New York Write to Pitch "First Pages" - 2022, 2023, 2024
A forum for New York pitch event alums to post samples of their scenes and prose narrative for detailed critique according to Algonkian Author Connect guidelines. Emphasis on choice of set, narrative cinema, quality of dialogue, metaphor, static and dynamic imagery, interior monologue, general clarity, tone, suspense devices, and routine line editing issues as well.
258 topics in this forum
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The taxi driver from the Gare de Lyon was like one of those cheap rides for toddlers outside a supermarket which, for only a small coin, kept going long after the fun had worn off. Eve deposited her monosyllables into the conversation and the man spoke for minutes at a time, French that only made its way to Eve’s understanding in sly bursts, like mice creeping into a house in autumn. After a few minutes, she realized that he was a person who would talk with or without encouragement and was relieved to give up the chore of understanding him. Paris went by in a startling mix of the mundane and the spectacular. There were rows of rubbish bins and traffic and…
Last reply by Hope, -
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Opening Scene of adult/new adult Science Fiction to introduce the main character, her special ability, and a little world building. Security Guild Capital (Chesapeake District) Shaanti closed her eyes to concentrate on keeping perfectly still. She held her head high, her shoulders back, hands pressed against the small of her back, and her feet shoulder width apart. It was torture. The more she tried not to move, the more her body demanded release. She was very good at many things - keeping still wasn’t one. Wearing her dress greys helped, they fit so snug. Her aunt had them specially tailored for the occasion, so this was her first time wearing them. Aunt Margue…
Last reply by DomGerard, -
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I always show up to work early but onFebruary 8, 2006 I was earlier than usual, cup of coffee in hand. The first thing I did was call my mom to wish her a happy birthday. I wanted to do it from my office phone because she loved seeing Hampton Bays School District on her caller ID. She was so proud that her son was a school principal—with even bigger aspirations. I opened with the same line I’ve used since moving out: “Mama, its Frank Vetro.” It always cracks her up. The simple things make her laugh, make her happy. She never wants a gift. I stopped buying her gifts years ago because they always go to waste. Quality time with her family is all she ever wants, and dinner wi…
Last reply by DomGerard, -
- 1 reply
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OPENING SCENE - Introduces protagonist, setting, inciting incident and the antagonists (character & new setting). CHAPTER ONE Losing the house was bad but losing this smell would be unbearable. Sally nestled her face into the bunched fabric of Maria’s sweater. The bristly wool scratched against her cheek as she inhaled hints of jasmine and ginger into her lungs. She threw the sweater on and ran downstairs into Maria’s bedroom, a mausoleum for her scent. The rug, the bed, the blankets, all still saturated with the aroma of Maria’s life. She slammed open the dresser drawers and stuck her face into the folded clothes. Maria felt closer than ever. S…
Last reply by DomGerard, -
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AIDEN I’ve got a light touch on the steering wheel. The road cuts a winding path through a dense forest, the cone of my headlights revealing just enough to see ahead. Everything else is stark blackness. Daft Punk blasts through the speakers—an EDM mix I made last year as a DJ for my high school. Back when DJs and high schools existed, that is. The bass rumbling through the seat makes me feel connected to the car. For the third time this hour, I check on the vials. With one eye on the road, I paw at the backpack resting on the passenger seat. A little obsessive? Maybe. But it’s my critical cargo, what I’m risking my life for. And I’m doing this for Marcus.…
Last reply by rachelmsterling, -
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I have Chapter 1 below, but since I'm still thinking about some revisions/edits, I'm also copying in another sample of my writing to demonstrate my prose. Chapter 1 – Opening scene, establishing setting, tone, themes, POV, introduce the protagonist and her fears, wants, and dependence on her sister, introduce interpersonal conflict, create suspense, set up the upcoming inciting incident (missing sister) CHAPTER 1 I always feared the sea would be my end. The lethal waves slap against the stone beneath my feet, they tug on the tendrils of my skirt, and reach to tear everything left from me. I imprison a breath of salty air, tightening my f…
Last reply by rachelmsterling, -
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OPENING SCENE - Introduces antagonist, setting, tone, and a foreshadows the primary conflict. I followed Mahl deeper into the jungle. Winds slapped the leaves into my face, and the torrent of rain threw sheets of freezing rain into my bones. I could not see the ground beneath me, only felt my sandals sink deep into the earth as I trudged through the muck, holding tight to the thin orrnah wrapped around my shoulders. “We should stop, Ayni.” Her voice reached my ears despite the monsoon drowning out the sound of our sloshing steps and haggard breathing. How fortunate that I could hear Mahl’s voice, even in my head. “Why?” I asked just as my kameez snagged on…
