The Paris Review - A Literary Wonderland
From one of the most classic literary journals of all time, famous for its author interviews (among other things), comes the PR feed. Grab your coffee and conjure your most literary mindset cause you're going to need it. Academics and shut-ins will wet their pants over this. Ya gotta love it!
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Ladan Osman. Photo: Beowulf Sheehan. Ladan Osman is the author of Exiles of Eden (Coffee House Press, 2019), winner of the Hurston/Wright Legacy Award, and The Kitchen-Dweller’s Testimony (University of Nebraska Press, 2015), winner of the Sillerman Prize. She has received fellowships from the Lannan Foundation, Cave Canem, the Michener Center, and the Fine Arts Work Center. Osman’s first short film (codirected), Sam Underground, profiled Sam Diaz, a teenage busker who would become the 2020 American Idol. She was the writer for Sun of the Soil, a short documentary on the complicated legacy of Malian emperor Mansa Musa. It was selected for inclusion in the Cannes Internat…
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Sylvia Khoury. Photo: Yael Nov. Sylvia Khoury is a New York–born writer of French and Lebanese descent. Her plays include Selling Kabul (Playwrights Horizons, Williamstown Theater Festival), Power Strip (LCT3), Against the Hillside (Ensemble Studio Theater), and The Place Women Go. She is currently under commission from Lincoln Center, Williamstown Theater Festival, and Seattle Repertory Theater. Awards include the L. Arnold Weissberger Award and Jay Harris Commission and a Citation of Excellence from the Laurents/Hatcher Awards. She is a member of EST/Youngblood and a previous member of the 2018–19 Rita Goldberg Playwrights’ Workshop at the Lark and the 2016–18 WP Lab. …
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Sarah Stewart Johnson. Photo: Beowulf Sheehan. Sarah Stewart Johnson grew up in Kentucky before becoming a planetary scientist. She now runs a research lab as a professor at Georgetown and works on NASA missions. Her writing has appeared in The New Yorker, the New York Times, the Los Angeles Times, The Harvard Review, and The Best American Science and Nature Writing. Her book, The Sirens of Mars: Searching for Life on Another World, was selected as one of The New York Times Book Review’s 100 Notable Books of 2020. * An excerpt from The Sirens of Mars: Mars, after all, is only our first step into the vast, dark night. New technologies are paving the way for life-detect…
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Marwa Helal. Photo: Beowulf Sheehan. Marwa Helal is the author of Invasive species (Nightboat Books, 2019), Ante body (Nightboat Books, forthcoming 2022), and winner of BOMB Magazine’s Biennial 2016 Poetry Contest. She is also the author of the chapbook I AM MADE TO LEAVE I AM MADE TO RETURN (No, Dear/Small Anchor Press, 2017) and has been awarded fellowships from the Jerome Foundation, NYFA/NYSCA, Poets House, and Cave Canem, among others. Born in Al Mansurah, Egypt, she currently lives in Brooklyn, New York. * Two poems from Invasive species: “poem to be read from right to left” language first my learned i second see see for mistaken am i native go i everywhere…
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Donnetta Lavinia Grays. Photo: Beowulf Sheehan. Donnetta Lavinia Grays is a Brooklyn-based playwright who proudly hails from Columbia, SC. Her plays include Where We Stand, Warriors Don’t Cry, Last Night and the Night Before, Laid to Rest, The Review of How to Eat Your Opposition, The New Normal, and The Cowboy is Dying. Donnetta is a Lucille Lortel, Drama League, and AUDELCO Award Nominee. She is the recipient of the Helen Merrill Playwright Award, National Theater Conference Barrie and Bernice Stavis Playwright Award, the Lilly Award, Todd McNerney National Playwriting Award, and is the inaugural recipient of the Doric Wilson Independent Playwright Award. She is curren…
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Tope Folarin. Photo: Beowulf Sheehan. Tope Folarin is a Nigerian American writer based in Washington, DC. He won the Caine Prize for African Writing in 2013 and was shortlisted once again in 2016. He was also named to the 2019 Africa39 list of the most promising African writers under 40. He was educated at Morehouse College and the University of Oxford, where he earned two Masters degrees as a Rhodes Scholar. A Particular Kind of Black Man is his first book. * An excerpt from A Particular Kind of Black Man: Tayo and I learned early on that all junkyards are basically the same. Dad had been taking us to junkyards all over Utah since we were toddlers, and we’d grown acc…
