Women on Writing - WOW and WOW!
Women On Writing is an online magazine and community for women writers. Among major topics are novel writing, indie publishing, author platform, blogging, screenwriting, and more. Lots of contests and general jocularity sans frittering on the part of Earth's most powerful humans.
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by Adele Holmes In 2019, while pitching my first novel which involved discrimination during the Jim Crow era, I was asked if I’d had a sensitivity read. In all honesty I’d never heard of the term, but its implication was fairly easy to pick up, so I brightly replied, “Yes.” I’m white. Two of my beta-readers were Black. They both heartily approved of my manuscript. That’s the same as a sensitivity read, right? As it turns out, the answer is a definitive, “No.” Luckily the agent did not offer a contract, and I went home to delve more deeply into the subject of sensitivity readers. A web search for articles from within the writing community revealed a deep divide—imagin…
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Back in May, I shared how I used an outline and beats and book-mapping in my latest manuscript. All of those methods were in the beginning to the middle to the end-of-writing/revising and though it may seem like a LOT, the writing process with this novel has been the smoothest yet. BUT I promised you a last quirky tip that I opted to use this time once I was at the stick-a-fork-in-it, this-book-is-done stage. So here it is: COLOR-CODING! Oh my word, I love color-coding. Not just with manuscripts; I’ve used color-coding for all sorts of organizing! But I don’t have time to go down that rainbow rabbit hole. Today we’re here to see how color-coding your manuscript can be …
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Kathryn’s Bio: Kathryn A. Brackett is a native of South Carolina and holds a MFA in Fiction from the University of Pittsburgh. Throughout her writing career she’s developed her craft at prestigious programs like Sewanee Writers’ Conference while earning numerous accolades in literary competitions, some judged by notable writers like Sara Gruen. Brackett’s writing has also appeared in print and online literary journals, to name a few, Emrys Journal, Waccamaw, Mythium: The Journal of Contemporary Literature, and most recently, a horror/love story about Friday the 13th in Tales from the Moonlit Path. Her work has been anthologized in Short Story America, and in the early s…
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The past few months have led me down the road of revisions again. It's not too uncommon for me to continue revising, even after I've begun to submit. Somehow, it eases the sting of rejection to know I'm in an ongoing state of improvement. In fact, I've recently re-revised two short stories of mine and they have been sent out to the world with renewed hope of acceptance. At the moment, I'm looking at another short story of mine this hot afternoon in June and recognize that vague feeling that it's "missing something." I read it freshly, only to realize that around page three, I was beginning to skim it. It's one of the few short stories I've written that feels purely fict…
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At a "Stranger Things" experience in NYC. Years ago, I attended a children’s writing conference where an agent begged the audience to please not write about the time we grew up in. While I could see what she meant by the advice, I also got a good response later that year when I sent the opening pages of a middle grade novel to an editor I’d met at the same conference. In the words of the editor, my story about a girl who traveled back in time to the 1980s to meet the childhood version of her favorite teacher “had an intriguing premise,” but I hadn’t quite nailed the voice of the protagonist yet. I’ve begun noticing a trend of bringing back pop culture from 10, 20, even …
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I'm excited to interview Leila Murton Poole, runner-up in our 2021 Flash Fiction contest. Make sure to read her story A Convenient Curse then come on back to read our interview. First, a bit more about Leila: Leila is a writer/director who enjoys seeking out worthy stories to bring to the page and screen. She is currently based in New Zealand but loves to travel. In fact, she traveled from the UK to New Zealand without flying; a journey which constantly inspires her work. Her latest short film Le Miroir has just finished a successful festival run, screening all over the world, and has recently been released online. In 2021, she won the NYC Midnight Screenwriting Competiti…
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Last week one of my writing buddies emailed me. Progress on her project had stalled but she found an online writing course. She wasn’t familiar with the instructor, a fellow children’s writer, and wanted my opinion. Would this class be a good way to move her writing forward? There are so many classes, workshops, and webinars available. But not every event is created equally, and even the good ones may not be right for you and what you write. Here are the things she and I examined so that she could make an informed decision. Is it a class, a workshop, or a webinar? Sadly, not everyone uses these terms in the same way. Any one of the three can be interactive, can take…
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I'm having an affair with Taylor Sheridan... and it is indeed sordid. What makes me think it's an affair? Let's look at the characteristics of an affair: Affairs involve shameful activities... activities perhaps fueled with such passion that the lurid things are done on a couch. Check. Affairs involve activities that go well into the night--so late that night drifts into morning. Check. Having an affair leaves you sweaty. Exhausted. Check. When you are immersed in an affair, you often hide details, out of embarrassment or shame. Check. In one day, I inhaled the series 1883--all 10 episodes in one epic day. I was stretched out on the couch, unconcerned that…