Last reply by rachelmsterling, -
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Below is the opening scene. It introduces the protagonist, antagonist, primary conflict, and setting. Travis Lynch is back in town, but I don’t know it yet. I’m naïve, a younger sister par excellence. I learned to swim when Yvette told me that the lifeguard would spank me if I didn’t jump in the pool. I believed in the Tooth Fairy even in the face of my classmates’ denials, and when I caught my dad putting a coin under my pillow, I reasoned that the real Tooth Fairy had gotten sick. I showed up at the ninth grade Halloween dance dressed as a playing card, believing one of the cool girls in my class when she said we could go as a pair of aces. I was the only one…
Last reply by Natasha Williams, -
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Just before she leaps from the ledge. When the light is such that the street below remains a half answered question. She presses her toes together so that the blood drains and the tips become white against the rich colored bricks. Then, without breath. Without hesitation. She goes barefoot. Out into the radiating darkness. Her hair floats soundlessly above her and her shirt luffs against her body. It is 5.9 seconds from the cloudless sky to the earth. Just longer than it takes to blow out a birthday candle. There is a mathematical equation to represent the force exerted by the pavement upon her body. It's easier …
Last reply by Natasha Williams, -
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- 638 views
CHAPTER ONE.docx
Last reply by Natasha Williams, -
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Cars gathered in the Saint Jude’s parking lot. Cars with Saint Christopher medals and pine air fresheners swaying in unison—cars with crank windows and dirty ashtrays, Turtle Waxed sedans in from the suburbs and garages of their very own, a car with one red door and Bondo over the left rear fender. The gentle widows, the steadfast, the devout, the terrified of dying, the good wives clutching handbags in the passenger seats, the ones who were brought up to do the right thing. One after another, they surfed the derelict potholes, exhaust pipes scraping the asphalt. Then came the hearse, jostling the dead, and the bagpipe player (he drove a Lexus.) The news van was no surpri…
Last reply by Natasha Williams, -
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Life, Liberty, and Kanafa: How an Immigrant's Daughter Escaped Abuse and Found Her Destiny PROLOGUE It took me about a year to realize that I had married a cult leader. There were some dead giveaways. He was almost three times my age. He was the pastor of a “free church” that wasn’t registered with the IRS. He kept tens of thousands of dollars worth of silver stashed in his bedroom closet. And he owned six firearms. But I knew all that before I married him. When I stopped attending his church, he spoke to his attorney and came back to me with a property settlement agreement. I opened my own bank account and …
Last reply by Natasha Williams, -
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It was at Shari Saltzman’s Bat-Mitzvah that I asked my husband if he was having an affair. While Shari and her family had carefully planned every last detail of her momentous event—from her flawless Torah reading in synagogue to the Gummy Bear toppings at the ice-cream sundae bar at the reception—I hadn’t planned a damn thing. Still, both Shari and I came of age that spring day. I’d been to plenty of coming-of-age celebrations that year. Between nieces and nephews and neighbors, it seemed every Jewish kid was turning thirteen. One party was pretty much like any other, though the Saturday night receptions promised a little more panache (for a lot more green). The Bea…
Last reply by Natasha Williams, -
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Prologue My eyes are open, but I don’t allow my body to move. There won’t be many more mornings like this one. Curled up on my side, I can hear his steady breath behind me. He sleeps on his back, his broad chest expanding with every inhale, falling with each exhale. The restful sleep of a baby. Calm, without sin. The clock on the wall ticks, indicating the passing of time. There are still a few more days until he finds out, but only a few minutes until he wakes up. Sliding my body off the California king like a snake, the blankets hardly move. When my bare feet press onto the cold floor, I hold my breath, tightening my abdomen. I don’t want to make a sound. He …
Last reply by Natasha Williams, -
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Chapter 1. Opening scene introduces protagonist's narrative structure, setting, stakes, and antagonistic forces/themes. First Year—Autumn Semester 1 Does it hurt a dragon to be called an elephant? On the morning before my first day at the Imperial Academy, Amma told me to be as noble and strong as an elephant of N’daia. I told my mother that there were no elephants here in Oreka and that I was a dragon. Amma laughed as she held my arm, and that ended the conversation. Since Amma can’t move fast like me or Abba, we took our time walking through the pebbled grounds of the palace. Everything about the palace is bright and colorful: with brown…