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Steven Dunn. Photo: Beowulf Sheehan. Steven Dunn, aka Pot Hole (cuz he’s deep in these streets) is the author of two novels from Tarpaulin Sky Press: Potted Meat (2016) and water & power (2018). Potted Meat was a finalist for the Colorado Book Award, and shortlisted for Granta Magazine’s Best of Young American Novelists, and adapted to a short film by Foothills Productions. The Usual Route has played at L.A. International Film Festival, Houston International Film Festival, and others. He was born and raised in West Virginia, and teaches in the M.F.A. programs at Regis University and Cornell College. * An excerpt from Potted Meat: LOSE A TURN Grandma thinks I’m he…
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Jordan E. Cooper. Photo: Beowulf Sheehan. Jordan E. Cooper is an OBIE Award–winning playwright and performer who was most recently chosen to be one of OUT Magazine’s “Entertainer of the Year.” Last spring he had a sold out run of his play Ain’t No Mo’, a New York Times Critics Pick. Jordan created a pandemic-centered short film called “Mama Got A Cough” that’s been featured in National Geographic and was named “Best of 2020” by the New York Times. He is currently filming The Ms. Pat Show, an R-rated “old school” sitcom he created for BET+, which will debut later this year. He can also be seen as “Tyrone” in the final season of FX’s Pose. * An excerpt from Ain’t No Mo’:…
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Joshua Bennett. Photo: Beowulf Sheehan. Joshua Bennett is the author of three books of poetry and literary criticism: The Sobbing School (Penguin, 2016), Owed (Penguin, 2020), and Being Property Once Myself (Harvard University Press, 2020), which was a winner of the Thomas J. Wilson Memorial Prize. He is the Mellon Assistant Professor of English and Creative Writing at Dartmouth College. Bennett holds a Ph.D. in English from Princeton University, and an M.A. in Theatre and Performance Studies from the University of Warwick, where he was a Marshall Scholar. He has received fellowships from the National Endowment for the Arts, the Massachusetts Institute of Technology, the…
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In Off Menu, Edward White serves up lesser-told stories of chefs cooking in interesting times. Alma Reville with a wax figure of Alfred Hitchcock’s head, 1974. © Philippe Halsman/Magnum Photos. Within the shifted reality of an Alfred Hitchcock movie there is no steady fact of existence that cannot be undermined. The ambiguity extends even to food and drink. In Notorious, Ingrid Bergman’s heroine is poisoned in her own home by a cup of coffee, while homebodies in The Man Who Knew Too Much feel discomfort in foreign lands because of the exotic food they are fed. In mid-twentieth-century America, nothing could be more wholesome and nourishing than a glass of milk—except wh…
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Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Suzan-Lori Parks. Photo courtesy of Parks. This week at The Paris Review, we’re thinking about writing for the screen and stage versus the page. Read on for Suzan-Lori Parks’s Art of Theater interview, James Salter’s short story “The Cinema,” and Claribel Alegría’s poem “Documentary.” If you enjoy these free interviews, stories, and poems, why not subscribe to The Paris Review? You’ll also get four new issue…
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Photo: Gabby Laurent. One morning last week, while sitting at my desk attempting to make headway on various writing assignments, I went on Craigslist and bought a motorcycle—a banana-yellow 1969 Honda CT90 Trail. It was something I had been thinking about doing for a while. I’ve been interested in motorcycles since I was a kid, and a few years ago, I took a course and got my license. But if I’m being honest, the decision to finally bite the bullet and get a bike was at least partially influenced by the opening essay of Rachel Kushner’s new collection, The Hard Crowd. Kushner, the author of the novels Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2…
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N. Scott Momaday Will Receive Our 2021 Hadada Award; Eloghosa Osunde Wins Plimpton Prize