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by Fran Hawthorne “Don’t drag down the narrative momentum by describing every single, ordinary action your characters take to get from Point A to Point B.” That’s a standard piece of advice for fiction writers. If Jane’s nitpicking sister, Lois, unexpectedly turns up at the front door while Jane is eating breakfast, there’s no need to mention that Jane put down her fork, pushed back her chair, and walked to the door—unless Jane’s particular style of fork-putting, chair-pushing, or walking reveals something significant about her personality. For instance, if Jane shrieks and hurls her fork to the floor, that could be a clue that she’s easily rattled. So, according to th…
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Raise your hand if you had a rough week. Or few months. Or year. Or it feels like things have been rough, in general, for a very long time. Good, I'm not alone. From being ghosted to an endless borage of rejections, writing hasn't been very fun lately. It's been one of those times where I'm baffled that I can put a sentence together let alone make a living off of writing in some capacity. If you've ever been there or are currently there, I hope you know that I understand. I realized that when writing has become too much work and less creatively play, a sneaking feeling of being jaded comes in. In fact, I love Merriam-Webster's second definition of this word: (2) made dul…
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Dr. Benjamin Gilmer, author of "The Other Dr. Gilmer" I was reading the featured article in a recent marketing newsletter from an author. A writer submitted a piece about how working as an editor for a small-town newspaper had helped her become stronger in the craft. I could relate, because working as a freelance writer for newspapers and magazines is also what helped me become a better writer. And the bonus? I’ve met some interesting people over the years, and learned about food, culture, travel, fashion, history, and home design. Here are a few memorable assignments I can think of off the top of my head that have stayed with me: This past March, I researched and wro…
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Bio: After working in both marketing and editorial arms of publishing, Yvonne worked as a teacher of academic EFL, mostly in the UK and for a short time in Indonesia. Her foray into flash fiction and short story writing coincided with the outbreak of the Covid pandemic which gave her more free time to devote to an unfulfilled passion for creative writing. As well as WOW, she has had work published by Reedsy, Oxford Flash Fiction, LISP (London Independent Story Prize) and Strands, amongst others. In Autumn 2021 she won the Glittery Literary long short story prize. She was born in Chester, in north-west UK, but for the past twenty years has lived in another Roman city, Chi…
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Nothing is ever simple anymore. Just today, I had the plumber come out to fix the faucet in my kitchen. And right from the get go, I was told he’d have to run a diagnostic. Every little possibility had to be considered, even if it turned out to be a simple problem. (Which it did, after checking who-knows-what-all.) There’s no more jumping in and hoping for the best. And I’m finding that’s particularly true with self-publishing. So much to be considered before one takes the plunge! Like hybrid publishing or do-it-yourself? Or whether to use a service to set up an LLC or skip setting up a business altogether? Which platform for this, what app for that? One has to “run th…
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By Madeline Dyer Almost every writer at one point in their career has been asked by an editor to show rather than tell. Telling the story rather than showing it is a mistake that nearly all writers make early on in their career, and manuscripts and submissions will be returned with requests for more showing. But what exactly is showing, why is it important, and how do you achieve it? What is showing vs telling? In short, showing encourages the reader to experience something with the character, rather than simply being told that something has happened. Showing is about conveying information through imagery and emotion, whereas telling uses exposition. Showing some…
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By Bobbie Christmas Q: After five years I have completed my autobiography. After submitting many query letters with the word count of 777,568 I have been informed that as a new author no one is going to take a chance and publish me, because the cost would be great. I am told the book should not be more than 90,000 words. How can you help me to condense my book, and what would the cost be? A: The advice you received is correct, that publishers prefer most first-time authors to keep their books at or under 100,000 words. Because the length of a manuscript affects the cost to produce it as a book, publishers rarely accept manuscripts of 500,000 words or more, unless the au…
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Joanne has recently decided to take Pablo Picasso’s words to heart: It takes a long time to become young. Now old enough to be well and truly young, she is spreading her creative wings and sharing her written work more widely, through contests, writing groups, with friends and family. Joanne has never met another person whose childhood, like hers, was marked by parents admonishing her to “put that book down and get outside and play,” but is sure they exist. Dubbed “the Bookworm” in childhood, she also loved to draw and write. Her earliest readership was her grammar school classmates who would be asked to vote on the cartoons she created and circulated. Joanne majored in …
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by Marcia Peterson Who would want to hear about my boring life? How can I write something compelling when my personal history is nothing special? These are questions many of us ask ourselves—and they can stop us in our writing tracks. But ordinary can be enough, even great. First, you’ve got more material from your so-called boring life than you think. Second, strong writing skills can make almost any story interesting. It’s time to believe in your stories and get your pen moving! Who’s to say you’re uninteresting? We tend to believe that most people already know or experience a lot of the same things that we do, and therefore what we have to offer is common. But e…
