all the ideas in their head, and they need to go back out into the world to gather more inspiration. I’m not sure I entirely agree with her that writer’s block doesn’t exist, because I certainly have periods of self-doubt which get in the way of creativity, but I wonder if she is talking about something a little different here – namely that it is okay to do things other than actual writing in the service of the art. Basically she has given me license to eavesdrop and people watch (thanks Ann). I really want to thank WOW and Hannah Andrade for this opportunity. I’ve really enjoyed the process. And I’d really like to encourage anyone who might be sitting on a piece to dust it off and submit. Stay safe and well everyone. Om Shanti. **** For more information about our quarterly Flash Fiction and Creative Nonfiction Essay contests, visit our contest page here. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  22. Meg’s journey with writing began at age 10 when she submitted a handwritten poem by mail to a writing competition and won. Meg most enjoys writing fiction, but finds joy in any opportunity to put pen to paper. Meg has Bachelor Degrees in English and History and a Masters Degree in English Literature. She has spent time professionally with a Shakespeare theater and taught college-level English Composition before transitioning into her current work in the nonprofit space. Today, Meg is the CEO of a nationally recognized nonprofit that serves people experiencing homelessness, where she has been honored as a top 40 under 40 Person in San Francisco and has received recognitions from the Mayor of San Francisco and Governor of California. She enjoys hiking, puzzling, baking, and traveling. While her favorite place in the world is London, her second favorite place is in her reading chair next to her dog, Tonks. Read Meg's essay here and then return to learn more about the author. ----------Interview by Renee Roberson WOW: Meg, congratulations on placing in this contest, and welcome! We're excited to learn more about you. How did you first get the idea for the structure of “Studious,” including the mention of the color-coded binders? Meg: I approach most things in life the same way, with a well-planned outline! Even in my writing, I like to plan the story out first. So, as I was thinking about this very personal story, it only made sense to approach it the same way and even to highlight my very organized nature in the story with the image of the binders. I can laugh at the fact that I made an outline for a story about the fact that I enjoy making outlines! WOW: What made you decide to make the transition of writing college-level writing to CEO of a nonprofit? Meg: When I finished graduate school with a Masters in English Lit, my first professional role was at the Shakespeare Project of Chicago. I took the position because of the focus on Shakespeare and because I enjoy writing historical fiction around his time period. What I found in doing that role was how much I loved working with an organization that had a direct impact on the community. I began to use my writing background to support nonprofits with their grants, specifically supporting organizations that served people experiencing homelessness. Over time, my work in the nonprofit space became more predominant than my time spent writing. Though like many aspiring writers that have full time jobs elsewhere, in the back of my mind there is always a story hoping to be told one day. WOW: Who are some of your favorite authors to read? Meg: I have spent a lot of my life with Shakespeare. I am on the Board of the San Francisco Shakespeare Festival, worked for the Chicago Shakespeare Project, and he was a big focus of my studies. I also turn to Toni Morrison a lot for style inspiration, she has a seamless way of making prose sound like poetry. But if you were to try to understand my favorite authors based upon my bookshelves, you would find such an array of stories and voices that it would be impossible to know! WOW: You mention your favorite place in the world is London. What is it about the city that brings you so much joy? Meg: I have always felt that I was meant to be born in England, and it was a mistake for me to be born anywhere else. When you walk around London, you can feel literary history hidden everywhere. An unassuming pub turns out to have been frequented by George Orwell and friends or the place that inspired Anthony Burgess to write Clockwork Orange. Even today, it is a culture that thrives on telling stories. Theatre is not only revered there, but accessible to the general public. You might stumble upon an afternoon play in the park, only to realize you are watching the most brilliant version of “Who’s Afraid of Virginia Woolf?” you have ever seen. Even as I write this, I find myself distracted looking for available flights to return... WOW: Do you have any advice for writers who are just starting to venture into creative non-fiction writing? Meg: Nonfiction can feel like you are telling a story that doesn’t yet have a conclusion. My advice would be that you don’t have to wait for what you consider to be the ending of your story to start writing it, because if you’re always waiting for the ending, you may never get the chance.