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Every year, the Paris Review Board of Directors gives awards to recognize remarkable contributions to literature. This year, the directors are celebrating two extraordinary writers and taking special steps to ensure the future of exceptional writing. Read on to learn about the ways we are celebrating this year. The Hadada Award N. Scott Momaday. Photo: Darren Vigil Gray. The Paris Review Board of Directors is pleased to announce that N. Scott Momaday is the recipient of the 2021 Hadada Award, presented each year to a “distinguished member of the writing community who has made a strong and unique contribution to literature.” Previous winners include Joan Didion, Philip…
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Nona Fernández. Photo: Sergio Lopez Isla. Courtesy of Graywolf Press. There is an incantatory quality to Nona Fernández’s The Twilight Zone, a feeling of walking, as though under a spell, and then accidentally tripping into the murky unknown. Translated from the Spanish by Natasha Wimmer, the novel traces the reverberations of Pinochet’s dictatorship throughout Chilean life from the eighties to the present day, using pop culture—in particular the television series The Twilight Zone, though Ghostbusters, Billy Joel, and the Avengers movies are also invoked—as a jumping-off point. This is a brilliant move: when reality features frequent disappearances, torture, and televi…
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National Poetry Month has arrived, and with it a second series of Poets on Couches. In these videograms, poets read and discuss the poems that are helping them through these strange times—broadcasting straight from their couches to yours. These readings bring intimacy into our spaces of isolation, both through the affinity of poetry and through the warmth of being able to speak to each other across distances. “Letters in Winter” by Maya C. Popa Issue no. 236 (Spring 2021) There is not one leaf left on that tree on which a bird sits this Christmas morning, the sky heavy with snow that never arrives, the sun itself barely rising. In the overcast nothingness, it’s …
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As is the case with far too many artists, the multitalented Frank Walter (1926–2009) did not receive his due during his lifetime. By all accounts a polymath—his second cousin recalls that “as a child, he’d sit us down under a fruit tree, and while he’s typing on one subject matter, he’s lecturing us on other matter”—Walter spent much of his life in relative solitude on Antigua, with his ideas and memories to keep him company as he painted, drew, wrote, sculpted, captured photographs, made sound recordings, and fashioned toys. He brimmed with a restless creativity; he left behind some five thousand paintings, two thousand photographs, fifty thousand pages of writing across…
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Giancarlo DiTrapano, the fearless founder, publisher, and editor of Tyrant Books, died this past week at the age of forty-seven. Fiercely independent and loyal to his writers through and through, he was an irreplaceable presence in the literary world, a one-man powerhouse of the avant-garde. With New York Tyrant magazine, he championed rising talents such as Rachel B. Glaser and Brandon Hobson, and his record with Tyrant was astounding: over the course of a little more than a decade, he published Scott McClanahan’s The Sarah Book, Marie Calloway’s what purpose did i serve in your life, an omnibus of Garielle Lutz’s short stories, Atticus Lish’s Preparation for the Next Li…
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Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Elizabeth Bishop. Photo: Alice Helen Methfessel. Courtesy of Frank Bidart. This week at The Paris Review, we’re celebrating the release of Poets at Work, our latest anthology of interviews. Read on for work by three of the writers included in the book: Elizabeth Bishop’s Art of Poetry interview, Ishmael Reed’s poem “The Diabetic Dreams of Cake,” and Pablo Neruda’s poem “Emerging.” You can also read Paris Revi…
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Leonora Carrington, Playing Tarot, ca. 1995, graphite and gouache on paper, 22 x 36 1/4″. Private collection. © Estate of Leonora Carrington / ARS, New York. “With a mysterious smile on her lips,” writes the Chilean film director Alejandro Jodorowsky, “the painter whispered to me, ‘What you just dictated to me is the secret. As each Arcana is a mirror and not a truth in itself, become what you see in it. That tarot is a chameleon.’ ” This comes from Jodorowsky’s The Book of Tarot; the painter in question is Leonora Carrington, the British-born, Mexico City–based surrealist famed in life and death as much for her strange, entrancing writings as for her visual art. And th…