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A bit of distance can help spot manuscript flaws. Earlier this week, I stopped by Twitter before getting to work for the day. A friend had posted about getting down to edits on her current project. “I need to make sure that I focus on macro-edits today instead of diving into micro edits.” I totally understand. Micro-edits are so much easier to spot. Our word processors help us by underlining spelling errors, highlighting grammar problems, and even making some changes automatically. Macro edits? Those take careful reading an analysis to locate. Back in May, I posted about macro-edits. Those are the big-picture items that are all about pacing and structure, charac…
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by Elizabeth Maria Naranjo In the summer of 2017 I began work on what I thought was a short story. It certainly wasn’t going to be a novel. I hadn’t written a novel in two years, and it had been three since my first one debuted. Part of the problem was I kept getting lost in the details. A book about two boys who run away on a mission to find one’s missing father had me buried in research about volcanism, autism, Catholicism, and the northern Arizona wilderness. Another attempt at a novel, this one a sprawling portal fantasy, produced a notebook’s worth of mythology and worldbuilding but only a chapter of prose. This time, I thought, I was going to stick with what I…
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Photo by Laurel Belle Photography I listened to an episode of Glennon Doyle’s podcast “We Can Do Hard Things” this past week that featured an interview with one of my favorite actresses, Reese Witherspoon. They were chatting about Reese’s inspiration for starting her production company, Hello Sunshine, which she recently sold for $900 million (she will still oversee day-to-day operations along with her CEO, as they are both significant equity holders). Reese got the idea for the company when she became frustrated by the lack of female stories represented on TV and in film. Her husband pulled her aside and said, “You read more than anyone I know. Buy the rights to a few o…
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This year has been a year of revisions for me. In part, I blame my revision obsession with my frustration on the number of rejections I've received. Unable to accept there's nothing I can do about it, I've gone over my stories with a fine tooth comb. Through the process of rejection, revision, and critiques, I've learned about a few of my writing weaknesses. It filled me with a sense of dread. Nope, that isn't how I felt about discovering my weaknesses. That sentence is one of my weaknesses. I can't tell you how many times I've spotted that in my stories now that I'm aware of it. Unfortunately, it took an editor who bluntly told me that I mentioned that phrase twice with…
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Monique’s Bio: Monique Franz is a novelist, playwright, stage director, and rock-n-roll mama-of-four who repatriated to the States after twelve years in Hong Kong. While overseas, her theatre work in Telema helped to raise city-wide awareness for asylum-seekers and refugees and was featured in Hong Kong’s TedX and Time-Out Magazine. Monique earned a Master of Fine Arts in Creative Writing from Wilkes University of Pennsylvania where she won both the Beverly Hiscox and Norris Mailer Church Scholarship Awards. She and her family currently reside in Rochester, New York where she teaches Creative Writing workshops and English Language Arts to inner-city youth. To learn more …
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I’ve been thinking about resistance a lot lately. (And not just because Chris Hemsworth used those resistance bands to get ripped for Thor: Love and Thunder.) I’m like that petulant kindergartener, fighting the first day back to school after a delightful summer vacation. I’m digging in my heels, whining to…well, in my case, Libs the poor dog. “I don’t want to,” I moan as I tackle the latest obstacle. Not that Libs cares. She doesn’t understand that I resist because things change, and my lazier self gets tired of learning the new way, even though while I’m in the midst of learning, I’m also often thinking, “Oh! This is much better!” Take a query, for example. It wasn’t …
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by Bethany Jarmul Do you have a short story, essay, or poem that is ready for publication? Ready to see your name in print (or online) and start building your writing portfolio? Here are a few tips for getting your writing published in literary magazines: 1. Discover and research literary magazines. Chill Subs is a great place to start. Also, check out: New Pages and Poets & Writers. You’ll want to get a feel for what literary magazines are out there that publish work similar to yours. 2. Read the magazines. Once you identify a few literary magazines where you’d love to see your work published, read them “cover-to-cover”—read everything they’ve published in y…
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Betsy Armstrong is a writer and Intuitive Eating coach who enjoys writing creative non-fiction essays, flash, and memoir which explore family, feelings, food, and our physical forms. Writer’s Digest and WOW! Women On Writing have recognized her essays, “The Alchemy of Apple Pie,” “Letter to My Body,” and “A Mother’s Whalesong,” in various contests; she has also been published in The Pinch Journal. She is currently at work on a memoir about losing her mother and adopting two children from Russia. Betsy lives in Chicago with her husband and two children, four pets, and a recipe collection that spans four generations. You can learn more at her website: www.betsyarmstrong.com…
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