Last reply by Natasha Williams, -
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Includes: inciting incident, setting, tone, protagonist, supporting characters Prologue December 19, 1995 Indianapolis, Indiana Mitchell flipped on his turn signal then glanced down College in the direction of his coffee shop. Shit! Christmas shoppers had swarmed the place. The line for the drive-thru backed off the property and ran down College Avenue as far. as he could see. The light changed. Rather than just give up he went with what he knew. He drove into the intersection then made a quick right onto a parallel side street. He drove aro…
Last reply by Natasha Williams, -
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This is a scene closer to the end. Even though it's a flashback scene, it's pivotal to the story since it informs the reader about what is holding Eve back in the present day. “Honey, I’m home!” I busied myself with grating the parmigiana until I heard his footsteps in the kitchen. His loud, clunky footsteps. I told him a million times to take his damn shoes off when he came home. So unsanitary. It was a state of mind I picked up in Singapore that always stuck with me. “Eve?” I glanced at him and then picked up the salad bowl. James moved closer to me. “Are you even going to say hi?” I scoffed, avoi…
Last reply by Natasha Williams, -
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Last reply by sarahwronko, -
Primal longing is often conceived in the cage of civilization, where the danger of the wilderness can lay shrouded by a puerile enthusiasm to escape and melt into solitude. Baker County Sheriff’s Search and Rescue Coordinator, Dylan Stoke, had experienced the full gambit of enthusiastically ignorant decisions made by the out-of-their-element city dweller. Most of the time, the mishaps affected only those that deserved a little discomfort, and his SAR team could easily rectify those with a tow truck, a cup of hot liquid, or a splint. Sometimes, however, the poor decisions and lack of preparation endangered the innocent. The hinges of Stoke’s jaw retreated into hi…
Last reply by Steve Dunn, -
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UNDERTOW Opening chapter.docx
Last reply by Natasha Williams, -
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Paul Allen
Last reply by PJ Allen, -
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Text copied below and attached as pdf. Metzgar EAMP Chapter 1.pdf Metzgar EAMP Chapter 1.pdf Elvis, Aliens & Moonpies Chapter 1 Harris Lumkey sped westward on Interstate 20 toward Fort Worth hoping to make it to town before sunset. The last-minute call from his assignment editor to cover a national UFO enthusiasts’ conference irritated him to no end. “Really,” thought Harris, “I finally get a decent opportunity to break in my new routine and I have to cancel at the last minute just so I can chase down the true believers and get their views recorded for posterity?” Harris was sure this excursion was a waste of time. He’d had e…
Last reply by Emily M, -
THE INFINITE MATTER OF KAT WATBURN T.E. Bean Twenty-Two Minutes Before ထ Eight days ago, space and time were things to be relied upon. Universally speaking. Now I sat perched in a far-flung cave halfway up a near-vertical ravine, huddled with my boyfriend, Som, in a fading pocket of light as the sun moved behind a mountain, drawing angles of golden polygons among the sacred ruins before us. Fingers entwined, our backs propped against a monolithic altar, we clocked the morning half-light climbing the empty sky: a fuse igniting life in the crystals embedded within a stone temple. The entire planet plugged into one dazzling circuit. By …
Last reply by Natasha Williams, -
- 4 replies
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CHAPTER 1 - Introduces protagonist, establishes relationship to antagonist, sets tone, inciting incident takes place. Johnny Bueno stepped out of his car ready to make a killing, but he never thought fate would take him literally. Nestled against the foothills of the San Gabriel Mountains, Santa Anita Park was a beacon for the gambling addicted. A holy ground for the hobbyist. And a den of damnation for the foolhardy. And Johnny, hustling toward the track entrance determined to make the last race of the day, was nothing if not foolhardy. He glanced at his watch, a military-issued Elgin handed down by his grandfather—and counted thirteen minut…
Last reply by Don Munro, -
Prologue (first 500 or so words) Dark clouds shifted in unnatural slowness as the sun disappeared behind the moon. Only a crescent of light seeped through and even that completely vanished in minutes. Seven young women gathered like songbirds in the dense forest, depositing their blood into a stone chalice held by a figure in white, at the base of the majestic fir tree that stood well over 100 feet tall. Itzel lifted her white headdress, revealing the aristocratic features of an Aztec princess. She took the contents in the cup and poured it into the gnarled roots of the sacred tree. All of the women, save her, who had no blood to offer, chanted together the Nahuatl p…
Last reply by Carmen Gray,
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