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Portrait of young “Billie” Wilder, ca. 1926. Courtesy of the Film Archiv Austria. Long before the award-winning Hollywood screenwriter and director Billy Wilder spelled his first name with a y, in faithful adherence to the ways of his adopted homeland, he was known—and widely published, in Berlin and Vienna—as Billie Wilder. At birth, on June 22, 1906, in a small Galician town called Sucha, less than twenty miles northwest of Kraków, he was given the name Samuel in memory of his maternal grandfather. His mother, Eugenia, however, preferred the name Billie. She had already taken to calling her first son, Wilhelm, two years Billie’s senior, Willie. As a young girl, Eugenia…
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Vanessa Springora. Photo courtesy of HarperVia. “For many years I paced around my cage, my dreams filled with murder and revenge,” writes Vanessa Springora toward the beginning of her book Consent (translated from the French by Natasha Lehrer), which details the abusive relationship she endured at the age of fourteen with the writer Gabriel Matzneff, then fifty. “Until the day when the solution finally presented itself to me, like something that was completely obvious: Why not ensnare the hunter in his own trap, ambush him within the pages of a book?” Consent is that elegantly laid trap, a memoir that asks sharp questions about desire, literature, and a culture that feti…
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Published earlier this week, Poets at Work is the latest from Paris Review Editions, the book imprint of The Paris Review. The anthology gathers thirteen Art of Poetry interviews from the magazine’s nearly seven decades of history. In the book’s preface, which appears below, The Paris Review’s poetry editor, Vijay Seshadri, explains the process by which he selected this baker’s dozen, as well as the particular pleasures of the magazine’s Writers at Work interview series. The Paris Review’s first Art of Poetry interview was with T. S. Eliot, and was published in issue no. 21, Spring–Summer 1959. As the magazine had been publishing interviews since its inception, in 1953…
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National Poetry Month has arrived, and with it a second series of Poets on Couches. In these videograms, poets read and discuss the poems that are helping them through these strange times—broadcasting straight from their couches to yours. These readings bring intimacy into our spaces of isolation, both through the affinity of poetry and through the warmth of being able to speak to each other across the distances. “Leaving Another Kingdom” by Gerald Stern Issue no. 90 (Winter 1983) I think this year I’ll wait for the white lilacs before I get too sad. I’ll let the daffodils go, flower by flower, and the blue squill go, and the primroses. Levine will be here by th…
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Hanif Abdurraqib. Photo: Megan Leigh Barnard. Hanif Abdurraqib spent the winter shoveling. In Columbus, Ohio, his hometown, he often found himself spending hours clearing the snow from his driveway, only for it to start back up again as soon as he was done. Sometimes, his neighbor would be out there, too, and as they braced themselves for the cold and the work ahead of them, they’d exchange a smirk, a raised eyebrow, and a nod, as if to say, Ain’t this some shit. Abdurraqib laughs as he offers this anecdote, not just because it’s funny but because of the simple, effervescent joy that bubbles up from beneath interactions like this—when you’re with your people, and things …
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Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter. Ha Jin. Photo: © Dorothy Greco. This week at The Paris Review, we’re using our olfactory senses. Read on for Ha Jin’s Art of Fiction interview, Fleur Jaeggy’s story “Agnes,” and May Swenson’s poem “Daffodildo.” If you enjoy these free interviews, stories, and poems, why not subscribe to The Paris Review? You’ll also get four new issues of the quarterly delivered straight to your door. Ha Jin, The Art of …
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