(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  23. Renee's post (hot off yesterday's press) about blending genres got me thinking. I mean, I'm in the middle of reading a YA novel that blends genres. It has threads of journalism, along with nubby nubbins of true crime drama. Thinking about blending genres got me thinking about why I read... and why all writers need to read. It fills the well Of course, if you read something crappy, it might inspire you to make your lines really sing. I recommend you read poetic prose. Novels with plots so engaging, your butt has a permanent crease line because you've been stuck on the edge of your seat for 378 pages... and you're gonna mourn when you finish it because it's. Just. That. Good. Subliminally, we become better writers as we read wonderful writing. It solves problems I'm writing avoiding writing a manuscript about Emmett Till. It's gone through several iterations. It's a contemporary novel, set long after Till was tortured and then killed. Reading Hollow Fires has given me an idea of how I can get Emmett into the story in a unique way. It's recess Reading great stuff lets our brain take a break from writing... while still keeping the gray matter semi-engaged. Of course, I could be watching the last season of Ozark instead of reading (which I still haven't done, sodon'ttellmewhathappenedtoRuth) but truly, settling down and reading prose or poetry is better than TV watching or knitting for us as writers... which leads me to the final reason I'm throwing up to the spirits today: It's part of the grunt work Dancers work out. Teachers go to workshops. Boxers tape up their fists (right?). Reading is the pre-writing work writers need to do. Stephen King, in his primer On Writing, has given us a memoir-instruction book. He said: Let a good book sweep you away... and then you can work your rear end off trying to write something that sweeps others away. Good writing, on the other hand, teaches the learning writer about style, graceful narration, plot development, the creation of beautiful characters, and truth-telling. A novel like The Grapes of Wrath may fill a new writer with feelings of despair and good old-fashioned jealousy – “I’ll never be able to write anything that good, not if I live to be a thousand” – but such feelings can also serve as a spur, goading the writer to work harder and aim higher. Being swept away by a combination of great story and great writing – of being flattened, in fact – is part of every writer’s necessary formation. You cannot hope to sweep someone else away by the force of your writing until it has been done to you. Let a good book sweep you away... and then you can work your rear end off trying to write something that sweeps others away. What book or poem or short story has swept you away? Curious Sioux wants to know. (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  24. Photo by cottonbro on Pexels.com “A reader lives many lives,” James Harris said. “The person who doesn’t read lives but one. But if you’re happy just doing what you’re told and reading what other people think you should read, then don’t let me stop you. I just find it sad.” - From "The Southern Book Club's Guide to Slaying Vampires." I finished up a book this weekend that left me eagerly heading over to Amazon and Goodreads for the book reviews, because it was such a fascinating example of storytelling. I first noticed the book, “The Southern Book Club’s Guide to Slaying Vampires,” last summer while browsing one of my favorite independent bookstores. Both the title and cover intrigued me, but I already had another book in my hand, so I put it back. Someone in my family remembered me talking about the book so I got it as a Christmas gift. Any book about a book club is going to be an automatic draw for me, but a book club set in 1990s Mt. Pleasant, South Carolina where the women decide to be “rebels” and discuss only spooky books like true crime and suspense/thrillers? Count me in, especially when a mysterious man moves into the neighborhood who may or may not be a vampire. Yes, you read that right. At first, I thought the protagonist, Patricia, was only mistaking new resident James Harris for a vampire. She did invite him into her home and offered to let him be the only male member of their club. This book, authored by Grady Hendrix, is described as “Steel Magnolias” meets “Dracula.” I described it as “Steel Magnolias” or “Fried Green Tomatoes” meets “Fright Night,” after that move set in the 1980s. Not only are there themes of female friendship, an exploration of race relations in the south, but there is also plenty of horror thrown in. So if you’re not up to someone’s ear being bitten off or a large band of rats attacking an elderly woman, this book may not be for you. As an avid reader of true crime, I also enjoyed reading about the characters’ discussions about famous books like “The Stranger Beside Me,” and “Helter Skelter.” The author includes an annotated true-crime reading list as bonus content at the end of the book. But as a writer, I was fascinated by the blend of storytelling the author created. I’ve never read anything quite like this, and it made me rethink ways I could tell new stories in the future. It can be a tough sell to readers, though, based on the reviews of “The Southern Book Club’s Guide to Slaying Vampires.” Some reviewers thought it was a compelling exploration of the themes, and appreciated the horror aspect. Other reviewers hated the way the male characters treated their wives and how the police didn’t care to investigate when Black children went missing or died mysteriously in the town. I believe the author set out to write a southern gothic book and succeeded with the character development and themes explored. Have you read an interesting work (or written one?) lately that blended different genres? I’d love to hear your thoughts! Renee Roberson is an award-winning writer and creator of the true crime podcast, Missing in the Carolinas. She now knows that picking up "The Southern Book Club's Guide to Slaying Vampires" on a night she had insomnia may not have been a good idea.(C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
  25. We're almost to the mid-way point on 2022 (can you believe it?) and I figured it's time to do a reflection post. This time of year is great for resetting goals and reflecting on how things have gone so far. I feel like I've taken major strides in writing so far. I've worked more with editors this year than I have in previous years and have gotten more income from my writing than in other years too. While I haven't had my fiction published, submitting continues to be part of my journey and I'm hoping to end the year with an acceptance. So with all of this in mind, here are a few things I've learned that maybe can help you: Your story isn't for everyone.I recently started submitting a story of mine that has strong Christian elements. It's probably the first story with this in the overarching theme, and someone recently asked me, "Do you plan on submitting to Christian literary mags? Have you thought of that?" Well, to be honest, I hadn't at the time. I always have those first round of lit mags that I send to, in hopes one day, they will accept my work. Then I go down the line of researching and submitting it to the next batch. With this in mind though, considering that kind of short story isn't for everyone, I scouted out lit mags catering to that niche audience that loves those kinds of stories. It's a reminder to me that knowing your audience is key to your writing success. It's okay to take a pause.I recently had an opportunity to accept a writing job but felt the need to take a pause. I told the person I wasn't sure if I could take on other projects at the moment. I have a bad habit of seeing a window of free time as an opportunity to pile on more work (instead of seeing it for what it is: a window of free time). I've taken pauses in other ways too. For example, my blogs and social media are definitely on the back burner these days. As a result, I feel better. I can't say I don't pop in occasionally but my activity is more passive than active these days. All editors and people who critique your work are unique.And sometimes that uniqueness is a challenge. I find some editors like a million exclamation points when asking for clarity, some critiquers have no need to share something positive they liked, and others have a gift for being helpful without hurtful. It's all a balance. What I've tried to keep in mind is that I hope to learn something from someone's feedback and edits in some way. When I'm at the revision stage of something and asking for edits, feedback, or critiques, I'm not walking into it assuming I'm totally right. I remember it's a learning process and I want to learn (not be told I'm right). Grammar software is a must.I LOVE grammar and proofreading software. I am currently using the free version of Grammarly. I've also used the paid version and the paid version of ProWritingAid. Both are unbelievably helpful with writing. I highly recommend either one of them. They've helped me catch many of my own mistakes. Keep going.I've had several stories this year come under the revision knife again. It's always a challenge that leaves me wondering if I just need to let the story go. But I figure, why not keep trying? Keeping up with writing is a marathon. It's definitely a long-haul journey that requires stamina to keep going. What have you learned this year so far? (C) Copyright wow-womenonwriting.com Visit WOW! Women On Writing for lively interviews and how-tos. Check out WOW!'s Classroom and learn something new. Enter the Quarterly Writing Contests. Open Now![url={url}]View the full article[/url]
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